12h08 à l'est de Bucarest

A wonderfully quirky movie, rooted in the deep inner conflict experienced by many people who have to re-conciliate their Communist-era mentalities with(in) a post-Communist society.

Most Romanians (and East-Europeans alike) will understand it very well, since many clichés are present here: the vain, non-professional media, the desolate streets, the people without perspectives or hope, the arrogant new-rich former secret service people, the successful immigrants coming from even lesser parts of the world... all grafted on top of a nagging general feeling of guilt and shame, emanating from the sheep-like population.

Let's face it: the real (and only) Romanian heroes of 1989, "before 12:08 on December 22", were the several thousands of mostly young folks who defied the authorities in the streets of Timisoara and Bucharest... the rest of the country just watched and waited, much like the viewers of Jderescu's "talk show".

PS. - To the pretentious prig from Denmark: I think you were supposed to post your "art cinema" commentary under the latest creation of your much-ballyhooed co-national, Lars von Trier, "Direktøren for det hele" (2006). Your comments fit that film to a "T"!!!

If you have absolutely no idea what Porumboiu's minimalistic film is all about, and no respect or understanding for another culture, I think you should refrain from posting. Sadly, your inane text was at some point featured on the main page for this Romanian film, even though you - thankfully! - represent an insignificant minority of malcontents.

The film premiered today 2-6-06 at Cluj 5th International Film Festival. I were there… It is not I'm a cine-freak, but I love cinema. After the triumph (Camera d'Or prize) in Cannes of a practically inexistent Romanian filmography, we all were curious about Mr. Corneliu Porumboiu. Well-done Mr. Porumboiu… I should give you a ten, for proving to our fellow -constantly complaining- European fellows that one can make a good film with just a good scenario and without billions of Euros… I have to take away one point because only Almodovar, out of the leaving ones deserves 10, and a second point because,unfortunately your beautiful scenario would not easily strike audiences unfamiliar with the average Romanian. Yet, I did enjoy it and I want to thank you. Please continue your good work

A very good piece of work that seems slow when you watch it and is very effective in the end. It makes you sad and hopeful at the same time. After having gone through revolution the actors are sucked up by their daily struggles about money, love and dignity. The pictures are dark and don't make you want to go to Romania in December. Nevertheless it is a must for everybody who is interested in understanding Romanian culture. But first of all it is a contribution to the national discourse in Romania itself. I would like to see more of the process of Romanian self-reflection. Unfortunately Romanian films are hardly available on DVD outside of the country.

I went to this film for the simple reason that I had never seen a film from Romania even though I remember that Revolution well.

Honestly, I didn't really like the film that much.

However, I saw it with a packed audience and they were obviously enjoying it and laughing a lot! So, I can't really pan the film since it's clear that others resonate with it.

POSITIVES: I did like the shots of Romania in the winter -- I really felt like I experienced the place and that's speaks very well for any movie. I also thought the actors did did a darn good and convincing job. The subtitles were well done, which isn't always the case. I did laugh a few times during the TV studio scene.

NEGATIVES: He takes WAY TOO MUCH TIME to build up to the studio scene and then he spends WAY TOO MUCH TIME on the studio scene! It needed either a few more plot elements or more character development of the supporting cast so I could care about them more. The only one I really connected with was the Chinese guy -- probably because there was some identifiable back story there.

But, obviously, that's just me. You might really like this film -- obviously others do.

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PS: Sometimes I don't know how good a movie is until a week or two after I see it -- if I'm still thinking about the movie, then that's a good sign. Well, this movie passes that test. I'm still thinking about how funny the two guests were on the TV show. The fact is, if I laugh at all in a movie, it's better than most comedies!

There is really a lot to this movie. Even thought there is almost no evident action, except for the long television broadcast of an obnoxious talk show - even some apparently loose ends or inconclusive stories - the fact is you can ponder on days on this beautiful work of art. Acting is superb in most cases, and images of dusk and dawn in the freezing Romanian winter - so gray, so hard - are pure poetry.

The reference to dogma, among other keen jokes, talks about a clever story writer, and a cultured film maker.

I'm really glad I got to see this movie as a part of the "Eurocine" European movie showcase that visits us these days (april 08) in Bogota and the rest of Colombia. We get a chance to see the best of Romania, a country apparently so far away, yet so close to our hearts.