In London, Vincent Monroe is a young man addicted in blood that wanders through the red light district looking for lonely people to satisfy his addiction, dropping their bodies in the Thames... Read allIn London, Vincent Monroe is a young man addicted in blood that wanders through the red light district looking for lonely people to satisfy his addiction, dropping their bodies in the Thames River. When the stripper Ruby Stone meets Vincent in a coffee shop after her show, they i... Read allIn London, Vincent Monroe is a young man addicted in blood that wanders through the red light district looking for lonely people to satisfy his addiction, dropping their bodies in the Thames River. When the stripper Ruby Stone meets Vincent in a coffee shop after her show, they immediately fall in love with each other. They have one night stand and Vincent does not re... Read all
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To the filmmakers: If you take yourself seriously as an artist, you will undoubtedly seek honest feedback of your work at some time in your life. Having your friends/colleagues write rave reviews of something that is not only bad, but harmful, is like a doctor stating you are healthy when you actually have cancer. Why did you make this film, what were you trying to say? I sincerely hope that you see the folly of your ways and strive to be better.
The comparisons with Tarantino are grossly misplaced. Long, drawn out, unfunny monologues coupled with crass, misplaced violence do not a Pulp Fiction make.
The relationship developed between the leads of Vincent and Ruby never convinces. Their first meeting in a coffee shop is, frankly, embarrassingly scripted (blueberry muffins are not an aphrodisiac, no matter how much writer, director, producer etc etc Lawrence Pearce would have us believe).
It is usually difficult to put a finger on where to place the blame in these circumstances. But considering the director chose to undertake all of the roles listed above himself, I am afraid the blame must lie firmly at his door.
This is not to say that others are not to partly responsible. The acting of Rene Zagger (a stalwart of The Bill) is, at times, woeful. I have not seen this much ham since I visited Preble County Pork Festival.
Some jumbled dream sequences are well shot and at times interesting. But by the time you've seen them for the third time over viewer interest has been lost. The same applies to the general look of the film (one assumes Mr Pearce was not in charge of the cinematography). The film looks superb in places having been filmed in DV. However, pretty pictures do not make up for a clunking and, ultimately boring, script.
Neither scary, funny or sexy, those of you expecting Night Junkies 2 will have a very long wait indeed I'm afraid.
I'm none too happy with that.
The vampires in Night Junkies seem like ordinary junkies or ordinary people with a chemical addiction. There is nothing eerie or supernatural in their appearance. FOR GODSAKE, THEY DON'T EVEN HAVE FANGS! IMAGINE THAT! Practically speaking, having extended incisors makes taking blood more efficient; "neater" in fact, since you need only make 2 puncture holes in the right place. However, with regular "human" teeth it becomes a messier affair as it requires some tearing of flesh to get what you want. We could therefore say that these particular vampires are not as evolved as traditional vampires with there long sharp "practical" fangs.
I think the main reason for these untraditional vampires is that the writer (and most of the IMDb commentators) wants a fresh perspective and to "update" the vampire idea. I'm all for a fresh look at the vampire idea but I really believe you do a disservice to it when you take away the eeriness and creepiness of it; the "supernatural" or "otherworldly" flavor of it, if you will. This is a big part of what scares you. So why take it out by stripping the vampire of so much of their power? The vampires in this movie are horrific only in the sense that serial killers are. Nothing preternatural about them, just psycho. This is one reason I did not like the movie that much. But also, with these human-like vampires, the movie seemed more like a depressing slice of life of those who live on the fringes of society due to mental disorders, drug addiction, and prostitution. Everybody in this movie seemed depressingly dysfunctional. In fact this "vampire" movie comes off as a METAPHOR for drug addiction and the sad lives of those so addicted. So if you want to see this movie -BE WARNED! It is a drug addiction-type movie more than a "vampire" one.
I guess some writers feel that the vampire idea is more believable (and more interesting) if they are more human than they traditionally are. There may be some truth to this. But I say there has to be a way that the traditional vampire who is able to become a bat, a wolf, smoke, and able to climb sheer walls and hypnotize the hell out of you could still be interesting to today's more sophisticated audience. Love, Boloxxxi.
Ruby leaves his apartment and returns to the night-club, where the psycho pimp (René Zagger) that is obsessed on her harasses her. Vincent finds Ruby fainted in an alley and soon she discovers that Vincent has turned her into a vampire. Ruby convinces Vincent to stop drinking human blood and seek out a cure in Edinburgh. But the sadistic psycho, who has killed fifteen women, has discovered their address and is stalking Ruby.
"Night Junkies" is an original low-budget vampire movie, where vampires are not supernatural beings but creatures compared to junkies addicted in blood. The film is very erotic, developed in low pace with a dark cinematography, but the story is attractive, entwining horror, romance and drama. I only do not understand why there are so many unnecessary fake reviews giving 10 out of 10 to promote "Night Junkies". My vote is seven.
Title (Brazil): "Criaturas da Noite" ("Night Creatures")
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- ConnectionsReferences Le Magicien d'Oz (1939)
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- $57,000 (estimated)