Midnight Meat Train

I would like to start off saying, it is a bit upsetting that this movie has been undersold. I went into this movie know a it was based on a short story, but I had not read it nor heard anything about it.

The acting was very good Overall from a semi-star cast. Bradley Cooper did a great job, as did Leslie Bibb. Vinnie Jones did a good job by pulling off the Sphynx-like roll from Gone in 60 Seconds. He was a calm, quiet collected man who just looks like a natural born killer. I was wondering why Brooke Shields name did not come up or was used to sell this movie, but found out she is just a minor roll in the movie. Peter Jacobson (one of the new members of Dr. House) has a small roll in the movie as a bit of comic relief.

The plot line, I am saying this without reading the book, was decent, but there were times I feel the viewer had to make jumps with what was going on. I won't give away anything in the movie, but it just seemed like there were times that a whole scene took place that was a bit unnecessary, though they may have been thrown in as red herons. The movie is rather straight forward and basic, but it is still able to keep you pulled in. I was kept excited throughout the whole movie until the end and the plot twist occurs.

The violence/blood did not seem over the top for what was occurring. Never was there a part that someone spurted massive amount of blood out of a paper cut. The violence was a bit disturbing, and there were a couple dismemberment/decapitation scenes.

After watching this movie, I felt that this could become another gore cult classic with such as Dead or Alive. Also, if this was well publicized and launched in more theaters, I think it would have easily outsold The Happening and The Strangers, the biggest horror flicks of the summer.

A great movie i must say. Its been a long time there comes a movie that hits you in head. I mean literally. This is perhaps the most under-rated horror movies of the 2008. The reason might be the gruesome violence and the nature of it. Surely this is not for the faint of heart. The movie has a great storyline and the more you see you more you are involved within and you have to see the ending. I won;t comment much on the story. You have to see it to believe it. But i will say that it is not to be missed. and trust me you will think twice travelling in subway at midnight after watching this great piece of horror genre.

This movie was an excellent, but the ending was.. somehow solid, but it made this movie kinda forgettable for me. I love how they did for dark blue color, it made this movie more entertaining. A serial killer was awesome! The CGI was so bad, but still absolutely awesome! I think it's just very weird that Bradley Cooper starred in some horror film because he doesn't looks like a guy who should be in type of movies lol. He was good, but I think Jake Gyllenhaal would have been better because of his role from Nightcrawler (2014) and has a dark look. His girlfriend was annoying and really dumb for not helping and being strong. But all other than this, it was very entertaining movie and I really liked the story, but the ending is not what I expected. My rating: 9/10

Midnight Meat Train, The (2008)

* (out of 4)

A storm of controversy hit earlier in the year when LionsGate canceled this films planned release into two-thousand theaters when instead they threw it into a bunch of budget movie houses. Many people screamed foul but after seeing this film there's a good reason why they didn't push it harder and there's further proof by them skipping a DVD release in favor of showing it on Fearnet, a free cable channel. A NYC photographer (Bradley Cooper) wants to make a name for himself by capturing the heart of the city but a expert (Brooke Shields) tells him he's no good. The photographer then goes out on some night shoots where he ends up following a serial killer who brutally mutilate people on a subway train. As a lover of horror movies it takes a lot to make me mad and this film had me mad way too many times for me to enjoy it. This is the type of film that depends on dumb characters to do dumb things because if they didn't then there wouldn't be a movie. Logic and horror films don't go together but this one is just so downright stupid that I couldn't help but roll my eyes. Here's a serial killer who butchers people to the point where there isn't an inch of the train that isn't covered in blood yet he doesn't get a drop on him. The police don't seem to care too much about all the missing people. We get a photographer getting in over his head for no apparent reason. We get a killer who spends plenty of time not only killing the people but trying them up like hogs, cutting off various body parts and so on. Isn't he worried about someone spotting him? Plus, since when does NYC not have a single person walking around? Not only are the performances pretty bad but so is the direction and screenplay. The screenplay has so many holes in it you have to wonder if a group of children wrote it. I'm not sure how close this sticks to the Clive Barker story but the ending is just downright horrid as well. It was nice seeing Shields but she's given very little to do and the rest of the cast members just sleepwalk through their roles. Gore hounds will find plenty of it here but the CGI effects are so incredibly bad that you'll be laughing at them.

Clive Barker's more sanguinary inclinations are paid tribute here through a hulking golem, a malevolent meat merchant in his dapper best, named Mahogany (Vinnie Jones) who smashes, eviscerates and cleaves through unsuspecting commuters on the last train home. Adapted from Barker's seminal anthology, "Books of Blood", the similarly named "The Midnight Meat Train" is more than just an opportunity for some sophomoric snickering over its title but one of Barker's most revered short stories about a supernatural serial killer that ekes out fascination, fear and obsession from a lone photographer, Leon Kaufman (Bradley Cooper) stumbling upon the butcher's late night deliveries.

Director Ryuhei Kitamura (of "Versus" and "Azumi" fame) offers up one of the year's most brutally alluring gore fests in his American debut. With the gritty and detailed hard-edge of early 70s horror films (why, hello there Lucio Fulci!), his flair for CGI augmented visuals and the intense seduction of experimental camera-work in a cinematic environment so increasingly sanitised of actual visceral terror, Kitamura refreshes the genre's ability to unsettle and provoke audiences and jolt jaded horror enthusiasts out of their PG-13 apathy.

Kitamura works with a modest but shrewd sense of space in the decaying subway, the claustrophobic train and the creeping gloom of the city. There's a certain simpatico between Barker's distinctive tone and Kitamura's balls-to-the-wall film-making that compliments each other to the benefit of the film's atmospheric resilience. The unvarnished horrors cooked down deep in the gallows of the tunnels, plunged into darkness form the basis of Kaufman's terrible fixation on the disappearing passengers and that indescribably malicious man who stalks the shadows. Mahogany is the film's myth, the legend of The Butcher. Prepossessing the exactitude of traits essential to the character, Jones has the nasty glint in the eye, the mysterious swagger of indestructibility and the imperative of consuming evil, as well as having the benefit of looking like the quiet guy in the corner of the bar who could take out an entire gang of hoodlums without spilling his drink.

Kitamura's modulation of the material's emotional stakes and his slow-burn style of ratcheting up tension gives the story further layers to plunge into, not withstanding Cooper's unlikely presence as the film's corruptible protagonist. Jeff Buhler's screenplay from Barker's 25-year-old story is uneven at times but keeps an atmospheric dread of hopelessness. Supporting characters include Kaufman's wife (Leslie Bibb), a counterpoint to the man's wavering sanity and a threadbare characterisation of his good-humoured pal Jurgis (Roger Bart) who stands to represent Kaufman's humanity. But even if these emotional contrasts don't work, the film itself is a tidy and effective meta-slasher that resonates beyond corporeal carnage. Kitamura's subtextual ingenuity is shown through macabre imagery of animal carcasses hanging off meat hooks as Mahogany tenderises, disembowels and stores his victims just like the morsels of flesh they are.

Clive Barker's fantastical and mad blend of visceral shocks and profoundly unsettling explorations of worlds coexisting and buried deep within the one we think we understand has become an important component of our contemporary literary and filmic universes. While "The Midnight Meat Train" never hits the spasms of metaphysical despairs in "Hellraiser" or the diabolical mind-warps of "Candyman", this is forthright horror – simple, powerful and unadulterated.