An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.An American woman is stranded in Tokyo after breaking up with her boyfriend. Searching for direction in life, she trains to be a râmen chef under a tyrannical Japanese master.
Soji Arai
- Toshi Iwamoto
- (as Sohee Park)
Yûya Ogawa
- College Student
- (as Yuya Ogawa)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As one who has lived in Japan and has eaten REAL Ramen, I enjoyed this movie just from that perspective. However, I was touched on other levels as well.
There is a depth to this movie that sadly many viewers simply will not be able to comprehend. This is a movie that goes beyond the technicality or "head thinking" aspect of a craft and addresses the heart or "spirit" of doing something.
This is clearly a movie about redemption. It is a movie about relationships. And, it is a movie about cross-cultural understanding and communication.
Ramen Girl touched my heart, and I hope it will touch yours as well.
There is a depth to this movie that sadly many viewers simply will not be able to comprehend. This is a movie that goes beyond the technicality or "head thinking" aspect of a craft and addresses the heart or "spirit" of doing something.
This is clearly a movie about redemption. It is a movie about relationships. And, it is a movie about cross-cultural understanding and communication.
Ramen Girl touched my heart, and I hope it will touch yours as well.
This was my first view of Britany Murphy in a movie, "The Ramen Girl". I was impressed with her acting and presence on screen. With all the new Hollywood stars coming out of the woodwork these days, you begin to lose track about who's good and who's not so good. This movie has definitely etched a niche for her as a capable actor and hope she manages her career accordingly with her remarkable talent.
The movie in many ways is a throw-back to a silent movie where dialog is not really the centerpiece to the story. The subtitles though helpful were not needed as the audience would have gotten the gist just by viewing the actors' facial expressions intertwined with their body language.
This movie must have been successful in Japan and Asia as it importantly catered to the emotional side of things and the nuances associated with human relationships in order to successfully carry the story rather the plot itself. We are usually accustomed to movies with a continuity heading toward a final conclusion that makes sense to all of us. The viewers, who feel this way about a movie, will be disappointed because "The Ramen Girl" falls short of this requirement. I liked the movie because it successfully joined two cultures in an attempt to show that the traumas and jubilations arising out of love, pride, loneliness, self-worth, honor and feelings we share and experience with people are commonly the same universal denominators we all share in culturally different ways in Tokyo or NYC or the world for that matter. The writer was right on the mark on this one. The movie does have its funny moments to keep it interesting. All around, I give it an 8.
The movie in many ways is a throw-back to a silent movie where dialog is not really the centerpiece to the story. The subtitles though helpful were not needed as the audience would have gotten the gist just by viewing the actors' facial expressions intertwined with their body language.
This movie must have been successful in Japan and Asia as it importantly catered to the emotional side of things and the nuances associated with human relationships in order to successfully carry the story rather the plot itself. We are usually accustomed to movies with a continuity heading toward a final conclusion that makes sense to all of us. The viewers, who feel this way about a movie, will be disappointed because "The Ramen Girl" falls short of this requirement. I liked the movie because it successfully joined two cultures in an attempt to show that the traumas and jubilations arising out of love, pride, loneliness, self-worth, honor and feelings we share and experience with people are commonly the same universal denominators we all share in culturally different ways in Tokyo or NYC or the world for that matter. The writer was right on the mark on this one. The movie does have its funny moments to keep it interesting. All around, I give it an 8.
One of the strangest and most enjoyable Japanese films I have seen in "Tampopo"--a wonderful film about a woman who is struggling to make her ramen noodle shop the greatest on the planet. It's quirky and lovable. Now, with "The Ramen Girl", similar material is being explored and the results are quite pleasant if not in the same league as "Tampopo".
Brittany Murphy stars as Abby--a rather spoiled and stupid young woman who foolishly has come to Tokyo to follow a man. She knows none of the language and is totally in over her head--especially since her only focus is this guy. When he breaks up with her, she has nothing.
One night, she goes to a nearby ramen shop. There, the owner and his wife speak no English and Abby speaks no Japanese yet somehow she muddles through. After eating the ramen, she is captivated--so much so that she comes back the next night. Soon this dippy lady has a plan--to learn to make ramen like the masters. But, as she knows no Japanese and the owner/chef knows no English, getting this point across to him is practically impossible. So, instead of his taking her on as an apprentice, she becomes like an annoying squatter who won't go home! Reluctantly, he teaches her.
This is a film I would rate higher in enjoyment than I would overall. This is because too often the film simply makes no sense nor does Abby. How she learns all this without really understanding the language and culture as well as how and why the man teaches her are all a mystery! It's enjoyable but mindless as well. Worth seeing, but see "Tampopo" first.
Brittany Murphy stars as Abby--a rather spoiled and stupid young woman who foolishly has come to Tokyo to follow a man. She knows none of the language and is totally in over her head--especially since her only focus is this guy. When he breaks up with her, she has nothing.
One night, she goes to a nearby ramen shop. There, the owner and his wife speak no English and Abby speaks no Japanese yet somehow she muddles through. After eating the ramen, she is captivated--so much so that she comes back the next night. Soon this dippy lady has a plan--to learn to make ramen like the masters. But, as she knows no Japanese and the owner/chef knows no English, getting this point across to him is practically impossible. So, instead of his taking her on as an apprentice, she becomes like an annoying squatter who won't go home! Reluctantly, he teaches her.
This is a film I would rate higher in enjoyment than I would overall. This is because too often the film simply makes no sense nor does Abby. How she learns all this without really understanding the language and culture as well as how and why the man teaches her are all a mystery! It's enjoyable but mindless as well. Worth seeing, but see "Tampopo" first.
Never heard of this movie before my sister started playing it. I guess it wasn't marketed very well. All in all, the movie was enjoyable, especially if you're a fan of Brittany Murphy. She did a pretty great job and it's always pleasant to her smile. Her interactions with her teacher were the best parts of the movie.
There was no real need for the other non-Japanese characters as their subplots didn't add much to the movie. Nor was there any real end to their story. The ending was quick and not well thought out, but still okay. Other than that, a very watchable and at times pretty funny movie. Made me crave Ramen!!!
There was no real need for the other non-Japanese characters as their subplots didn't add much to the movie. Nor was there any real end to their story. The ending was quick and not well thought out, but still okay. Other than that, a very watchable and at times pretty funny movie. Made me crave Ramen!!!
Strange thing about this movie is that it has a lot of things wrong with it, but it is still a good movie, because it has a lot of "charm". Not the kind of charm in a movie that is overly contrived, but an actual sincere charm - which is hard to find. Most credit goes to Brittany Murphy for the charm, because she is such a naturally, sweet girl that she just delivers that quality to the whole film. The first problem I would love to address is the Cover of the DVD/Poster/Ad, because it is really awful. It has a "reverse stereotype" of Brittany Murphy in a Kimono with hands clasped. This would be okay for a film that one would think is about a soft-porn, submissive female on Cinemax, but it is not - it's more in the line of Karate Kid, and Shall we Dance. The People who watch expecting to see some White girl in Japan in hot, sexy escapades will be disappointed, and the People who usually watch more cultural, art films would avoid it thinking it's just soft-porn, so this "Cover" just disappoints everyone. The Marketing Dept. should learn from the people who market Fast & the Furious, because those movies sucks big, but always pulls in the audience because people know what to expect.
Did you know
- TriviaOn the set of the film, Brittany Murphy nervously told director Robert Allan Ackerman that she had only ever been cast to be "either cute or crazy" and would not be able to deliver anything else. In response, they developed a code where he would say either "C1" or "C2." "C1" was "cute" and "C2" was "crazy," and Ackerman would say to her, "Too much C2, too much C1."
- GoofsIn Japan, taxi's doors are operated exclusively by the driver. Passengers do not open nor close them.
- Alternate versionsThe version shown on U.S. streaming services has had "obscenities" dubbed over ("shit" becomes "shucks" or "crap," etc.).
- ConnectionsReferenced in Anthony Bourdain: No Reservations: Japan: Hokkaido (2011)
- SoundtracksLights Go Out
Written by Kate Holmes, Sarah Nicole Blackwood and Martin Glover
Performed by Client
Courtesy of Loser Friendly Records
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Cô Gái Mì Khô
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $32,000,000 (estimated)
- Gross worldwide
- $179,590
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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