Persepolis

The black-and-white animation, highly stylized and two dimensions which doesn't attempt to render the usual cartoon 3-D, summarizes in quick, intelligent flashes, often impressionistic, growing up in Teheran and Vienna from a highly personal point of view. The narrative is as original as the art. The narrator, Marjane Satrapi, only daughter of an educated Teheran couple, first sketches in briefly how the Shah first came to power,only to lose it and have it replaced by the fanatical religious regime of today. Educated in a French school, she and her family are rapidly alienated from the so-called revolution; she is sent to Vienna to continue her education, falls in with a group of punks and eventually returns both depressed and disillusioned to Teheran where, with other university students, she must submit to the rule of extreme Islamists.

The story covers a great deal of ground from the point of view of a young pro-Western culture radical, and is told with humor and intelligence. She laughs at herself as much as at the semi-lunatic Guards of the Revolution.

Satrapi's hold on reality is much strengthened under the influence of her highly honest grandmother who teaches her not co compromise, not to betray and not to give in.

This is no fairy tale with flying horses and beautiful princesses, but a serious, unsentimental and sometimes brutally honest film covering, among other events, the story of the millions of Iranians and Iraqis who died in a now forgotten seven year war around the Persian Gulf.

In 1978, in Iran, the smart girl Marjane Satrapi lives the troubled period of the history of her country with the Islamic Revolution with her ideologist parents and grandmother. When she is a teenager, her parents send her to Vienna due to the war with Iraq. Marjane befriends a group of outcast students, finds love and deception and returns to her country to the arms of her family. However, the life with the fundamentalist in the government is repressive and she leaves her country again to live in France.

"Persepolis" is an interesting animation where the contemporary history of Iran is disclosed through the eyes of the lead character. This feature gives a great lesson of history highlighting the most important moments of the life of Iranian in their country. This dramatic animation has many levels but is highly recommended for adults and offers excellent dialogs and messages. My vote is eight.

Title (Brazil): "Persépolis"

Persepolis tells the amazing story of a young girl growing up in Iran around the time of the Islamic Revolution. Marjane Satrapi does a wonderful job of bringing her story to life and drawing the viewer into her what it was to grow up during a time of political revolution. Using a unique style of animation, that closely follows the style of the graphic novel, the audience is pulled into a world that is much different than the world they are used to.

Marjane's story is often times humorous and often times heart breaking without resorting to heavy handed sentimentalism that is often seen in Hollywood movies. There were times that I laughed out loud during the movie, particularly the "Eye of the Tiger" sequence which had me in stitches. Other times during the film I had to wipe a tear from my eye. I won't spoil any of those moments for anyone, but there were parts of the film that left me crushed.

The characters in the story were all very interesting and all seemed very real. I loved watching Marjane grow from a child to an adult and seeing how she dealt with struggles as extreme as a revolution and as simple as the end of a relationship. Most of the supporting characters were interesting as well and extremely well thought out. The most memorable of the side characters though, would have to be Marjane's grandmother. She almost acted as Marjane's moral compass throughout the film and in most cases she did it with a great cynicism and humor that only someone who has lived through so much could have.

As an American I will probably never know what it is like to live in a state of such political oppression as the one depicted in the film. It is an extremely hard thing to even imagine what people go through during such political struggles. However, one of the things that makes this movie unique is that a lot of it is told from the point of view of a child that does not really understand the politics of what is going on around her. This really helped draw me into the movie. Since I do not understand what it is like to be in the situation, having the story told from the point of view of someone that doesn't really grasp the enormity of the events unfolding around her really helped to bring me into the story. It was very helpful in trying to comprehend the scale of what was happening in the movie, not that I claim to totally comprehend what this young girl must have gone through.

The animation style of the film is definitely interesting and unique. It is a lot different than anything I have seen before and I really enjoyed the style that was used. The more simplistic animation that was used definitely worked well with the story being told from the point of view of a child. The child in the story could not totally grasp all the details of what was going on during the revolution and having a less detailed style of animation definitely helped emphasize this. Also, having a style of animation that was so different than what audience are used to also helped emphasize that we were viewing a world that was, in many ways, much different than our own.

Overall I really enjoyed the film and it is one that I may eventually want to see again. I really would like to read the graphic novels that it was based on and probably even a few of the other graphic novels written by Marjane Satrapi. I think she is a wonderful talent and I hope she continues to make such interesting films, perhaps bringing some of her other graphic novels to the big screen.

Marjane Satrapi's venture to present the chronicle of the Iranian Islamic revolution filtered through the eyes of a lively and cheeky, French-educated young girl is bold and ambitious. To do so by the help of strong-silhouetted, axe-carved, triangle-nosed cartoon figures is even more peculiar. Her powerful heroine – Marjane, named by no coincidence after the creator – however, spectacularly succeeds in replacing and emulating any possible real flesh characters. She is intellectual, witty, utterly impudent and very funny; the essential Euro-kid of the wild and untamed 1970s and early 1980s.

This brilliant movie serves as a study proving that animation is more powerful and potent than ever before no matter how unsophisticated and basic the visual elements are. And although the technique used in Persepolis has long been present it can be said that perfection has just been achieved.

Satrapi's work is so very French: wantonly intellectual, acrimoniously witty, utterly sarcastic and outrageously funny. However, even this masterpiece could not escape common places and is not without disturbing occurrences of generalization of characters and situations. Still, you will have a wide and genuine smile on your face coming out of the theater. Persepolis is per se unique and compelling with the ability to make you smile at the right moments - when tension has built up too much.

It's quite unusual for a writer to adapt its own book to the screen, especially when it's a comic-book (well, Frank Miller's done it, but that's another story), and especially when it's an autobiographical comic book. That's the originality of this movie, which is the adaptation of a autobiographical graphic novel by its very author. "Persepolis" deals with the life, and especially the youth of Marjane Satrapi, in Iran, during the reign of the Shah and the Islamic revolution. But if the memories could be easily told alone in front of a blank paper, isn't it harder to be true and sincere when you are surrounded by a all animation crew ?

That's the great achievement of the movie : to be true to the comics and therefor, to the life of Marjane. The best parts of it are all about her personal relations, with her grandmother or her uncle. You really have the feeling that she relates all this events to praise their memories and who they were. On the other side, the political scenes and historical point of view that supposedly are the goal of the movie seem to me a little less good than the family or personal souvenirs. It may be true but it seems a little bit simple and even cliché sometimes (see for instance the history of the Shah for all audiences). The personal view on the repercussion of the Islamic repression is way better than this kind of big exposes. The death of a young man trying to escape the police after a party or the attitude of a man insulting her mother in a parking tells us more about the regime in Iran than the speech the movie sometimes (but not so often) gives us.

So, paradoxically, the more personal the movie gets, the truer it is. The all rapport the difficulties to left your country and to adapt to another world seems for instance very honest and touching. The childhood period, told in a comic strip style is both funny and melancholic. In the end, this movie is far from being a movie about Iran, but only tells an individual life, crying for freedom in a country were a woman can't reach it, but transfigured by personal memories and a strong animated point of view, that uses all the techniques and styles a comic-book adaptation could offer.