Nine Miles Down

To start off... I watched this movie with nothing better to do. I figured it would be a sad B Class Movie. I was wrong.

This movie had a creepy feel to it, like that of Paranormal Activity and other movies like that. The whole movie is psychological warfare of sorts. You never know who is telling the truth in the movie. This movie may confuse some people with its constantly changing view points, but to Horror fans, it will appeal greatly. The Gore is great... One complaint I did have; The special effects were "limited". Which is to be expected from a "B" class movie. The plot of the movie is what really drew me in the most, the psych of this movie will have your mind battling itself for the whole film. The Good vs. Evil theme prevails through the entire movie. I have to say, This was quite a good movie. If you get a chance to watch it, watch it. It will keep you awake.

I both was and was not surprised to learn that this film was once scheduled to be helmed by John Carpenter in the 1990's, before he dropped out. While I didn't expect to hear that news, it made a lot of sense, since this seems like the sort of film that Carpenter could really sink his teeth into, and I'm actually quite sad that we never saw his version of the film.

Regardless, Anthony Walker stepped in to fill Carpenter's empty director's chair, with a cast including Adrian Paul of "Highlander: The Series" fame, and Kate Nauta, known for roles in films like "Transporter 2" and "The Game Plan." And despite this being a very obvious and often-times heavily flawed B-movie, it's actually fairly well made for the most part. Though unfortunately its flaws are too great for it to elevate itself to anything beyond "average."

Based loosely on the infamous "Well to Hell" hoax (a sort-of social experiment/prank in which heavily modified audio from 70's horror film "Baron Blood" was circulated with the claim that it was audio from deep underground of people being tortured in Hell), the story focuses on tormented Security Expert Thomas "Jack" Jackman (Paul), who is sent out to investigate a remote drilling facility in the Sahara. He discovers that the team working at the facility on a deep-drilling experiment have suffered many casualties, with only one member remaining- JC, portrayed by Nauta. After a series of grisly discoveries, including wording written in blood and a bizarre audio clip from deep underground that sounds eerily similar to the wailing of people being tortured, "Jack" begins to question his sanity, and whether or not the situation has a logical explanation... or if the situation is being controlled by the forces of Hell itself.

The acting unfortunately is fairly underwhelming. As much as I liked Adrian Paul in his "Highlander" glory days, he's unfortunately just not a particularly skilled actor. But I will give him credit, because he is at very least clearly trying to give a good, compelling performance. And he is quite charming in the role. The same could be said for Nauta, who similarly is just not very good here, but is giving it a very decent shot. Bit parts by the likes of Amanda Douge and even director Anthony Walker are decently played, however.

Walker's direction is the standout part of the film. While I have hated some of his earlier works ("An American Werewolf in Paris" being particularly noteworthy of being poor-quality), here, he gives us a very stylish, slick visual representation of the story, and I liked a lot of the touches and ideas he brought to the film. Although I will question some of his choices, including a bizarre and unintentionally funny detail during the opening sequence, in which "Jack" investigates the drilling facility, and every single one of the hanging lights is "wobbling" for creepiness-effect. It just seems forced and silly that every single light in every single shot is wobbling.

The script by Walker and Everett De Roche is unfortunately the undoing of the film, and is the main factor in bringing it down a few points. Because, frankly, despite having a lot of cool ideas, it's very confused, contrived and convoluted. And it is so over-stuffed with double-crosses, tonal shifts, twists and turns to maintain a sense of ambiguity, that I ended up finding myself losing interest, since it was trying too darned hard and giving me a headache trying to follow the story in any capacity. I understand that Walker and De Roche want the film to be dripping with mystery, intrigue and have an ambiguous tone where the audience has to decide what is happening... but it's just so forced here. It feels very amateurish in how the story was constructed. Ambiguity can be accomplished with tact, class and deliberation in good films, but here, it's accomplished through poor writing and needless amounts of twists. And without spoiling anything, the final 20 minutes are a cluster of constant twists and shifts that are so overwhelming and needlessly confusing, it almost ruined the entire film for me. I also will admit that I found a recurring motif of suicide (as "Jack" lost his family when his wife killed herself and their children in a murder-suicide) to be very uncomfortable, off-putting and somewhat too exploitive for the film. (Though this could just be my gut reaction as someone who is dealing with the recent suicide of a friend.)

And unfortunately, that script drags down what would have been an otherwise pretty good, decent film down to the score I am giving it- a very average and sadly underwhelming 5 out of 10. I would still say that horror fans should give it a shot, because the direction is very good, and there are things to like about it, but the sloppy script holds it back from achieving its full potential.

In so many details "Nine Miles Down" was very different from the average blockbusting US-made movie telling this kind of tale. Following Jackman through that somehow horrific place in the desert is a promising start into a solid, almost old fashioned end-of-the-world adventure. Normally, nowadays the story tends to dwindle to something stupid. Not here. You can really stick with it, from the very beginning the whole thing is intriguing and every single step and turn makes sense. If there is danger, the guy uses his brains, he turns around, and a blind spot doesn't automatically mean a noisy monster jumping out of it. Dialogues are kept short, but to the point, and casually even enter deeper realms. No cheap effects, thrilling story, good acting, and guessing participation is guaranteed to the very end.

This is yet another of those "not" horror movies. I was intrigued by the blurb, based on a myth that Russia had drilled so deep into the earths crust they could hear the screams of the damned from hell. Obviously filmed under a tight budget, the majority of the film features just two actors. And neither of them will win any awards for their performances, not even from the local drama club. I would have to class this as a psychological thriller rather than a horror movie. Nothing much actually happens through out the film, just some cat and mouse between the two main characters. And the ending is a bit of a mess. Not sure how this rates 5.5.

Having seen the trailer to make sure it was OK, i thought the movie looked quite good delivering a story that contained a little horror, drama and mystery all rolled in to one.

There is nothing bad about the acting or the idea behind the story. It was just that the plot was weak and confusing at times (for me at least).

If you are looking for something that will scare you then, you will be disappointed, it may have you wondering at times like the previous comment mentioned as to whether "hell is real, or a state of mind." but that is about all. The characters are just planted in the middle of no where with no introduction as to who they are or what they doing in the sahara.

The howling wind and the sand beating against the facility windows and doors in the first 5 minutes, is probably the most frightening thing about the movie but the rest is just average looking for cheap thrills with peeks at partial nudity at times and the old scary hag routine.

There are however elements of good effects giving you a glimpse as to what could have been if it had been thought about more but instead you are left feeling a bit disappointed knowing there was so much more scope to the storyline and the female character at the end.