Combining unprecedented access to Davis' vast personal archives with original interviews, this documentary reveals a startling portrait of one of Hollywood's most gifted and enigmatic stars.Combining unprecedented access to Davis' vast personal archives with original interviews, this documentary reveals a startling portrait of one of Hollywood's most gifted and enigmatic stars.Combining unprecedented access to Davis' vast personal archives with original interviews, this documentary reveals a startling portrait of one of Hollywood's most gifted and enigmatic stars.
- Won 1 Primetime Emmy
- 1 win & 1 nomination total
Photos
Bette Davis
- Self
- (archive footage)
Susan Sarandon
- Narrator
- (voice)
Ruthie Davis
- Self
- (archive footage)
Marion Sherry
- Self
- (as Marion Richards)
Cecil Clovelly
- Self
- (archive footage)
Conrad Nagel
- Self
- (archive footage)
- (voice)
Casey Robinson
- Self
- (archive footage)
- (voice)
Leo Rosten
- Self
- (archive footage)
- (voice)
Jack L. Warner
- Self
- (archive footage)
- (voice)
Dick Cavett
- Self
- (archive footage)
Harmon Nelson
- Self
- (archive footage)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Some documentary biographies make interesting viewing in that we get to see aspects of their personalities, careers, and lives that we either had forgotten, or were just not aware of. "Stardust, The Bette Davis Story", directed by Peter Jones and seen recently on TCM, is that rare, but intelligent endeavor that makes the viewer more aware of the life of an actress that spent her life in front of the camera.
This film clarifies a lot of things about Ms. Davis' life that weren't as obvious as in other documentaries that came before. One thing comes clear, her father's desertion was a big blow to the young child, who felt abandoned by him. In spite of what should have been a bitter resentment on her part, she still kept in touch with him as noted by the many things about herself she sent him throughout the years. Her mother played a big role in Bette Davis life. Her ascent into stardom assured her mother and sister a life of ease they never had during the years that followed the breakup between her parents.
Another thing that comes across is how Ms. Davis had affairs with some of the men in the industry. One anecdote had Patrick O'Neal berating her for a pass she made at him during the run of "The Night of the Iguana" on Broadway. Her battles with Jack Warner is also prominently accounted for by Mr. Jones. Her battle with some of her directors were legendary, yet, Joseph L. Mankiewicz, her "All About Eve" director, tells us how in his experience, he was intimidated at first, based on colleagues' reports, yet, working on that film proved to be a pleasant experience for him, as well as the rest of the cast.
We also get to know her own daughter's rejection when B.D. Hyman got into religion. That was a terrible blow for a woman that had given her all to that child. Ultimately, this must have been what broke her heart. Triumphs and accolades were nothing to her if in the end she lost the daughter she loved so dearly.
The film uses well the many film clips the director and his team were able to assemble for this most informative and complete account of a life that appeared to be glamorous on the surface. Ms. Davis' life was in many ways rewarding, but deep down she must have felt differently when all the tragedy she went through is taken into account.
"Stardust: The Bette Davis Story" is a must for all of her fans.
This film clarifies a lot of things about Ms. Davis' life that weren't as obvious as in other documentaries that came before. One thing comes clear, her father's desertion was a big blow to the young child, who felt abandoned by him. In spite of what should have been a bitter resentment on her part, she still kept in touch with him as noted by the many things about herself she sent him throughout the years. Her mother played a big role in Bette Davis life. Her ascent into stardom assured her mother and sister a life of ease they never had during the years that followed the breakup between her parents.
Another thing that comes across is how Ms. Davis had affairs with some of the men in the industry. One anecdote had Patrick O'Neal berating her for a pass she made at him during the run of "The Night of the Iguana" on Broadway. Her battles with Jack Warner is also prominently accounted for by Mr. Jones. Her battle with some of her directors were legendary, yet, Joseph L. Mankiewicz, her "All About Eve" director, tells us how in his experience, he was intimidated at first, based on colleagues' reports, yet, working on that film proved to be a pleasant experience for him, as well as the rest of the cast.
We also get to know her own daughter's rejection when B.D. Hyman got into religion. That was a terrible blow for a woman that had given her all to that child. Ultimately, this must have been what broke her heart. Triumphs and accolades were nothing to her if in the end she lost the daughter she loved so dearly.
The film uses well the many film clips the director and his team were able to assemble for this most informative and complete account of a life that appeared to be glamorous on the surface. Ms. Davis' life was in many ways rewarding, but deep down she must have felt differently when all the tragedy she went through is taken into account.
"Stardust: The Bette Davis Story" is a must for all of her fans.
I have seen quite a few documentaries on Bette Davis and I read a biography about her as well, as she's definitely my favorite actress. However, this Turner Classic Movies production is superior to the other films I've seen about her for two main reasons. Because TCM owns almost all of Miss Davis' films, they were able to use far more relevant clips than other shows about her. Plus, given their resources, they were able to piece together old interviews by many long-passed stars to create an excellent portrait not just of this actress on stage but off as well. Miss Davis was arguably the best actress ever, but off screen she was a psychological mess. This documentary does NOT ignore her negative side as so many "white-wash" documentaries do--you get the star, warts and all and I really appreciated this. Some of the people had terrible things to say about Bette as a person (and some very positive things) and it also discussed her daughter's "tell-all" book. About the only reason I didn't give the film a 10 is that with all these real life antics, it would have been really nice to have psychotherapists interviewed as well to create a deeper psychological profile--discussing her personality disorders and how they served her so well in films and undermined her ability to really connect with others. Still, a very fascinating and frank biography--one not to be missed.
For an even better TCM biography, look for the one on Joan Crawford, Bette's off-screen rival. It manages to be just a hair better and more insightful--though both films are terrific.
For an even better TCM biography, look for the one on Joan Crawford, Bette's off-screen rival. It manages to be just a hair better and more insightful--though both films are terrific.
10XweAponX
...And how it Broke Bette's heart.
I became very interested in Bette after seeing this the first time in 2006 when I came out... Not that I did not already love her as one of my favourite actresses... But because of this documentary, I have changed my opinion of Miss Davis, as not just one of the best, but The Best Actress, ever.
And as such, she was never really left a moment's peace in her personal life. However, this documentary shows, that fact never affected Davis work ethic, and she plod on regardless of what was going on with her life.
I think the documentary ought to have had a bit more to say about The Hollywood Canteen, a pivotal point in her career, and one that awarded her the highest civilian honour in real life, even above Bob Hope. It is almost like I am proud to be a Davis fan because of what she did for our Servicemen in WWII.
A lot of people always measure Davis by the Joan Crawford Yardstick... And the documentary maker here also does that, to a small degree. I think in reality, Davis probably never had the slightest Crawford, but Crawford, who was always combative with the other high profile stars at her studios (aka, Norma Shearer at MGM) - It is almost as if, Since Norma Shearer, who beat Crawford hands down at MGM, retired in 1941... Crawford targeted Miss Davis as her new "antagonist"- Something which I don't think Davis thought of at all, as any Crawford/Davis feud (Or Crawford/Shearer feud) was always more so on the part of Crawford. It is a sad laughable thing about Crawford, not that it makes me disrespect Crawford for it, but Davis just wasn't like that at all, Miss Davis was always more interested in the health of the Film (to the point of micromanaging things) to deal with petty Crawford Feuds.
The documentary maker of this, I think could have used better wisdom collecting the filmed anecdotal items: Such as those comments from Davis Former Husband William Grant Sherry's wife (who used to be Davis' nanny - I forget her name, but her name is unimportant, as, the PERSON is unimportant) - I can't believe that the documentary makers would use that particular source of footage- INCLUDING the footage where the woman, if I could loosely use that term woman, just about makes a blanket statement that Bette had something to do with Arthur Farnsworth's untimely death.
I appreciate the clips from Bob Osbourne and James Woods... And it is important to show all aspects of the person, but Betty was as complicated as anyone- The film does however show the high level of disrespect of BD Hyman toward her mother, something that shocked me, especially as how Hyman considers herself not just a Christian, but a Minister: And As Such is a very Poor example of one.
The tragedy of this documentary are the clips from BD, whose betrayal must have hurt Bette more than anything done to her by anyone else in her lifetime.
I am glad that they showed the BD clips, as they show this Girl/Woman, whom Davis loved more than anything... What an inconsiderate Phony "Christian" she was and is, using a "Mommy Dearest" attack to accumulate 100,000 dollars (which is more than the usual sum publishers forked out in those days) which she claims to have used to Christian Ministries:
And if I were to tell this BD Hyman anything, it would be that money obtained from the public Disrespect of one's blood Parent... Is NOT money that God has blessed and has put His hand on.
This documentary shows this disrespect, and not in a flattering light toward Hyman.
Hyman did not consider, that good ministry, IS looked at by the public, and if Hyman's anti-Mom books are considered by Hyman as something God either WANTED, Ordained, or Supported: That She is WRONG and as a Christian I want nothing to do with THAT God, who would allow parental disrespect as a means to access money for so-called Christian Works, and any Minister or Ministry that is FOUNDED on such.
I am glad that the original book was laughed off of the shelves by the critics. - Hyman was revealed as a Hypocrite who needs to either shut-up or make it right with her Mother.
BD, Your Mother loved you, and you can actually make it right even now.
I became very interested in Bette after seeing this the first time in 2006 when I came out... Not that I did not already love her as one of my favourite actresses... But because of this documentary, I have changed my opinion of Miss Davis, as not just one of the best, but The Best Actress, ever.
And as such, she was never really left a moment's peace in her personal life. However, this documentary shows, that fact never affected Davis work ethic, and she plod on regardless of what was going on with her life.
I think the documentary ought to have had a bit more to say about The Hollywood Canteen, a pivotal point in her career, and one that awarded her the highest civilian honour in real life, even above Bob Hope. It is almost like I am proud to be a Davis fan because of what she did for our Servicemen in WWII.
A lot of people always measure Davis by the Joan Crawford Yardstick... And the documentary maker here also does that, to a small degree. I think in reality, Davis probably never had the slightest Crawford, but Crawford, who was always combative with the other high profile stars at her studios (aka, Norma Shearer at MGM) - It is almost as if, Since Norma Shearer, who beat Crawford hands down at MGM, retired in 1941... Crawford targeted Miss Davis as her new "antagonist"- Something which I don't think Davis thought of at all, as any Crawford/Davis feud (Or Crawford/Shearer feud) was always more so on the part of Crawford. It is a sad laughable thing about Crawford, not that it makes me disrespect Crawford for it, but Davis just wasn't like that at all, Miss Davis was always more interested in the health of the Film (to the point of micromanaging things) to deal with petty Crawford Feuds.
The documentary maker of this, I think could have used better wisdom collecting the filmed anecdotal items: Such as those comments from Davis Former Husband William Grant Sherry's wife (who used to be Davis' nanny - I forget her name, but her name is unimportant, as, the PERSON is unimportant) - I can't believe that the documentary makers would use that particular source of footage- INCLUDING the footage where the woman, if I could loosely use that term woman, just about makes a blanket statement that Bette had something to do with Arthur Farnsworth's untimely death.
I appreciate the clips from Bob Osbourne and James Woods... And it is important to show all aspects of the person, but Betty was as complicated as anyone- The film does however show the high level of disrespect of BD Hyman toward her mother, something that shocked me, especially as how Hyman considers herself not just a Christian, but a Minister: And As Such is a very Poor example of one.
The tragedy of this documentary are the clips from BD, whose betrayal must have hurt Bette more than anything done to her by anyone else in her lifetime.
I am glad that they showed the BD clips, as they show this Girl/Woman, whom Davis loved more than anything... What an inconsiderate Phony "Christian" she was and is, using a "Mommy Dearest" attack to accumulate 100,000 dollars (which is more than the usual sum publishers forked out in those days) which she claims to have used to Christian Ministries:
And if I were to tell this BD Hyman anything, it would be that money obtained from the public Disrespect of one's blood Parent... Is NOT money that God has blessed and has put His hand on.
This documentary shows this disrespect, and not in a flattering light toward Hyman.
Hyman did not consider, that good ministry, IS looked at by the public, and if Hyman's anti-Mom books are considered by Hyman as something God either WANTED, Ordained, or Supported: That She is WRONG and as a Christian I want nothing to do with THAT God, who would allow parental disrespect as a means to access money for so-called Christian Works, and any Minister or Ministry that is FOUNDED on such.
I am glad that the original book was laughed off of the shelves by the critics. - Hyman was revealed as a Hypocrite who needs to either shut-up or make it right with her Mother.
BD, Your Mother loved you, and you can actually make it right even now.
Narrated by Susan Sarandon -- presumably because she's a bit of a Davis lookalike (but a much better voice-over than Anjelica Huston's on the Joan Crawford doc), STARDUST presents a nice, kinda fun, warts-and-all portrait of screen icon Bette Davis.
No, few of her peers are still around, so the program has to rely on latter day film actors to provide commentary and opinion, but that doesn't seem to hurt it.
The film seems to fairly skewer Davis for her well-documented pathologies, yet defends her from undue slurs (rightly dismissing her daughter's petty 1985 tome, "My Mother's Keeper", nowhere NEAR as intelligent or as responsible a book as "Mommie Dearest").
The fresh, sort of melancholy, nostalgic tone keeps the viewers' interest throughout, although there's a relative lack of detail (and it tends to short sheet her post-Warners' career) but that would likely have taken a much longer show. Still, another 20 minutes might have been nice, so that Bette's life after 1949 weren't so truncated.
Still, quite watchable, and better than most such efforts on the Great La Bette.
No, few of her peers are still around, so the program has to rely on latter day film actors to provide commentary and opinion, but that doesn't seem to hurt it.
The film seems to fairly skewer Davis for her well-documented pathologies, yet defends her from undue slurs (rightly dismissing her daughter's petty 1985 tome, "My Mother's Keeper", nowhere NEAR as intelligent or as responsible a book as "Mommie Dearest").
The fresh, sort of melancholy, nostalgic tone keeps the viewers' interest throughout, although there's a relative lack of detail (and it tends to short sheet her post-Warners' career) but that would likely have taken a much longer show. Still, another 20 minutes might have been nice, so that Bette's life after 1949 weren't so truncated.
Still, quite watchable, and better than most such efforts on the Great La Bette.
It would be difficult to do a bad documentary on Bette Davis - she was such a dynamic actress and woman and never boring - but this beautifully produced documentary, "Stardust: The Bette Davis Story" is over the top in excellence, paying great attention to the actress' private life as well as her movie career. Using photos, film clips, interviews with family, Davis herself, and voiceovers from coworkers, a picture emerges of Davis as a driven actress, a perfectionist, a wonderful homemaker and ultimately, a very lonely woman.
Her son Michael, who unlike her spoiled daughter B.D., loved his mother very much, states that she drank quite a bit. This was probably much less true in her heyday and exacerbated as she aged. That perhaps contributed to her becoming increasingly more difficult to work with as the years went on. Like many great stars, without the cushion of a studio, with the loss of creative control/choice that comes with moving into character roles, Bette Davis became less secure. It became more important for her to be able to intimidate the director and those around her. During the major part of her career, she was surrounded by top directors and stars - these now became people with less talent than herself, and as a result, the later films suffered. Fortunately, though, she went out with a bang, with "The Whales of August."
Bette Davis had an indomitable spirit throughout her life. She gave us some great films and brilliant performances. "Stardust" gives us insight into the woman behind them.
Her son Michael, who unlike her spoiled daughter B.D., loved his mother very much, states that she drank quite a bit. This was probably much less true in her heyday and exacerbated as she aged. That perhaps contributed to her becoming increasingly more difficult to work with as the years went on. Like many great stars, without the cushion of a studio, with the loss of creative control/choice that comes with moving into character roles, Bette Davis became less secure. It became more important for her to be able to intimidate the director and those around her. During the major part of her career, she was surrounded by top directors and stars - these now became people with less talent than herself, and as a result, the later films suffered. Fortunately, though, she went out with a bang, with "The Whales of August."
Bette Davis had an indomitable spirit throughout her life. She gave us some great films and brilliant performances. "Stardust" gives us insight into the woman behind them.
Did you know
- GoofsThis documentary claims that Arliss saw Bette in a play,"The Wild Duck". In fact, character actor Murray Kinnell after working with Davis advised Arliss to have her read for him, as he knew Arliss was looking for a specific type for a film and Kinnell thought that Davis might suit Arliss. Arliss was unfamiliar with Davis but had worked with Kinnell in the theater as well as on film.
- ConnectionsFeatures Le Petit César (1931)
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- Pols d'estrelles - La història de Bette Davis
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- See more company credits at IMDbPro
- Runtime
- 1h 28m(88 min)
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- Aspect ratio
- 1.33 : 1
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