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Salambò

  • 1914
  • 1h 24m
IMDb RATING
6.2/10
19
YOUR RATING
Mario Guaita-Ausonia in Salambò (1914)

The story relates how Salambo, daughter of Amilcar, ruler of Carthage, and Priestess of Tanit, is the keeper of the Sacred Veil "on which human eyes must not gaze." She falls in love with Ma... Read allThe story relates how Salambo, daughter of Amilcar, ruler of Carthage, and Priestess of Tanit, is the keeper of the Sacred Veil "on which human eyes must not gaze." She falls in love with Matho, a slave, who becomes the leader of a band of mercenaries, fighting for Carthage again... Read allThe story relates how Salambo, daughter of Amilcar, ruler of Carthage, and Priestess of Tanit, is the keeper of the Sacred Veil "on which human eyes must not gaze." She falls in love with Matho, a slave, who becomes the leader of a band of mercenaries, fighting for Carthage against Rome. Matho steals the sacred veil and Salambo is ordered by the priests to reclaim it.... Read all

  • Director
    • Domenico Gaido
  • Stars
    • Suzanne De Labroy
    • Mario Guaita-Ausonia
    • Cristina Ruspoli
  • See production info at IMDbPro
  • IMDb RATING
    6.2/10
    19
    YOUR RATING
    • Director
      • Domenico Gaido
    • Stars
      • Suzanne De Labroy
      • Mario Guaita-Ausonia
      • Cristina Ruspoli
    • 3User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos7

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    Top cast4

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    Suzanne De Labroy
    • Salambo
    Mario Guaita-Ausonia
    Mario Guaita-Ausonia
    • Matho
    Cristina Ruspoli
    Egidio Candiani
    • Director
      • Domenico Gaido
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews3

    6.219
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    Featured reviews

    Maciste_Brother

    Pretty good once the story settles down but a mess of sorts!

    I'm a fan of silent films and try to watch as many as possible when the opportunity arises. I'm also a fan of Sword & Sandal films and I had the chance to see the 1914 version of SALAMBO. Compared to the masterpiece CABIRIA, also made in 1914, this film is a mess of sorts.

    The film lasts 75 minutes and for the first 25 minutes or so we *only* see a series of establishing shots with intertitles telling us what's going on. That's it. No close ups. No panning or anything interesting. Only wide static shots of large crowds scenes with the main characters somewhere in there. This wouldn't be so bad if the scenes weren't filmed in such an uninteresting way (angle, composition, etc). Once Matho climbs up the aqueduct of Carthage the action finally starts(this scene is very much like when Maciste and company climb the fortress in CABIRIA). And by action I mean the camera follows the characters and the characters exchange dialogue, not necessarily action as in action-packed stuff. Movies were still in its infancy which might explain the odd and confusing narrative structure of SALAMBO. 25 minutes of mostly static shots to set-up a story is way too long, even for that time.

    Once it settles down to a visible storyline, it's pretty good and the magic of silent cinema finally takes hold but it's still a mess of sorts. Unlike CABIRIA, you can't really identify or empathize with any of the characters here. They're more like figures or shadows moving across the screen than characters. There are things that happen to the characters and I'm not quite sure why. No intertitle or dialogue telling us what just happened. There are some close-ups but they are rare. I think the first close-up within the story itself occurs 40 minutes mark. There are some close-ups of the actors at the beginning but those are there just to introduce the name of characters.

    The sets are pretty good, the crowd scenes are grand. But these things can't overcome the sloppy editing and the wobbly, unfocused narrative. The one interesting aspect of this film is one of the main characters is black, Spendius, and he's not played as a caricature or as unimportant. He's vital to the story and it's cool to see that in a film made in 1914. When Spendius enters the statue of Tanit, and what happens afterward, it's probably the best moment of the film.

    When the film on the DVD starts the words THE PRIESTESS OF TANIT appear, not SALAMBO. But the intertitles have the name SALAMBO on it. It seems the title is missing from this reel which goes straight to the introduction of the characters. The distributor of the DVD used the artwork of the 1925 made-in-France version of SALAMBO, which confused me. By the artwork, I thought I was buying that version but I really got the 1914 made-in-Italy one. The distributor should use different artwork or a photo from this film to sell this version. Oh well.

    The music, credited to Lou McMahon, often didn't go with what was happening on screen but this is not uncommon with silent films in general as the original score is lost. A new score or finding the original score would be an improvement over this one. I had to turn off the sound to enjoy it more.

    The story was adapted into another version, in 1960 titled SALAMMBO, starring Jacques Sernas and Jeanne Valérie. You can see some similarities between the two but the 1960 version, even with its faults, is more successful than this one.

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    Details

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    • Release date
      • October 1914 (Italy)
    • Country of origin
      • Italy
    • Languages
      • None
      • Italian
    • Also known as
      • Salambo, a $100,000 Spectacle
    • Production company
      • Pasquali e C.
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 1h 24m(84 min)
    • Color
      • Black and White
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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