Knife Edge

I saw the screening in Cannes. Still don't know if I understood all of it but it gave me a real chill... That's quite an achievement those days, it doesn't happened very often! I usually smile or laugh at those movies... The only weakness is the leading lady. All the other cast seemed to be enjoying the crazy ride but she looked like she just wanted off!! But the movie is so watchable and the rest of the cast is so gorgeous you won't even care!I especially like this french actor Mathieu Bougenah,Hugh Bonneville is sexier than I have ever seen him and I think we will see a lot more of Lorcan O'Toole very soon.. Overall, it's a big thumbs up!

It's already June 2013, so if you haven't already decided by now,,, I can help here,,,,,,don't waste any more of your precious time debating whether or not to watch this garbage.

Badly directed, badly edited and worst of all is the script. My goodness,,the script. No idea how this ever made it to production stage with this drivel that spewed from pen onto paper.

And they shout in unison "RUN AWAY" (Monty Python). NB - apply this to the viewing of this film also.

The positive reviews for the writing of this nonsense are clearly by relatives/ friends, as this is (by a long way) the worst film I have ever had the misfortune of watching. I bet Hugh Bonneville will want this one expunged from his record! Poor chap.

Never really felt compelled to comment about these sorts of things previously, but this has made me start!!! especially so others can avoid my mistake!

Would have made an episode Midsomer Murder or Miss Marple or something like that. Otherwise it was kind of bland and obvious. The horror aspects were weak, it's more of a murder mystery. The editing seemed all over the place. The sound editing relied too much on sudden painfully loud crashing noises. The acting's fairly weak and TV-ish. Her husband, Henri seems to have a severe personality disorder than no one notices, the Joan Plowright character is wasted or slammed in the story as an afterthought. And what's with the kid, does he live there? He's always somewhere else. The plot sort of doesn't hold together vis a vis why are they in this house in the first place and why does a fabulously wealthy trust fund girl have to go all the way to America to use her psychic skills in the stock market when London, I've been told, has a perfectly serviceable stock exchange.

Emma (Natalie Press) is a successful trader who has some kind of clairvoyant powers. She and her family move to her husband's old family home in the English countryside. She finds it haunted in some way and has visions of what could be a murder. There's a weird creepy giant tree in the woods. Her husband doesn't care.

This British horror essentially threw a whole lot of stuff into this movie. Natalie Press is that likable. She seemed cold and distant. I was watching this more for Hugh Bonneville and he has a minor role. There is nobody to care about. It's obvious that this was a pretty bad fail. I'm not sure if I can pinpoint its failure on just one thing.

Yee gads, this is a good one. This is a true gem, a hokey haunted house movie in the lines of House On Haunted Hill that will scare the living daylights out of you. In the tradition of The Changeling (the one with George C. Scott not the one about the missing kid) and The Sentinel (the scary one not the one about government agents), this is an excellent fright fest that isn't camp and doesn't play it for laughs. The only scary horror movies are the ones that are serious, and this one is, with a lot of twists. If you liked The Shining or Amityville Horror, you will love this movie. This is what horror movies were like before Jason and Freddy and Saw, when frights came in the form of The Omen or Beyond The Door and the characters actually had mysterious motives. This movie has the patience to allow the atmosphere to startle you rather than resorting to cheep gore. I don't think I've seen a horror movie this engaging since What Ever Happened To Baby Jane; cross that with Stir of Echoes and you have Knife Edge. In Race With The Devil they had to go to a library that somehow had the exact book on satanic rituals that they were looking for, but in this modern movie they have Google, which is about the only thing that distinguishes this fine thriller from those great flicks that were made in the 70s and 80s, and even some of the movies made in the 60s such as Hush Hush Sweet Charlotte. The ending is a mixture of Sixth Sense and Psycho. Knife Edge is a modern masterpiece. It is creepy in a Rosemary's Baby type of way.