The Ramen Girl

Strange thing about this movie is that it has a lot of things wrong with it, but it is still a good movie, because it has a lot of "charm". Not the kind of charm in a movie that is overly contrived, but an actual sincere charm - which is hard to find. Most credit goes to Brittany Murphy for the charm, because she is such a naturally, sweet girl that she just delivers that quality to the whole film. The first problem I would love to address is the Cover of the DVD/Poster/Ad, because it is really awful. It has a "reverse stereotype" of Brittany Murphy in a Kimono with hands clasped. This would be okay for a film that one would think is about a soft-porn, submissive female on Cinemax, but it is not - it's more in the line of Karate Kid, and Shall we Dance. The People who watch expecting to see some White girl in Japan in hot, sexy escapades will be disappointed, and the People who usually watch more cultural, art films would avoid it thinking it's just soft-porn, so this "Cover" just disappoints everyone. The Marketing Dept. should learn from the people who market Fast & the Furious, because those movies sucks big, but always pulls in the audience because people know what to expect.

This film is about an American girl who uses a Ramen shop as her haven after being dumped by her boyfriend. There, she experiences and learns more than she unexpected to.

"The Ramen Girl" is actually enjoyable to watch. I particularly like the way that it treats Japanese culture with respect. This can be seen by not Americanising the Japanese characters, using plenty of Japanese language in the film and also using actors who actually speaks fluent Japanese. Hearing a Japanese ramen chef explaining the spirit of ramen is quite inspirational, as one could see so much dedication and respect for something seemingly insignificant. "The Ramen Girl" is more than just a romantic comedy or a "Lost in Translation" rip off. It is a good way to introduce Japanese culture, values and traditions to other cultures. I enjoyed "The Ramen Girl" a lot, and I hope it reaches a wider audience.

I think a large part of the negative reaction comes from expectations about what the film is or should be.

First of all, this is not a remake of Tampopo, nor is it about food. It actually borrows more from "Like Water for Chocolate" than Tampopo, but the food subplot is an afterthought and a bit of a distraction.

It isn't really a rom-com though there is a romantic interest in there. Nor is it really a East meets West type of thing either though that certainly is an element.

It is a story about a young girl, who like many young people have wandered aimlessly expecting that life will just happen for them. The Japanese expectation that a big company will take care of them for life is not that much different from the American expectations. Our ramen girl discovers that such a lack of passion and spirit, even when the ingredients are there and all the right steps are followed will lead to a bland soup. A simple metaphor but done fairly well.

Brittany Murphy is surprisingly good as the ramen girl and her interactions with the gruff ramen-nazi (wonderfully played by Toshiyuki Nishida) are hilarious. The development of the relationship between the two of them was very well done.

I quite enjoyed this film and recommend it as a light pleasant diversion that brings a smile to your face - like a good bowl of ramen should...

One of the strangest and most enjoyable Japanese films I have seen in "Tampopo"--a wonderful film about a woman who is struggling to make her ramen noodle shop the greatest on the planet. It's quirky and lovable. Now, with "The Ramen Girl", similar material is being explored and the results are quite pleasant if not in the same league as "Tampopo".

Brittany Murphy stars as Abby--a rather spoiled and stupid young woman who foolishly has come to Tokyo to follow a man. She knows none of the language and is totally in over her head--especially since her only focus is this guy. When he breaks up with her, she has nothing.

One night, she goes to a nearby ramen shop. There, the owner and his wife speak no English and Abby speaks no Japanese yet somehow she muddles through. After eating the ramen, she is captivated--so much so that she comes back the next night. Soon this dippy lady has a plan--to learn to make ramen like the masters. But, as she knows no Japanese and the owner/chef knows no English, getting this point across to him is practically impossible. So, instead of his taking her on as an apprentice, she becomes like an annoying squatter who won't go home! Reluctantly, he teaches her.

This is a film I would rate higher in enjoyment than I would overall. This is because too often the film simply makes no sense nor does Abby. How she learns all this without really understanding the language and culture as well as how and why the man teaches her are all a mystery! It's enjoyable but mindless as well. Worth seeing, but see "Tampopo" first.

This was my first view of Britany Murphy in a movie, "The Ramen Girl". I was impressed with her acting and presence on screen. With all the new Hollywood stars coming out of the woodwork these days, you begin to lose track about who's good and who's not so good. This movie has definitely etched a niche for her as a capable actor and hope she manages her career accordingly with her remarkable talent.

The movie in many ways is a throw-back to a silent movie where dialog is not really the centerpiece to the story. The subtitles though helpful were not needed as the audience would have gotten the gist just by viewing the actors' facial expressions intertwined with their body language.

This movie must have been successful in Japan and Asia as it importantly catered to the emotional side of things and the nuances associated with human relationships in order to successfully carry the story rather the plot itself. We are usually accustomed to movies with a continuity heading toward a final conclusion that makes sense to all of us. The viewers, who feel this way about a movie, will be disappointed because "The Ramen Girl" falls short of this requirement. I liked the movie because it successfully joined two cultures in an attempt to show that the traumas and jubilations arising out of love, pride, loneliness, self-worth, honor and feelings we share and experience with people are commonly the same universal denominators we all share in culturally different ways in Tokyo or NYC or the world for that matter. The writer was right on the mark on this one. The movie does have its funny moments to keep it interesting. All around, I give it an 8.