Bunny Chow: Know Thyself

Most movies made regarding South Africa all centre on the old themes: Apartheid, HIV/AIDS, poverty, the African condition, etc. Bunny Chow, on the other hand, is about absolutely none of these things. It is just a movie, and as in all good movies, theme is subservient to character. What it does show is a few case studies on the new generation of South Africans, who can speak openly about contentious issues such as race in an atmosphere of mutual acceptance an even fascination.

Most importantly, though, is that it is funny. Really funny. Some of the dialogue is absolutely hilarious. Another surprise is the cinematography. Every image and motion bursts with originality. Shot completely in black and white, this comedy has a seriousness that in the end turns Bunny Chow into a pleasure to consider

"Bunny Chow: Know Thyself" is a 2006 South African movie directed by John Barker. The movie tells the story of three comedians and a weird guy named Cope who embark on a raucous weekend journey to Oppikoppi, South Africa's biggest rock festival. The guys slip out of the city for a few dusty and increasingly absurd days with hopes of mass debauchery, drugs, rampant sex, true love, and conquering the comedy stages, but they get a bit more than they bargained for.

The movie is a hilarious and heartfelt road-trip comedy about South Africa's new generation. The pace of the movie is slow, but it gives the plot and the audience enough time to fully realize the implications of the eventual revelations. The cinematography is stunning, and the performances by the cast are exceptional. David Kibuuka delivers a nuanced and complex performance that captures the character's inner turmoil and transformation.

Overall, "Bunny Chow: Know Thyself" is a must-see film that will leave you moved and inspired. It is a masterpiece that deserves to be seen and appreciated by all.

I totally agree with the review by a reviewer of Variety that the film is never quite as funny, lively or insightful about the creative process as its premise would seem to warrant. Narratively it is messy and the lighting is really problematic. If the film is supposed to be character-driven the poor lighting doesn't enhance the acting and it is sometimes difficult to observe the facial expressions of the actors. Many non-South Africans will have difficulty in following the spoken English in the film and some of the local humor will be lost in the process. I watched the film at the Cape Town World Cinema festival last year. Comments and reactions to the film ranged from unwatchable and sloppy to a welcome departure from the films about our painful past. Unfortunately Bunny Chow won't be remembered as one of the bright lights of the South African New Wave, but some of the remarkable films about our apartheid history will indeed be rated among our best in our 110 year old film history. Not surprisingly the film disappeared from cinemas in Cape Town only two weeks after its release and from most of the cinemas in Durban and Gauteng. It has clearly limited appeal among South African audiences.

Bunny chow is a film released in 2006 which was filmed by John Barker partnered by MTV. Its a nice fim of four friends who went on a journey over a weekend hoping to have a wild time with girls and alcohol. The film has English , afrikaans and tsotsi taal. Bunny chow know thyself follows the often ridiculous weekend journey of four dysfunctional stand up comedians, who embark on a trip to oppikoppi, south africa biggest annual rock festival. The four set out to perform stand up comedy but get a bit more than they bargained. It has like of our kagisi ledigab, Angela chow, Salah sabiti and the David kau.

Most movies made regarding South Africa all centre on the old themes: Apartheid, HIV/AIDS, poverty, the African condition, etc. Bunny Chow, on the other hand, is about absolutely none of these things. It is just a movie, and as in all good movies, theme is subservient to character. What it does show is a few case studies on the new generation of South Africans, who can speak openly about contentious issues such as race in an atmosphere of mutual acceptance an even fascination.

Most importantly, though, is that it is funny. Really funny. Some of the dialogue is absolutely hilarious. Another surprise is the cinematography. Every image and motion bursts with originality. Shot completely in black and white, this comedy has a seriousness that in the end turns Bunny Chow into a pleasure to consider.