Persepolis

In 1978, in Iran, the smart girl Marjane Satrapi lives the troubled period of the history of her country with the Islamic Revolution with her ideologist parents and grandmother. When she is a teenager, her parents send her to Vienna due to the war with Iraq. Marjane befriends a group of outcast students, finds love and deception and returns to her country to the arms of her family. However, the life with the fundamentalist in the government is repressive and she leaves her country again to live in France.

"Persepolis" is an interesting animation where the contemporary history of Iran is disclosed through the eyes of the lead character. This feature gives a great lesson of history highlighting the most important moments of the life of Iranian in their country. This dramatic animation has many levels but is highly recommended for adults and offers excellent dialogs and messages. My vote is eight.

Title (Brazil): "Persépolis"

Marjane Satrapi's venture to present the chronicle of the Iranian Islamic revolution filtered through the eyes of a lively and cheeky, French-educated young girl is bold and ambitious. To do so by the help of strong-silhouetted, axe-carved, triangle-nosed cartoon figures is even more peculiar. Her powerful heroine – Marjane, named by no coincidence after the creator – however, spectacularly succeeds in replacing and emulating any possible real flesh characters. She is intellectual, witty, utterly impudent and very funny; the essential Euro-kid of the wild and untamed 1970s and early 1980s.

This brilliant movie serves as a study proving that animation is more powerful and potent than ever before no matter how unsophisticated and basic the visual elements are. And although the technique used in Persepolis has long been present it can be said that perfection has just been achieved.

Satrapi's work is so very French: wantonly intellectual, acrimoniously witty, utterly sarcastic and outrageously funny. However, even this masterpiece could not escape common places and is not without disturbing occurrences of generalization of characters and situations. Still, you will have a wide and genuine smile on your face coming out of the theater. Persepolis is per se unique and compelling with the ability to make you smile at the right moments - when tension has built up too much.

I rated this film a 9 more as a visual complement to the comic book (of two volumes, now bound as one), which I believe to be a masterpiece. If you left the film less than emotionally attached to the characters, PLEASE give the book a chance, because, as is often the case, episodes and histories of a lot of the characters, including Marjane, are left out to adapt the story to a film medium. Having said that, there are great sequences, expressionistic animation, and the wiseass grandma is left fully intact from the books! I can understand why some people weren't emotionally compelled by it though, since the movie doesn't take the time to fill the audience in on all the quirkiness and endearing qualities of the characters as Satrapi originally conceived them.

Adapting "Persepolis" in my opinion was a very important project. Especially (but not only) during times of fear and extreme distrust regarding other ethnicities it's necessary to communicate better understanding for these cultures. Films are capable reach millions of people all around the world. Therefore this medium is a very effective way to do this (unfortunately it can also get misused in the opposite direction).

Seen from this cultural perspective "Persepolis" is an entertaining feature which also meets a certain social responsibility. To me it is the right picture at the right time. In a individually visualized way this animation picture shows Marjane Satrapis personal biography and gives you an idea about the historical background of the Iran and the way of living in this part of the world. Besides several tragic moments "Persepolis" never loses it's humour.

In a short: "Persepolis" is a very true and affectionate adaption of the original comic also drawn by Satrapi who directed the film. An important issue and not only for this reason I truly recommend it !

It's quite unusual for a writer to adapt its own book to the screen, especially when it's a comic-book (well, Frank Miller's done it, but that's another story), and especially when it's an autobiographical comic book. That's the originality of this movie, which is the adaptation of a autobiographical graphic novel by its very author. "Persepolis" deals with the life, and especially the youth of Marjane Satrapi, in Iran, during the reign of the Shah and the Islamic revolution. But if the memories could be easily told alone in front of a blank paper, isn't it harder to be true and sincere when you are surrounded by a all animation crew ?

That's the great achievement of the movie : to be true to the comics and therefor, to the life of Marjane. The best parts of it are all about her personal relations, with her grandmother or her uncle. You really have the feeling that she relates all this events to praise their memories and who they were. On the other side, the political scenes and historical point of view that supposedly are the goal of the movie seem to me a little less good than the family or personal souvenirs. It may be true but it seems a little bit simple and even cliché sometimes (see for instance the history of the Shah for all audiences). The personal view on the repercussion of the Islamic repression is way better than this kind of big exposes. The death of a young man trying to escape the police after a party or the attitude of a man insulting her mother in a parking tells us more about the regime in Iran than the speech the movie sometimes (but not so often) gives us.

So, paradoxically, the more personal the movie gets, the truer it is. The all rapport the difficulties to left your country and to adapt to another world seems for instance very honest and touching. The childhood period, told in a comic strip style is both funny and melancholic. In the end, this movie is far from being a movie about Iran, but only tells an individual life, crying for freedom in a country were a woman can't reach it, but transfigured by personal memories and a strong animated point of view, that uses all the techniques and styles a comic-book adaptation could offer.