Manipulation

Jonathan McQuarry, is an accountant who strikes up a friendship with a lawyer called Wyatt Bose. After accidentally swapping phones, McQuarry starts getting calls from women who are part of a group of people who meet purely for casual sexual encounters. During one of these, McQuarry meets a blonde woman whom he becomes close to. When he's attacked and she disappears, he discovers more going on than he realized....

From the above plot description some people can figure out where the story is heading. I for one did. It's a sad fact that the script written by Mark Bomback holds no surprises at all. It also doesn't help that there are plot holes that aren't explained or dealt with. The direction by Marcel Langenegger is okay, but he doesn't add any tension into the movie.

What does save the movie are the three main performances. Michelle Williams is suitably enigmatic as the girl involved, Hugh Jackman as Wyatt Bose brings charm and charisma to the part, and Ewan McGregor as Jonathan McQuarry convinces as the straight, lonely accountant seduced into the events played out.

However the performances alone can't save the movie from being a disappointing, predictable thriller.

This movie is supposed to be a thriller, but is unfortunately quite short of "thrills".

My biggest complaint would be the movie's pace - it is very slow, and at times quite boring.

There are far too many implausabilities and plot holes, but even if you suspend your disbelief and just accept the story being told, it's still not a very good movie.

The script just isn't very good.

This is by no means the worst movie ever, however if you're looking for a GOOD thriller, I would not recommend this movie as one.

It's a shame really, because Hugh needs another good movie to boost his career. His last few have not been critical or box office smash hits (save the X-Men franchise), and I'm starting to seriously doubt his ability to pick good scripts. Hopefully "Australia" will turn his sadly not- so-good streak around.

The writing and direction here are solid, but unspectacular, and if that were all there was, the movie, too, would be unspectacular. But what drives the entire endeavor is the acting. Hugh Jackman and Ewan McGregor are among that small group of actors who never give a bad performance, and that's certainly the case here. Michelle Williams, though, is another matter altogether: she is SO good, and SO deep, and SO nuanced, that she rises above what she had been in the past and simply makes this movie her own. Hers is one of those performances (there are two scenes where she delivers voluminous messages simply by a look, without a single word) that make you wholly reevaluate the actor's skill and intelligence; at least, it did that for me: I changed my opinion of her and her abilities, and I won't be able to look at her again in the way I had before. And I like experiencing that, so I like the movie much more for that fact. If you're a Michelle Williams fan, you really HAVE to see this film.

The trailer of this movie looked interesting.

The story is about an accountant Wyatt Bose (Hugh Jackman) who meets Jonathan McQuarry (Ewan McGregor) – who in turn introduces Wyatt to a secret sex club. Wyatt falls in love with one of his acquaintances S (Michelle Williams) and gets involved in a blackmail by Jonathan who wants Wyatt to transfer a huge sum from a few bank account to Spain. Wyatt does that. Jonathan plants a bomb and kills Wyatt. I will leave the story here and not play spoilt sports.

The story starts with a psychological angle, moves to sexual contours, deceive, and blackmail. The movie moves slowly throughout, gains maximum interest in the deceiving part – holds your attention, but remaining times – it is just a usual dull affair.

Both Hugh Jackman and Ewan McGregor look great and act well. But the style of narration does not build up that interest to make a great cinema of a good story like this.

First time director Marcel Langenegger does a decent job in delivering a visually good cinema – good closeups, good acting, good music, good movements of camera – I think he has a good eye for making better movies.

I think there is a problem with the scripting of the movie. It takes the first 40 minutes to build the story, and gives 10 minutes of interest and falls back to a mundane thriller.

My rating started from 4.5 at the beginning of the movie, increased to 6.5 when it reached the deceive part, but pulmetted down to 5 by the end of the movie.

(Star 4.75 out of 10)

"The essence of lying is in deception, not in words." John Ruskin

The only deception in the film Deception is that you might expect a cool, modern thriller. WRONG. This piece of cinematic disappointment defines the dramatic descriptor "telegraph." In other words, if you didn't have an idea of what is to come from what is happening now, then you've not been to junk movies enough not to be surprised. Of course, you can feel right at home with the pervasive use of cell phones, but then you may watch enough TV to be used to them as dramatic device.

Jonathan McQuarry (Ewan McGregor) is a dorky high-level auditor with the requisite glasses and outdated haircut who stumbles into a sex ring, aided by the urbane Wyatt Bose (High Jackman). As Jonathan enjoys himself picking the ever so sweet fruit from this vine, he falls in love with one of the anonymous partners, not a good thing to do.

The ensuing plot complications are as clichéd as clouds in Seattle—they don't always make sense, but, hey, this is the movies! The problem is that without a sharp script, the inconsistencies are more obvious and plot points just not credible, e.g., how does she magically appear at the right spot in a big city? or how can you commit a murder in a public park in Madrid without anyone around in broad daylight? or how can you get a phony passport on short notice? or how can you withdraw millions with that document especially since the photo ID online doesn't look close to your impersonation? or, oh, well, I'm not going to deceive you—this movie lacks credibility.