A group of National Guard trainees find themselves battling against a vicious group of mutants on their last day of training in the desert.A group of National Guard trainees find themselves battling against a vicious group of mutants on their last day of training in the desert.A group of National Guard trainees find themselves battling against a vicious group of mutants on their last day of training in the desert.
Fatiha Quatili
- Afghan Woman
- (as Fatiha Ouatili)
Featured reviews
Between 1945 and 1962 the United States conducted 33 atmospheric nuclear tests. Today the government still denies the genetic effects caused by the radioactive fallout located in sector 16. A team of soldiers(Jacob Vargas, Daniella Alonso,Jessica Stroup, McMillian, among them) from National Guard carries supply for a scientific group . But a mysterious unseen deformed humans drag away and attack them. The anthropophagous beings murder and dismember the soldiers one by one, having to combat to survive.
This unsettling gore-feast contains thrills, chills horror, grisly murders and lots of guts and gore, including, stabbing, impalement, beheading, among others. The killings are gruesomely committed by the cannibal mutants who hold an eerie make-up by Greg Nicotero and Howard Berger , an excellent craftsmen.The storyline by Wes Craven borrows from the commandos war movies along with the classics¨Texas chainsaw massacre(Hooper)¨, ¨The hills have eyes(Craven)¨until recent films like ¨Wrong turn and House of 1000 corpses¨, and of course the first part directed by Alexander Aja(2006).The creepy maniacal creatures appearance deliver the goods plenty of screams, terror,violence and blood. Atmospheric and suspenseful musical score by Trevor Morris. Colorful cinematography and a little dark during underground scenes by Sam McCurdy. The motion picture is professionally directed by Martin Weisz(Rohtenburg). The tale will like to horror and gore buffs. Rating : acceptable and passable, but isn't apt for squeamish
This unsettling gore-feast contains thrills, chills horror, grisly murders and lots of guts and gore, including, stabbing, impalement, beheading, among others. The killings are gruesomely committed by the cannibal mutants who hold an eerie make-up by Greg Nicotero and Howard Berger , an excellent craftsmen.The storyline by Wes Craven borrows from the commandos war movies along with the classics¨Texas chainsaw massacre(Hooper)¨, ¨The hills have eyes(Craven)¨until recent films like ¨Wrong turn and House of 1000 corpses¨, and of course the first part directed by Alexander Aja(2006).The creepy maniacal creatures appearance deliver the goods plenty of screams, terror,violence and blood. Atmospheric and suspenseful musical score by Trevor Morris. Colorful cinematography and a little dark during underground scenes by Sam McCurdy. The motion picture is professionally directed by Martin Weisz(Rohtenburg). The tale will like to horror and gore buffs. Rating : acceptable and passable, but isn't apt for squeamish
THHE2 is entertaining in that you'll laugh a lot and cringe and probably say "oh sh*t!" and "get your face away from the goddamn hole you dumb**s" or things along those lines but I don't know if its really worth seeing- I was very annoyed throughout the entirety with the horrible military characters who don't seem to know the first thing about combat.
Yes there was more violence, gore, and a higher body count than the first one but I am still am debating whether that cancels out my feeling throughout the whole movie about how ridiculous it is (and not a good ridiculousness like Dead Alive or Feast). My time would have been better spent watching Aja's remake for the 5th time.
So go for some laughs, or go for some gore, but don't go hoping to come out of it satisfied.
Yes there was more violence, gore, and a higher body count than the first one but I am still am debating whether that cancels out my feeling throughout the whole movie about how ridiculous it is (and not a good ridiculousness like Dead Alive or Feast). My time would have been better spent watching Aja's remake for the 5th time.
So go for some laughs, or go for some gore, but don't go hoping to come out of it satisfied.
Last year's remake of 'The Hills Have Eyes' was one of the better attempts to update the vaguely exploitational horror flicks of the 1970s for a new audience. Alexandre Aja allowed for an admirable degree of character development and when the violence started it was mean and savage and all carried out in a landscape of impeccable photography and production design. I was one of the few people who actually thought that it was better than the original and looked forward to a second visit to the particularly dark and cruel world of the savage desert mutants.
'The Hills have Eyes 2', released just a year after the original, seems a rushed and ill-conceived attempt to cash in on the franchise with little thought to quality. Jonathan Craven's screenplay could have been written in a weekend, and given the speed with which this movie made it into cinemas, probably was. It falls back on every hackneyed genre cliché in the book while offering absolutely nothing new to the desert mutant mythology. I always let out a groan of disappointment when a sequel replaces civilian characters with the military. Soldiers are always so lazily written and never fail to thoroughly bore with crude caricatures of strutting macho bullshit. In my mind, 'Aliens' was the only movie to successfully make such a transition, due to James Cameron's talent, not simply for directing the best action sequences around, but never forgetting that an audience has to care about the people being butchered. He was also ably assisted by some genuinely talented actors. With 'The Hills have Eyes 2', it's clear that video director Martin Weisz is no James Cameron, and the cast of television bit-parters haven't the talent or even the inclination to turn their cardboard cutout characters into anything approaching living, breathing human beings.
Needless to say, every character is a broad and generic cliché. They act in dumb and illogical ways, making dumb and illogical decisions that lead them to predictably dumb and illogical deaths. The latter half of the movie becomes just another tedious chased-through-dark-corridors scenario. 'The Descent' (on which Sam McCurdy, coincidentally, also worked as cinematography) proved that even this most derivative of sequences can still be carried out with genuine originality and suspense, but we see no such innovation here.
'The Hills Have Eyes 2' is just a very lazy movie, devoid of any suspense, tension, or surprise, with not a single individual involved remotely interested in producing anything of quality. It's a tame and tired excuse for a sequel and deserves to spend the rest of its life in a Blockbuster's bargain bin.
'The Hills have Eyes 2', released just a year after the original, seems a rushed and ill-conceived attempt to cash in on the franchise with little thought to quality. Jonathan Craven's screenplay could have been written in a weekend, and given the speed with which this movie made it into cinemas, probably was. It falls back on every hackneyed genre cliché in the book while offering absolutely nothing new to the desert mutant mythology. I always let out a groan of disappointment when a sequel replaces civilian characters with the military. Soldiers are always so lazily written and never fail to thoroughly bore with crude caricatures of strutting macho bullshit. In my mind, 'Aliens' was the only movie to successfully make such a transition, due to James Cameron's talent, not simply for directing the best action sequences around, but never forgetting that an audience has to care about the people being butchered. He was also ably assisted by some genuinely talented actors. With 'The Hills have Eyes 2', it's clear that video director Martin Weisz is no James Cameron, and the cast of television bit-parters haven't the talent or even the inclination to turn their cardboard cutout characters into anything approaching living, breathing human beings.
Needless to say, every character is a broad and generic cliché. They act in dumb and illogical ways, making dumb and illogical decisions that lead them to predictably dumb and illogical deaths. The latter half of the movie becomes just another tedious chased-through-dark-corridors scenario. 'The Descent' (on which Sam McCurdy, coincidentally, also worked as cinematography) proved that even this most derivative of sequences can still be carried out with genuine originality and suspense, but we see no such innovation here.
'The Hills Have Eyes 2' is just a very lazy movie, devoid of any suspense, tension, or surprise, with not a single individual involved remotely interested in producing anything of quality. It's a tame and tired excuse for a sequel and deserves to spend the rest of its life in a Blockbuster's bargain bin.
I had actually liked the remake of Wes Craven's Hills Have Eyes, which was shown here last year. Directed by Alxandre Aja, it was top notch violence and gore which actually sent a chill, because the victims were an innocent family out for a holiday, and to see them getting systematically deeper into trouble, somehow makes it rather horrific to sit through.
While its predecessor was shown here with cuts, The Hills Have Eyes II is shown here in its full gory glory. However you wonder, just where did all the blood and gore had gone. Written by father and son team Wes and Jonathan Craven, the follow up movie (also a remake of the sequel to the original) seemed to be lacking in flavour and spirit. Sure the mutants are back, but there's very little space given to set them up, or enough time for you to identify and distinguish one from the other.
Did director Martin Weisz opt to play it safe? There's tension built, but nothing too riveting. The narrative is simple and straightforward, without much thought into trying to capture the X-factor why the original had worked somehow. Attempting to shock just for shock's sake, the movie opens with the birth of a child, in the most un-Discovery Channel manner, before introducing us to the victims, I mean, characters, and a short scene to link the events from its predecessor.
Again the military's dirty hands are in this one. Gone are the family, and in comes a small squad of National Guard trainees. It's soldiers versus A-bomb mutants, so the numbers come in handy to build up the body count. But in fact, none of them died in any creative manner. It's the usual hack jobs, and more uninterestingly, through the use of their carbines. Boring, and I guess too many movies outdoing one another in the creative death department, has taken its toil on this one, where simpleness and sure death like falling from great heights without the camera flinching, go unappreciated. Truth is, you know that it's a camera trick, and boy, are there a number of recognizable indoor shots for this outdoor movie, that makes it look cheap.
By the time it takes for these rookie soldiers to complete their training to the dark side and become cold killers (fighting for their own survival), you'll be more than in a hurry to head for the exit. To enjoy this movie, the usual leave your brains at the door cliché applies. Just make sure someone doesn't take a real machete and help you put it there.
While its predecessor was shown here with cuts, The Hills Have Eyes II is shown here in its full gory glory. However you wonder, just where did all the blood and gore had gone. Written by father and son team Wes and Jonathan Craven, the follow up movie (also a remake of the sequel to the original) seemed to be lacking in flavour and spirit. Sure the mutants are back, but there's very little space given to set them up, or enough time for you to identify and distinguish one from the other.
Did director Martin Weisz opt to play it safe? There's tension built, but nothing too riveting. The narrative is simple and straightforward, without much thought into trying to capture the X-factor why the original had worked somehow. Attempting to shock just for shock's sake, the movie opens with the birth of a child, in the most un-Discovery Channel manner, before introducing us to the victims, I mean, characters, and a short scene to link the events from its predecessor.
Again the military's dirty hands are in this one. Gone are the family, and in comes a small squad of National Guard trainees. It's soldiers versus A-bomb mutants, so the numbers come in handy to build up the body count. But in fact, none of them died in any creative manner. It's the usual hack jobs, and more uninterestingly, through the use of their carbines. Boring, and I guess too many movies outdoing one another in the creative death department, has taken its toil on this one, where simpleness and sure death like falling from great heights without the camera flinching, go unappreciated. Truth is, you know that it's a camera trick, and boy, are there a number of recognizable indoor shots for this outdoor movie, that makes it look cheap.
By the time it takes for these rookie soldiers to complete their training to the dark side and become cold killers (fighting for their own survival), you'll be more than in a hurry to head for the exit. To enjoy this movie, the usual leave your brains at the door cliché applies. Just make sure someone doesn't take a real machete and help you put it there.
A team of trainees of the National Guard brings supply to the New Mexico Desert for a group of soldiers and scientists that are installing a monitoring system in Sector 16. They do not find anybody in the camp, and they receive a blurred distress signal from the hills. Their sergeant gathers a rescue team, and they are attacked and trapped by deformed cannibals, having to fight to survive.
The 1977 "The Hills Have Eyes" is a classic of horror and the 2006 version is an unnecessary, but good remake. This sequel is shameful, using a predictable collection of clichés and violence to explore the success of the original movies. The rookies soldiers have the most imbecile and unreasonable attitudes along the story, probably because they have been trained by the ridiculous sergeant, facilitating the retarded evil creatures to destroy one by one. This disappointing film was a great deception for me. My vote is five.
Title (Brazil): "O Retorno dos Malditos" ("The Return of the Damned")
The 1977 "The Hills Have Eyes" is a classic of horror and the 2006 version is an unnecessary, but good remake. This sequel is shameful, using a predictable collection of clichés and violence to explore the success of the original movies. The rookies soldiers have the most imbecile and unreasonable attitudes along the story, probably because they have been trained by the ridiculous sergeant, facilitating the retarded evil creatures to destroy one by one. This disappointing film was a great deception for me. My vote is five.
Title (Brazil): "O Retorno dos Malditos" ("The Return of the Damned")
Did you know
- TriviaOriginally Wes Craven had the idea of Brenda, from the first film, enlisting in the National Guard to overcome her fears, only to be sent back to the same desert with the mutants. She was to be the only one who knew where the mutants hideout was located. This idea was cut since the actress was involved with Lost : Les Disparus (2004) at the time.
- GoofsEvery U.S. soldier is trained, often through repeated "corrective action", never to let his or her weapon out of his or her sight. The characters do this frequently, even before they encounter the mutants.
- Alternate versionsThe unrated version is almost one minute longer than the theatrical version with mainly extended scenes of graphic violence and gore added.
- SoundtracksOwn Little World (Remorse Code Remix)
Written by Klayton
Performed by Celldweller
Courtesy of Fix It Music
By Arrangement with Position Music
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- What is the movie about?
- Is this a remake of the original "Hills Have Eyes 2" or simply a sequel to the 2006 remake?
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Despertar del diablo 2
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $20,804,166
- Opening weekend US & Canada
- $9,686,362
- Mar 25, 2007
- Gross worldwide
- $37,697,773
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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