The Starter Wife

I missed the Starter Wife when it debuted on USA in May. Then, in July, I became in all seriousness, obsessed with Judy Davis (she is really the best actress of her generation)and decided I had to see the Starter Wife just because she was in it. Truthfully, I didn't have very high expectations for it at the beginning because I thought it was just about some rich, stuck-up people who didn't give a crap about anyone but themselves. I had no idea why a genius like Judy Davis chose this project. I was pleasantly surprised. Yes, it was about rich stuck-up women, but some of them actually appeared human. And it wasn't JUST about the stuck up women. Neither Lavender, Nana, Mrs. Caldecott, or Sam seemed the least bit stuck up, and they added depth to the story. (I say Sam wasn't stuck up, but that doesn't mean that I liked him.). The acting was superb (other than whoever played Shoshanna, who was not that great. But I guess she didn't have much to work with), Debra Messing, Judy Davis, and Miranda Otto all NAILED their characters and I was sucked in the whole time, and I watched the whole four and half hour block, only stopping to go get a glass of wine. I would recommend this to anyone!

NOTE: It would probably be best to familiarize oneself with basic high-tier culture before watching this. Someone not familiar would not catch some of the jokes (like one in reference to the United Colors of Bennetton).

I've only seen two episodes - and hadn't seen any that aired last summer - but this is really a charming, funny series. Messing and Davis are the reasons to watch - and they really get to show a stunning variety of emotions. The plot is clear, fast-moving, and great fun. I've mixed feelings about the use of the dream sequences to indicate how she feels at particular moments - but I'm sure there are many who love them.

This is really a fine series - it seems the female counterpart to the male-oriented Californication - the quality is similar - and they're very much the same kind of series - very modern, witty, well-designed continuing comedy (each program's dilemmas, new characters, very much lead into the next). They're both programs about very superficial, selfish and materialistic people, set in contemporary Los Angeles obsessed with fame and fleeting success.

I'm a conservative Catholic man living in the East, clearly not the intended audience for the series - but I enjoy it. And I'm surprised there aren't more comments. (The series was heavily promoted in New York City -- and Messing and Davis are both famously talented).

It's hard to imagine that people who decide to tune in - won't be caught up in it.

Okay, so this is technically a new series on USA, but it certainly doesn't feel like one. It has the look and feel of a well made motion picture. The writing is well done and the characters are fleshed out and seem believable. If I were a person living the Hollywood life, I would be ashamed of the way that people in that lifestyle are portrayed, even if this program seems like it is a caricature of real life, just judging from all of the media hype surrounding many real life celebrities makes this program all the more believable and real. I am not one to usually sit down and watch what is usually advertised as a "chick flick", however, I was actually drawn into this new series and look forward to see what happens next. Its more like a comedy/drama than any other way of describing it. I would highly recommend it to anyone.

I love Hollywood insider satires, and this is a great one, with convincing atmosphere and characters. Messing is delicious as a high-functioning Hollywood wife who is dumped by her narcissistic and spoiled movie executive husband after catering to his every need and whim efficiently for years. Needless to say, he's dumping her for a bimbo -- a Britney Spears-ish singer/starlet. In a self-imposed exile in the Malibu home of her oldest friend (Judy Davis), she meets an enigmatic surfer (Stephen Moyer) and has an ambiguous flirtation with her husband's boss, studio head Joe Mantegna. The triangle is very, very satisfying -- you're not quite sure which of these men you want her to end up with, and you like them both.

Dropped instantly by all the grasping, climbing manipulators and their wives, non-person Molly ends up falling back on her core of friends -- the wife of a director whose husband wants her to to drop Molly for tactical reasons, her wealthy dipso friend, and her gay decorator friend (Chris Diamantopoulos, who is broke after having to eat the cost of 12 hideous custom chairs a client insisted upon and then wouldn't pay for). She also becomes friends with the young black woman who works as the Malibu compound's security guard, and her mother. At one point, they all end up holed up in Judy Davis's house, like the treehouse crew in "The Grass Harp." The series is very well directed (by Jon Avnet) and the characters are very sharply drawn. Messing's husband is a monster of selfishness, but not consistently so, and he can't let go his habit of calling on Molly for (now inappropriate) favors. There isn't a line or a bit of business that Messing doesn't play to the hilt. Again and again Molly demonstrates the resourcefulness and elan that makes her husband such a fool for ditching her. There's a scene where she catches a cricket her husband has assigned his executive assistant to remove from the house (until she locates the annoying insect, she can't attend her grandfather's 80th birthday party) in no time flat that was particularly piquant.

This is a woman's story, but I think a lot of men will appreciate the sardonic portrait of a materialistic and phony Hollywood milieu, and I don't know how anybody could not want to look at all these gorgeous residences.

Grazer is a spoiled self-centered Hollywood wife recently dumped by her producer husband...Her characters resemble her..shallow, too light-weight to be interesting. In Sex and the City, the female characters were actually struggling to understand life, but here...it's sophomoric and silly... A disappointment

I've read her other two books, Rescue Me and Maneater and as much as I wanted to enjoy them...with both books, I stopped in the middle...because she couldn't sustain my interest. And the "potty" jokes are embarrassing for a woman of Grazer's age....It's as Stephen King says a quality writer doesn't have to resort to shock tactics...he/she has enough skill to ensnare the reader's attention in better ways.. Only the inept/starter/unskilled writers go for the sophomoric "toilet humor"...her main problem is the conflict is not deep or important enough....a silly airhead spoiled self-indulgent pampered wife gets dumped....for a younger version of same...where's the gravitas..the searing soul-deep conflict? a wrong that needs to be righted...she got what she deserved...end of story....It gets sillier and stupider as it goes along. Grazer, get a day job you can handle.