Southern Gothic

A disgraced nightclub bouncer faces off against a psychotic zealot vampire preacher. Quite a crazed concept ripe for hyperactive exploitation thrills, and yet Southern Gothic plays it pretty low key and laconic, for the most part anyway. Moody where other films would have been brash, it's a nice atmosphere piece with gore galore and a gonzo central performance from William Forsythe as Enoch Pitt, a man of the lord who has strayed from the path. Bitten by a vampire, the already sleazy Pitt turns into a full on monster, tearing up the small Deep South town of Redemption and building an army of the undead. Hazel Fortune (Yul Vasquez) is traumatized and broken by the death of his young daughter, until he meets young Hope (Emily Catherine Young), who crosses Pitt's vision and finds herself in mortal danger. This puts the two men on a vengeful collision course of blood, retribution and carnage. Ok, so I've made it sound a little more epic than it actually is, but that's more or less how it goes down. Energetic it ain't, more of a slow burn than anything else. Firmly rooted in B-movie territory in terms of both budget and script, but entertaining and distinctly flavoured nonetheless. Vasquez is moody and four, but dangerous when he needs to be. Forsythe, as usual, is the acting equivalent to a junkyard bulldog let off the chain, chewing scenery faster than he can munch carotid arteries, and loving every campy, frightening minute of it. Not the cream of the horror crop per sé, but reasonable enough Saturday night horror background noise fodder.

I'm the first one to root for a B-movie, a movie that has been done with a small budget. But there is only so much I can accept and this movie definitely crosses that line. Having said that, there might be quite a few people out there (despite the low rating here), that don't mind the lighting, the sound inconsistencies and other "technical" flaws. They might not even mind, that the characters are bland at best. But for those who do mind: Avoid.

Of course we can assume, that no director/filmmaker sets out to do a bad movie. And you have to admit that they try hard here. But I can't give them extra points for trying, because imho I think the movie deserves that. Again if you want to take the risk, you might feel different. You should be able to tell, how you feel about the movie, 15 to 20 minutes into it. If you don't like it by then, you won't like it until the end!

I've been searching all over the internet looking for the song that plays while starla is talking to the preacher and dancing for him. If anyone know that name of the song and that band I would really like to know.

Southern Gothic doesn't seem to be too popular here on IMDB. However, that don't mean that I didn't enjoy it. This B vampire horror flick probably won't be anyone's choice for favorite movie of all time, but it dose deliver on atmosphere and gore. The actiing for the most part is decent and most of the performances are pretty subtle and not too over the top. Except for William Forsythe, who plays a diabolical backwoods preacher turned vampire who leads his flock to Armmegedon. My main man Bill must have snorted a Scarface amount of cocaine to get this level of insane performance. To say Forsythe overacted his balls off here is a understatement, but he commands the screen and is totally engrossing in every scene he is in. Also, this portrays strippers and bouncers in a positive light. To show this side of a struggling single mom is not seen too often in horror films. The horror genre gets a lot of flack(sometimes rightfully so) on being rough on women. But, seemingly no one has given this film credit for giving that character (a stripper) a different dimension. Overall, I was fairly entertained by Southern Gothic. Yes, it's low budget and it's not the best movie by any means, but it has some things going for it and is at least never boring.

Trying to get his life back in order, a suicidal bouncer tries to protect the stripper at his club that has become the target of a religious zealot who has become a vampire threatening to unleash Armageddon on mankind through his newfound condition.

This could've been a potentially enjoyable and rousing vampire effort is instead a classic wasted opportunity. The main thing on display here is the fact that the religious zealot of a main character is one of the weakest main villains here who is thoroughly unconvincing in the role. Among the bigger issues with that is how he seems intent to mope about the shadows and yammer on in a series of clichéd Biblical quotations and verses concerning the downfall of man or being with his congregation than actually doing anything, and overall there's little here beyond being a vampire to really get anything out of him as a villain. Likewise, his status as a back-woods preacher that barely holds fifty- people in his congregation makes his posturing and world-domination plans way too comical, aided in no small part by his ineffectual human help and lack of vampiric back-up. That also brings up another big issue here in the disjointed plot which is rather chaotic throughout here with the real lack of vampiric activities overall, since there's very few scenes of confrontations between the hunter and his query as the film substitutes this lack of hunting them down for endless scenes of him trying to cope with his life or integrating himself into their family, which are nicely handled for once but lack any action. These scenes hold off the vampire activity so much that there's only a few fleeting moments of action in the whole second half which really slows it down considerably after the great opening right before the finale. These are compounded by the film's good points which signal this could've been something enjoyable, as there's an endless series of great action scenes from the rather intriguing plot that sets itself up quite nicely with the hotel ambush and his initial transformation sequence, the action in the bar and bringing along the quick attacks on the patrons which are rather enjoyable. The finale as well comes off even better with the abduction, a series of fine brawls and the shootouts along the big church confrontation all coming along with having enough vampire violence and great gore to go along with those potentially enjoyable elements. There's enough to see where this could've been great, but instead is a giant wasted opportunity.

Rated R: Graphic Violence, Graphic Language, Nudity and children-in- jeopardy.