Sleep Dealer

Rarely does science fiction cinema depict the future of the 'third world', if at all. Alex Rivera's film, primarily set in the state of Oaxaca and the city of Tijuana, Mexico, certainly proves originality in its premise and vision of the future. But while Sleep Dealer's inventive depiction of the future of human labor, immigration and transnational borders is extremely interesting and thought provoking, Rivera fails to achieve engaging storytelling. The plot feels flat and characters seem one dimensional. Both actors remain unconnected with each other and the story. Their actions, at times, seem unmotivated and contradictory. I understand how this film could have been so much more, unfortunately it wasn't. Aside from director Rivera's critique on social and political progress, the story fails to break through.

Frankly, I admire Rivera more for his social, political and progressive vision rather than for his cinematic skills. The film, in the end, feels rough around the edges and leaves a bit to be desired…But still a good effort from a first time director, especially for such an ambitious project.

6 out of 10.

In the US we are inured to dealing with corporate service centers with call takers that speak barely understandable English. This form of remote cross border servicing is one of the characteristics of globalization of work made possible by the internet. What this film does is imagine the next logical step: the similar globalization of manual labor. By means of robotics and the WWW, the film depicts a world where robotic drones in the US do all kind of menial and dangerous work while the brains that control the drones sit or stand in a third world country. It's the ultimate dreamworld for the US of A: work without the annoyance of immigrants.

While the near-reality sci-fi concept is clever, the film itself screens as an Hollywood B-movie. The acting and plot development styles will be familiar to the popcorn-eating crowd that populates the local shopping mall multiplex. The special effects are not that impressive (not surprising considering a 2.5 million dollar budget). There is a dated Star Wars bit with planes shooting at each other while flying through a canyon. It's tiresome if you don't dig this kind of infantile action scenes.

On the positive side, the film is peppered with clever manipulation of language, satirical takes on American impressions of foreigners, jabs at the excesses of capitalism, and inspired blending of present and future. The "coyotes" of today have been replaced by "coyoteks" who will, for a fee, pierce your skin with the appropriate hardware plugs (called nodes) that will enable you to directly connect your body to the internet and to vie for a job at a cyber "maquiladora". If you get such a job, you will send some of your salary to poor relatives back home in the countryside. Money transfers have been simplified, but there are so many fees and surcharges (think of your cell phone bill) that one third of the principal is pilfered by corporations and the government.

You can read more about this subject of remote work at the faux website www.cybracero.com (read cyber plus "bracero"). Check it.

On the net, users have gone beyond sharing personal data. Now they upload memories (yes, sucked out of one's brain) to the TruNode central database and sell them to interested readers. While plugged in -- literally -- TruNode will even sense if you are lying. More interesting or juicy memories, more money. It's the hyper-commercialization and surrender of the human soul.

The ultimate target is the privatization of water. Alas a sad development currently in progress. In good Hollywood fashion, a successful attack is gathered against that idea. The dream of revolt is not dead. Cyber poor of the world, rise up!

This is one of those movies that you watch and slowly "connect" to its reality. Many people disliked that. It was either to slow compared to most of the movies today or too intense an experience to people that don't like the feeling of immersion into something else. However, from what I am sitting, it was a great movie.

First of all, one must take a step back from the usual reviewer practice and take into account that all the actors in the movie are Mexican and so is the writer/director. I don't know what budget the movie had, but it was well done in acting, atmosphere, plot, details and special effects. Winning the Sundance festival (and not being about crazy people) should also count in its favor.

Second of all, I really enjoyed the movie. It has the feel of films like Blade Runner, only it hits really closer to home. Luis Fernando Peña was a real good choice for the main role, even if it wasn't a very challenging one. As in many good movies, the main character was the idea, the plot, and the actors were just slipping into their niche.

Bottom line: this is a sci-fi movie that needs to be seen. Whatever faults it has, they are far surpassed by its qualities. The social message is just as important as the vision of a future where we can have whatever we wish for, only that we wished wrong. See it. It is worth it.

This movie was excellent and entirely not boring. It gave me chills at certain points. If you know anything about the privatization of water you will overly enjoy this movie. This is a take on how people are not connected to each other anymore and our ignorance/negligence helps large corporations/governments take us over and control us. The movie states a problem and brings about a touching solution with the help of well developed characters.

If you're a movie snob and can't get a useful message out of this film you didn't deserve to waste your money on it..

Watch this movie knowing that not a lot of money was spent on it.. It's not a 150 million dollar budgeted movie.. it used 2.5 million. I think Donnie Darko used about the same amount 7 years ago (to put into perspective). Rivera did an excellent job.

Science fiction as a genre exposes two things about a culture: our hopes for the future, and our fears for the future. What foreign science fiction does for us then is tap directly into the hopes and fears of a culture that is alien to us.

The story of Memo mixes the Mexican condition with a cautious approach to an exciting technology. While "nodes" allow people to directly connect their brains to an Internet of sorts, "sleep dealers" construct cheap, unsafe sweatshops where noders can perform dirt-cheap labor for developed nations, without leaving home.

There are plenty of eye-opening layers of apprehension for the future that are taken straight from the Mexican psyche: the construction of the authoritarian Del Rio Dam in Memo's village echoes the ongoing "water rights" controversies throughout Central America; the closed border with America echoes isolationist fears; the ability of an American corporation to send warships into Mexican villages not only with impugnity but complete openness echoes fears of American corporate-driven hegemony.

Flag-wrapped Americans will deride this movie as Anti-American at worst; cultural ignorance at best. But it is a different sort of cultural ignorance that remains ignorant of the sentiments illustrated in this well-done foreign film.