The Guild

It's a good film. I just watched and expected more or less a cheesy adventure. And while the first 40 minutes of the film are as if lifted from a Hollywood adventure movie, it then unravels into something more intriguing and interesting. The ending is definitely worth waiting for. Lots of twists as well.

Swedish themes surge through the entire film, however. These might be hard to pick up for a non-Swede but they are there. The Swedish idea of pacifism and neutrality shows itself in form of the king (Gustaf Skarsgård) Carl XI, who only wants to kick the Danes out of his lands and sign a peace treaty. Evil, on the other hand, are not the Danes, but rather a greedy Nobleman who wants to conquer Denmark and all the states surrounding the Baltic Sea. This is a rather modern conception as well. Back then, Denmark and Sweden WERE enemies. And they probably did one-another as "evil".

The production value is surprisingly high. I was expecting something really poor in terms of... everything really. But the film team really pulled it off well. My only gripe is that in certain scenes where extras are involved, they pull of a really bad acting job. I don't know why, but Swedish filmmakers don't seem to give the same heart and soul into their extras as, say, Hollywood producers would.

In any case, the story is good. Keeps you on your toes wondering what will happen next. It's not always perfectly paced, however. I found the film to pace badly towards the middle. But after awhile it comes back in full swing.

Watch it if you want to see a good adventure. Swedish people probably get to hung up on the fact that it's "Swedish" and thus dismiss it outright before they even see it. But it's good! Surprisingly good, actually. So if you're Swedish and have already decided that you're going to hate this film, don't bother. If you want a good historical adventure, on the other hand, then watch this!

This is by far one of Swedens best efforts ever in the historical epic genre. It looks excellent and expensive, thanks to the effort of the superb cinematographer and Stein/Mårlind. In addition to the highly accomplished look of the film, the story is also fast-paced and holds together to the end, the acting is uniformly excellent as well. I admit to being somewhat biased in my review, as I have been connected to the production as a composer/arranger, alongside the main composer. I have written the orchestral arrangements and composed some additional horror/ambient music cues which has been put to great use and adds a nice flavour to the overall score, I think. Fun that another commenter noticed the music. Sadly, many people couldn't just accept this on its own terms, as a fun action film, and just saw the historical inaccuracies. Funny that many people enjoy western films although they seldom have anything to do with reality.

This movie has such a large and ambitious goal so it's no wonder it misses the mark here and there. To tell a complicated and grand-scale story with a classic set of characters and a real bad guy(who even get's a fancy bad guy's mask), with historical issues to recognize, and deal with a lot of other issues that arise in this sort of movie, is hard and it's really nothing for two guys who seem to be in it for the fun of it.

Still, you can feel Stein and Mårlind have done a real effort. There is fancy camera-work and a fancy score, there is a script with some twists and turns, there are scenes with a lot of extras and gunfights, and some pretty grave liberties taken with Swedish history(which is good in these movies).

One of the biggest problems is pacing. There's no good flow, and I think pacing is one of the largest problems for inexperienced filmmakers.

Acting is very varied. Kim Bodnia is of course the experience pool of this project, and he's good as usual, with his cool Danish uniform and un-characteristically tidy facial appearance. On second place I put Harald Leander(he played Nils's father), since I actually know the guy a bit, so I knew he was actually acting and not being himself. His performance was good, and definitely the best of the Swedish ones. The lead man is OK, nothing memorable. The bad guy (Anders Ekborg) was pretty good, and has one of the funniest parts to play.

Gustaf Skarsgård and Malin Morgan are also somewhat memorable(even though I got serious Ondskan-vibbar).

Music is good the first 3/4s of the movie but at the end it's just a monotone ticking "hurry-up" melody which really got annoying.

It was good for what it was; a Scanian semi-epic, meant for one viewing over the course of three days. I would never watch this all at once and I regret I could not see it on a large screen.

5.5/10 for the movie, 8/10 for Skåne!

Another year, another Swedish public-service Christmas spectacle. Every year around Christmas SVT has a new "big" production to show, and every year it feels at least a little bit disappointing. And as far as these go, "Snapphanar" has to be one of the worst in recent years.

What shocks me most about this production is undoubtedly the incredibly low level of ambition. It's always easier for me to forgive a movie when it aims for the stars and fail. "Snapphanar" barely aims for the tree-line it seems, and still it disappoints. Maybe it's a sign of extremely low self-esteem in Swedish public-service?

The strange thing is that on the surface this production is not that bad. The visuals are pretty good, the production values are not bad for a (in international perspective) low-budget production. But under the cracks in the surface you can see how shallow it is. Here we see the low ambition that i mentioned earlier. Historical facts are fabricated, changed or just simply ignored. And the script seems to be written by a ten-year-old. The plot is simplistic, the "twists" can be seen a mile away and the story itself is uninteresting and bland. As a theme the story about "Snapphanar" could be interesting. It's (as far as i know) a rather unique thing in Swedish history. A partisan group wanting to make the shire "Skåne" part of Denmark instead of Sweden, fighting armed battle for their cause. But the whole premise is squandered here by poor writing and non-existent regard for historical facts. Also the fact that these partisan rebels seem to be a gang completely inane idiots doesn't help. They are portrayed like a bunch of stumbling do-gooders completely without fighting skill, making it very clear why Skåne is still Swedish today.

Well, how about entertainment value? Sometimes a decent entertainment value on the surface can save even the most shallow movie. Not in this case though i'm afraid. There are just too many things to be annoyed about even if you don't think to closely about what you're watching. The incomprehensible accents (sounding like the Skåne-dialect mixed with Danish and a tinge of retardation), the "Le Pacte des loups"-inspired fighting scenes that lack energy, and the names and dialog that makes you laugh at the most inappropriate moments. Directors Mårlind and Stein have a distinctive Hollywood-complex that also shines through in a disturbing way.

I don't know how much "Snapphanar" cost to produce. It looks more expensive than most standard Swedish TV-fare but since it was made in Estonia it was probably quite cheap. No matter though since this was definitely a case of very little bang for your buck. I just wonder when Swedish TV and film-makers will understand that a good and solid script is the base in every good movie. When they understand that and hire someone decent to write the script (instead of burning their money on fight-scenes filmed from three angles), then maybe this could be entertainment rather than just a bland and boring waste of money and time.

But alas, mind you, this could have been a very good movie..

What this film suffers from, and so many other Swedish contemporary films, are the lack of individuality. The glances towards Hollywood are obvious especially in the editing and the cliché's in manuscript. The script is the biggest flaw here. The historical angle (even though a bit resculpted) works fine, but the dialog is absolutely horrible. And as mentioned the cliché's and straight forward plot could have (and has been) stolen from many American adventurefilms. The camera work are very good, the mis-en-scene works fine as well even though the budget was low. Some of the wholeness and flow is disrupted and destroyed from the editing, especially in the fighting scenes. It seems that sometimes the producer has stepped in and said "Too little action here boys, fix that!" The result is just bad version of Matrix crosscutting. Sound works fine as well, works fine on surround. The music tends to be a bit repetitive though. The last twenty minutes plays the same "tick-tock" inspired music that has been in every Swedish TV- production since times beginning. (A pedagogical way to show the viewer that time is of essence. Feel free to get stressed.)

All in all it works as a film made for TV. There are some good actors here but they often get nowhere with their twodimensional characters and lousy dialog.

Biggest plus: A daring try to make film out of Swedish history. Biggest minus: The scriptwriter should be flogged.

4/10