Appaloosa
- 2008
- Tous publics
- 1h 55m
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
- Director
- Writers
- Stars
- Awards
- 5 wins total
- Marshall Jack Bell
- (as Bobby Jauregui)
- Chalk
- (as Jim Tarwater)
- Bragg's Third Man
- (as Fred Hice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A straightforward western tale with very little revisionism, with real men doing "what men have to do". The sense of space, the wish to be part of civilization, the bad men resisting that encroachment, the sense of the mythic; it was all there.
A little bit more modern in approach than a classic 50's tale, particularly in how Renée Zellwegger's character developed, but a real story nevertheless; good guys, bad guys. Jeremy Irons is very good as the baddie. Timothy Spall is good comic relief and Ed Harris and Vigo Mortensen a terrific pair, carefully nurturing their relationship while understanding exactly what they have to do.
The pace was very good, allowing the story and character to develop properly. Even so, it could have and should have been shorter - John Ford, or more likely Anthony Mann would have got through this story in about 90 minutes, but very satisfying nevertheless.
Costner did a pretty good job on Open Range (that was really miles too long), 3:10 to Yuma was pathetic (why they bothered to remake it when the makers so totally misunderstood the thrust of the original I will never know).
But this was the real deal, or at least as near to the real deal as we are ever likely to get nowadays. Too bad it will disappear without a trace.
First off, I ultimately liked "Apaloosa", because Viggo Mortensen is awesome as Everett. Despite the movie's quirky idiosyncrasies, Mortensen commands the heroic presence as the sensible man of honor. Mortensen is the Western hero in the tradition of Clint Eastwood. As Everett, we always know where Mortensen stands, and he is both charismatic and cool. In a great scene a rival asks Everett about Virgil's gun prowess. Everett says plainly, "I haven't seen anyone as good as Virgil." Mortensen's Virgil salvages the movie's sense of honor.
As mentioned previously, "Apaloosa" is not really all that traditional just below the surface. And this is not necessarily a good thing. This is not the anti-hero masterpiece of Clint Eastwood's "Unforgiven". In one sense, I think Harris would like it to be. For one thing although Harris's Virgil is brave and noble, he is an apparent partial nut job. He goes nonlinear on some hoods in a saloon, among other weird out bursts. Harris's Virgil is not an educated man, and clumsily forces his diction and stumbles through Emerson. Instead of coming off as charmingly eccentric, his Virgil occurs as a little weird. Renee Zellwegger is an amazing actress, but here she struggles to carry off pretty. Her character Allison also has the propensity to have sex with virtually any man with a pulse. Straight and narrow Virgil in love with psycho whore Allison is not the most conventional love story, nor is it the story's most endearing plot line. Again, this may be more artifact of the screenplay by Harris and Robert Knot based on Robert B. Parker's best selling novel.
In spite of its quirkiness and kind of nutty characters, Harris manages to reign in the movie as it concludes-- opting for the more heroic. There is a great scene before one the climatic showdowns where Allison asks Virgil and Everett, "Aren't either of you at all afraid?" Virgil says, " I guess I don't think about that so much." Also in "Apaloosa" the action is not leveraged for the utmost drama. Director Harris's action sequences lack crispnessthe gun fight blocking is mostly single shot, without any interesting angles. Aside from the last gun fight, most of the action is diluted of high drama. The action is well done, just not spectacular.
"Apaloosa" is an amalgamation of the traditional Western with the idiosyncratic melodrama of the new. The overall effect is compelling, and also makes you scratch your head. Viggo Mortensen's strong and charismatic performance as Everett Hitch eventually wins out, and makes "Apaloosa" worth watching.
This is a tremendously exciting story of a sheriffs-for-hire who had only one more killing to go. It begins as a slow-moving Western but follows to surprise us with interesting characters and solid plot. The tale is almost grim , a pacifiers come to a town just in time to make sure its citizenry but later the events get worse .Good modern Western with exciting battle of wits between obstinate marshals and an astute killer who begins to psych him out. Stylish, fast paced , nice performance, solid, meticulous and violent look with several shootouts .The highlights of the movie are the kidnapping and the climatic showdown at the ending. Phenomenal and great roles for Ed Harris and Viggo Mortensen as veteran drifters and embittered gunfighters, they're the whole show. Vivid and lively musical score fitting rightly to action Western by Jeff Beal. Atmospheric and colorful cinematography by Dean Semler. The motion picture is stunningly directed by Ed Harris who is preparing its following, he also directed another good film titled ¨Pollock¨ . Watchable results for this outlandish Western.
Things I Didn't Like About It: 1. The pace is sometimes slow, or else what was going on wasn't interesting enough - one or the other. 2. F Bombs. There are a few (which is probably the main reason for the R rating) and the F-Bomb was not in common use during that era. I don't know why Hollywood insists on using it, when it wasn't part of the vocabulary of the era. It's not authentic.
Overall summary I would say that although Appaloosa started out slow, and was at certain places dull, the way it ended was so satisfying it was worth it. If they made a sequel of this movie that somehow focused on Everitt's character I would definitely watch it. He was the most the most interesting character of all.
Did you know
- TriviaViggo Mortensen committed to this movie during a busy stretch of work. When filming was delayed, he tried to beg off, asking Ed Harris to try to find another actor. Harris interviewed 20 others for the role, but they either declined or weren't right for the part. Mortensen agreed to do it, and according to Harris, "Two days before we started principal photography, Viggo shows up in New Mexico. He's ready to go. He's done research on the period. He's given really great thought to his character. He had detailed ideas about his wardrobe and his props. He was in excellent shape and good spirits, and he subsequently played Everett Hitch to perfection. Viggo Mortensen is a man of his word."
- GoofsThe framing of the house being built appears to modern construction, using modern lumber, not the rough cut lumber of the day. It also appears to be double wall construction, not the single wall type of the era.
- Quotes
Everett Hitch: [narrating] Like my father, I'd been West Point, and I was good at soldiering. But soldiering didn't allow for much expansion of the soul. So after the War Between the States and a year of fighting Indians, I turned in my commission and rode away to see how much I could expand it. First time I met Virgil Cole was when I and my eight-gauge backed him up in a showdown he was having with some drunken mountain men. Virgil asked me right there on the spot if I'd care to partner up with him and his peacekeeping business. Which is why I was with him now, and why I still carry the eight-gauge. We'd been keeping the peace together for the last dozen years or so. And as we looked down on a town called Appaloosa, I had no reason to doubt we'd be doing just that for the foreseeable future.
Everett Hitch: But life has a way of making the foreseeable that which never happens, and the unforeseeable that which your life becomes.
- Crazy creditsWhile being credited, items relating to positions and roles are displayed. Examples: Producers are listed as money is shown, an antique ink dryer is shown for the editor, production designer shows an antique tin cup and costume designer shows the top of a hat.
- SoundtracksGoodbye, Old Paint
Performed by Renée Zellweger
Details
- Release date
- Country of origin
- Official site
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- Also known as
- Entre la vida y la muerte
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $20,211,394
- Opening weekend US & Canada
- $248,847
- Sep 21, 2008
- Gross worldwide
- $27,712,362
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1