Knife Edge

I just saw this at the Cannes film festival, and was delighted to see Anthony Hickox back on form. "Sunrise" (especially) and the two "Waxworks" are two of my favourites in the genre and I hooked up with Anthony in Los Angeles a few years ago and thought he was a pretty "coo dude".

He has a great sense of humour and it shows in person and definitely in his films to date.

This is a pretty creepy confection, with tight performances and some compelling performances, especially by Plowright and Morrissey.

Highly recommend.

For fans of off the wall humour and horror films like "Fright Night" and to a lesser extent "Scream".

Brian Skeet

I see a movie more than normal and less than average, in principle it is more drama than a horror movie .. For horror, it contains the usual vocabulary of horror, but which have become boring .. Doll terrifying, frightening dense forest of trees by tree terrifying sight, visions of a mysterious bathtub filled with blood by the woman lying was stabbed, and the famous scene of Jack Nicholson in The Shining film that breaks through the wooden door through which researchers paranoid about his wife frequently during the entirety of this movie with different characters .. This means that the film in terms of horror did not present anything new, but for the drama was the story of drama, in my opinion are very porous and non-court details, performance closure with that to some extent is good, I liked the performance champion Natalie Press in the scene discovered deceive her husband after the trial, was performance in this scene is very cool .. Eventually you will find that the movie is not good at all, and it is less than average and did not provide comfort or excitement at the level of fear or the level of drama .. And even now I do not understand why all the comments to my comment the previous seven commends this movie and recommend watching it, I see a film less than the average closer to the weak .. If you will not see it you can never lose ..

Wow! Hammer horror is back!

I don't know if it was the intention of the film makers,but this movie could have been made in the late 60's/70's and after all the crap that they churn out as horror now days,what a relief.

First of all it has a story...Which in itself is a horror! (because aren't all us horror fans, just morons that don't want story,good acting and any character driven suspense!)

And talking of acting...Its pretty darn good in this film!Not sure about the lead (that's why i couldn't give it a ten),but all the others are spot on,and i challenge you to figure out the secrets they all hold.

Then there's the gore...which there isn't any!Well not until the last ten minutes,but when it comes,boy does it come!And it comes it's Argento's lipstick red exploding on the screen!Maybe its because there has been none before or this is the first horror movie since 'Rosemarys baby' that tells its story with the lights on but i found it really shocking.

So if you want a horror that doesn't treat you like an idiot,or thinks you'll only like it if its shot like a commercial...Go see this one,you won't be disappointed!

Would have made an episode Midsomer Murder or Miss Marple or something like that. Otherwise it was kind of bland and obvious. The horror aspects were weak, it's more of a murder mystery. The editing seemed all over the place. The sound editing relied too much on sudden painfully loud crashing noises. The acting's fairly weak and TV-ish. Her husband, Henri seems to have a severe personality disorder than no one notices, the Joan Plowright character is wasted or slammed in the story as an afterthought. And what's with the kid, does he live there? He's always somewhere else. The plot sort of doesn't hold together vis a vis why are they in this house in the first place and why does a fabulously wealthy trust fund girl have to go all the way to America to use her psychic skills in the stock market when London, I've been told, has a perfectly serviceable stock exchange.

Yee gads, this is a good one. This is a true gem, a hokey haunted house movie in the lines of House On Haunted Hill that will scare the living daylights out of you. In the tradition of The Changeling (the one with George C. Scott not the one about the missing kid) and The Sentinel (the scary one not the one about government agents), this is an excellent fright fest that isn't camp and doesn't play it for laughs. The only scary horror movies are the ones that are serious, and this one is, with a lot of twists. If you liked The Shining or Amityville Horror, you will love this movie. This is what horror movies were like before Jason and Freddy and Saw, when frights came in the form of The Omen or Beyond The Door and the characters actually had mysterious motives. This movie has the patience to allow the atmosphere to startle you rather than resorting to cheep gore. I don't think I've seen a horror movie this engaging since What Ever Happened To Baby Jane; cross that with Stir of Echoes and you have Knife Edge. In Race With The Devil they had to go to a library that somehow had the exact book on satanic rituals that they were looking for, but in this modern movie they have Google, which is about the only thing that distinguishes this fine thriller from those great flicks that were made in the 70s and 80s, and even some of the movies made in the 60s such as Hush Hush Sweet Charlotte. The ending is a mixture of Sixth Sense and Psycho. Knife Edge is a modern masterpiece. It is creepy in a Rosemary's Baby type of way.