Le Beau-père

I have a strict policy that states movies featuring either (a) a cat suddenly jumping out from a corner accompanied by an ominous sounding music chord or (b) a mirror that is empty of anyone but one character who turns away, then turns back and suddenly sees the killer in the mirror behind them...well these movies are only going to be so good. This movie has both, within about 60 seconds of each other. In spite of this, I have to say it's really not all that bad. I've seen many people complaining about the lack of originality, but when you're remaking a horror film from the 80's, it's almost inevitable that you're going to give the audience something they've seen before. That wasn't really bothersome to me though because the characters and anticipation overshadowed it for the most part.

Dylan Walsh plays the stepfather in a role that was actually likable for the first part of the film. He meets a single mom played by Sela Ward and all is picture perfect until her bad boy son comes home from military school. We only know he's bad by the way because someone tells us. He's a pretty normal, well adjusted kid considering that his dad is no longer around and his mother has engaged herself to a stranger in the span of 6 months. Far as I could tell, his behavior is still within normal range. It might have made for a more interesting film though if he really was a wild child.

So past that everyone knows what follows with the story. There is not a lot of gratuitous violence; even the killing scenes are low key which I don't really mind. If anyone is looking for lots of gore and clever death shots, this is not the film for them. The excitement is in the buildup, the experience of the characters finding out for themselves who the stepfather really is; especially when you have the one obligatory character, in this case the wayward son, who seems to intuit everything about the man from the first time he sets eyes on him. That standard plot device, a character who has it all figured out and NO ONE will believe him, well it's beyond old but it's moderately effective here.

The mindless and unnecessary adolescent dialogue, together with the many gratuitous bikini shots of the son's pale and too skinny girlfriend, tend to bring the quality of the film down. They were neither necessary nor helpful. But if you can look past that and the lack of originality (is it fair to expect that in this film really?) then you'll find an adequate film that's worth a couple hours of your time. I've seen much worse in the horror/thrillers in the past few years.

6/10

Dylan Walsh is a strong actor, but the material he's been given doesn't help him attempt to go toe to toe with Terry O'Quinn's iconic performance in the original. The stepchild's gender has been switched and Penn Badgley brings a lot of welcome vulnerability to the role while Sela Ward's concerned wife and mother doesn't get as much to do nor does Amber Heard as the concerned girlfriend.

The script has more cliches and bad scares than the original which hurts it a lot, but it's entertaining enough if you just want to decompress and watch something that doesn't require you to do much thinking.

Michael Harding returns home from military school to find his mother happily in love and living with her new boyfriend, David. As the two men get to know each other, Michael becomes more and more suspicious of the man who is always there with a helpful hand. Is he really the man of her dreams or could David be hiding a dark side?

THE STEPFATHER is a sufficient thriller that gets the job done the way you expect it to. It has suspense, good performances, and is well made. I haven't seen the original film starring Terry O'Quinn so I can't compare it with the remake. However, I can say the remake is entertaining and is engaging while it lasts. What more can you ask for?

The thing that I liked the most here was the family dynamics. I didn't know what to expect from Penn Badgley, who plays the main character, but he pulls off a very convincing performance. Sela Ward as the mother is just great and the pretty blond who shows some skin, Amber Heard, can actually act! Paige Turco and Jon Tenney were really good in their roles as well. However, it's obvious that Dylan Walsh is the main star of the film. He does a fantastic job as the crazy stepfather. Some of his scenes just gave me chills.

There's also quite a bit of suspense in here, which surprised me. Sure, there's one cat jump scare (don't you just hate those?), but that's forgivable because there was only one. Some of the death scenes were quite disturbing as well. Being a PG-13 movie and all, you might expect death scenes with no blood to be quite "lame," as they say it, but that's where you're wrong. They're pretty realistic and not over the top as you might have seen in other films.

If there's one thing I must complain about, it's the payoff. I thought it was way too short and that it could have been longer. In the end, however, the remake keeps you very interested until the very end. There's rarely any moment where you'll find yourself looking at your watch because the thriller gets the job done and does it efficiently and effectively.

'The Stepfather' is a fairly decent thriller and slightly-slasher film in a time where films like this are horribly made. I've never seen the original 'Stepfather' film, but from what I can tell, this remake isn't too shabby. It has strong leads and a decent and straightforward script with good pacing. I loved the introduction of the film, where it explains how the "Stepfather" killer is able to kill a family and get away with it so many times. I like how there's never really a slow or boring part in the film. We like the main son, Michael, and his girlfriend. I think Penn Badgley and Amber Heard were good in their roles. I especially liked Dylan Walsh as the stepfather. Walsh made the character both likable and hated, and made him interesting. I didn't like how clueless the mom was; she's a complete idiot. One of the biggest problems the film had was the actions some of the characters took that didn't make sense. No one would logically marry someone they knew nothing about; it's just unrealistic. And there's one part where the stepfather walks out to his front lawn while there's a bunch of policemen right across the street. If you're a mass murderer on the run, I'm pretty sure you wouldn't make yourself that noticeable to the police. Also, the stepfather should have had the cell phone turned off from the beginning, not when someone's trying to call the cell phone. It's ridiculous. The stepfather's supposed to be a smart and clever guy, but we don't see that when he's with this new family. With all of this said and done, I felt that this remake of 'The Stepfather' didn't offer anything new, but it does entertain. I did like the ending and what happens to the stepfather; I felt it was a fairly good and interesting conclusion to the film. Though the ending may have felt rushed and quick, I was fine with it.

PS: This remake of 'The Stepfather' in a lot of ways felt like 2007′s 'Disturbia' (3 Kents out of 4!). I was constantly reminded of 'Disturbia' while I was watching 'The Stepfather.' However, I like 'Disturbia' more and think it was made better and more interesting. The third act of 'Disturbia' wasn't great, though, which I think the remake of 'The Stepfather' succeeds in – having the film go through a constantly interesting pace.

I have to give this movie a favorable review only because it delivered something it didn't promise and that took me by surprise. The Stepfather, as I'm sure you all know, is a remake (reboot?) of the 80's slasher series that set the tone for every darn Lifetime movie starring Valerie Bertinelli or Nancy McKeon. A desperate divorcée falls for a mysterious guy who, despite telegraphing to the audience how evil he secretly is, manages to fool his fiancée and her family into thinking that he's a swell guy....that is, until the body count starts. The plot isn't worth discussing. There's nothing here that we haven't seen before. What IS worth discussing is the director's obvious decision to exploit Amber Heard's lovely figure in one long never ending cheesecake sequence. You could make the argument that the ONLY reason this film was even made in the first place was to launch Amber into the stratosphere of blogworthy sex symbols (not unlike what Michael Bay managed to do with Megan Fox). You'll see Amber in her underwear lounging in bed, Amber in her itsy bitsy teeny weeny bikini, gratuitous close-ups of her splendid anatomy, etc. This exploitation becomes so flagrant that it distracts from the story itself, which is probably a good thing. In a way the Stepfather 2009 comes off more like a 70's Drive-In flick; the kind teenagers would flock to in hopes of seeing a little skin. Maybe that was the point after all? I sure hope it was. The movie certainly doesn't deliver much else.