Coming Soon

I think "Coming Really Soon" would have been a better title for this film about a Zoophile Rights group and their planned revolution.

I just saw the film at an annual Czech event called Letni Filmova Skola, which translates as "Summer Film School" even though it isn't really a film school at all. People from all over the world (but mainly Czechs of course) converge on the small Czech town of Uherske Hradiste and peacefully indulge in the best of world cinema - both past and present. One of this year's main themes was Brazilian Film and I was part of one of the delegations. My Czech isn't absolutely fluent but the town was full of provocative posters for "Coming Soon" and I decided to try it. Although the theater was packed and I was sweating for two hours this film was definitely the highlight of the festival for me and certainly the best Czech film I can remember seeing. I pretty much agree with most of the preceding comments except for the woman who says it's not as good as Jan Svankmajer's last film - "Lunacy." I love Svankmajer too but "Coming Soon" has made me re-evaluate so many issues in life that I don't think "Lunacy" can compare from a philosophical standpoint. And the performances in "Coming Soon" (if they are performances... nobody would give me a straight answer) are far better than anything else you'll see in Czech cinema - including "Lunacy." If it's a fake documentary it's genius. If it's a real documentary than it's the ballsiest thing that I've seen years.

"Hats off" as they say in Czech and I hope you make it to Brazil. It will be fun to watch the reactions!

I hope I don't turn people away from this film by calling it philosophical masterpiece, since I also consider MATRIX (at least the first one!) a philosophical masterpiece. There are many philosophical films, but the ones I consider masterpieces are the ones which AREN'T boring! I was invited to a private screening of this film in Pargue a few days after it won an award from a Jury of Students from the University of Pilsen. The producers wanted to show the film to the people who were involved in the film and I was invited by one of the graphic artists. He didn't tell me anything about the film, just that it was a surprise. I go to as many festivals as possible looking for surprises and I rarely find them, so I wasn't very optimistic about this one. But I didn't want to offend my friend so I went.

I wasn't surprised. I was simply shocked! Pleasantly shocked! When the film ended I was angry like when someone wakes me from a beautiful dream. They said they will shorten the final version and I think this is a mistake. The version I saw was two hours and I would have welcomed another hour. Without any special effects or fancy gimmicks, they created a very trippy alternative reality that is like a world by itself. To this day, which is more than 3 months after I saw the film, I think about it and can't stop talking about it (you can ask my wife!).

All I can say to Sir Tijn Po and all the other people who worked on the film is Bravo! I can't wait to seeing it again when you release it in theaters here. I hope other film-makers here learn a lesson from this film that you can make movie magic without big money!

Aside from reiterating the praise from the other comments I want to express my opinion that this film in NOT a film about zoophilia. Or, to put it better, this film is as much about zoophilia as Orwell's ANIMAL FARM is about animals. It uses zoophilia (and the question of zoophile-rights) as vehicle to explore far more general and profound questions about humanity, tradition, media, morality, etc.

Regardless of whether or not this film is a real documentary (and there are many conflicting claims floating around the internet - including the films's official website!) it is highly successful in seducing the viewer into new philosophical territory - all while making you laugh and cry.

This type of film is certainly economical suicide since I can't imagine any distributors even touching it, but if the internet proves to be a viable distribution platform I'm convinced this film will become a modern-day classic on par with Pasolini's SALO, Plato's SOCRATIC DIALOGUES, etc. It shares SALO's intelligent shock-value and easily matches the effectiveness of Plato's DIALOGUES in gently guiding the reader/viewer to unexpected conclusions.

If anyone out there is aware of other films that can justifiably be called philosophical works (not just films ABOUT philosophy) please let me know. Aside from WHAT THE BLEEP DO WE KNOW I haven't yet encountered anything remotely similar.

Congratulations to Sir Po & Co. and I'll be anxiously looking forward to your future efforts!

This is one of the best movies I have seen this year... It is presented as an "reportage", but... Some of the audience may not realize till the end of the movie if it is really true or not... And after seen it you will watch the world around you more careffourly and see some things from new angles... And you will think more about them. BTW: is there somebody around you who uses the little thing on keys in a form of a cow, rabbit or something like this... Then you will find in this movie, what exactly it means :-)

I would like to say something more about it, but no, it is too hard to say what is the movie about... you should watch it. If you have the possibility, just do it!

It will probably not be on DVDs any time soon... so you will have to look for it in some theatre... If you are in Czech Republic you have better chances, but it is going to be released in English really soon, so don't miss your chance!

BTW: when it finished I was asking myself why it was so short... but it took the standard 90 minutes :-)

"Coming Soon" is my favorite film this year! A bit sloppy at times but a great overall achievement!

In the catalogue for the Plzen festival where the film premiered, they quote Sir Tijn Po as saying that he just wants to emulate his two greatest film-making heroes, Jan Svakmajer and Pier Paolo Pasolini. I never heard this comparison before and I find it a little strange. I also love both Svankmajer and Pasolini but their styles are so different - Svankmajer's films never let up for a second while many of Pasolini's scenes seem to last forever. I do agree, however, that both of these directors seem to approach cinema with similar intentions and try using it as a tool to express what is usually expressed via poetry, theater, classical music and the like. But their individual styles are almost opposites.

"Coming Soon" reminded me more of Munch's classic painting "The Scream". You can feel the actors and director just bursting with frustration and screaming at the top of their lungs, screaming to all clergy, politicians, and censors "F...off! Let us think and breathe and live the way WE see fit!!!" For me it was an expressionistic work of art that lingers long after the individual scenes fade away. It's a collective revolt which I identify with very much.

One of the main newspapers here, Hospodarske Noviny, wrote about the film: "…conveyed with an extraordinary amount of humor and exaggeration which like the director's hero (Svankmajer) tries to shatter barriers." The style of this film is far from Svankmajer's world (no animation or rusty spoons) but I agree that it shares his sense of provocation and exploration.

Talking of Pasolini, this film actually did remind me a bit of "Salo: 120 Days of Sodom" at least as far as shock-value is concerned. But unlike "Salo" which is full of violence and Sadism, "Coming Soon" is full of love and humor (except for the one scene with the bull and skins…). While watching the film I wasn't uncomfortable at all, my own shock came days after I saw the film. It's like a little bug that enters your brain and slowly nibbles away at your previous opinions.

I'm curious to see how far this film will go but I'm betting it will find a nice cult following. I, for one, am in!