Kaisha

I came to season 6 with a certain amount of trepidation following what had quite a roundly great five seasons of the Sopranos thus far. I'd seen it before when it was first broadcast and I knew that it was in two chunks (both about the same length as the previous seasons – so not sure why they are all classed as one season) but could not remember why (although I'm guessing the writer's strike). The reason for my caution was that somewhere I had inherited the idea that this final season was not particularly good and that it all should have finished in the fifth season. I've seen it myself of course but my memory also seemed to be conspiring to tell me that the majority of this first half was made up of Tony's coma dream and that I hadn't enjoyed it first time round.

All of this is sort of why I decided to watch the whole show again, because my memory was tricking me in many ways – not least of which being that the first half of season 6 is actually very good. The story continues on from the tensions at the end of the fifth season between the New York and Jersey crews, which grows now that Johnny Sacks is in jail awaiting trial and Phil is acting boss of New York. This side of it works well because it keeps the pressure on in terms of narrative. Junior's decline is perhaps a bit simple and the shooting of Tony doesn't really fit particularly well as an idea – OK it is used well but still it seems rushed. The coma is shorter than I remember and this time it means more to me and works better (perhaps with me looking back having already finished the show). The theme of Tony not knowing who he is fits perfectly with season 5 where we didn't seem to know who he was either in terms of the many faces he puts up. Likewise his choices between business and family (creepily represented by cousin Tony) suggest that this idea of two families is not as evenly balanced as has been suggested thus far – again this is me seeing this in the light of future events with Christopher.

Outside of the coma, there is unrest in both families. The Vito thread is as tragic as it is important as a catalyst in the narrative – we feel for him as much as dislike him but when his end comes it is hard to watch (although this time it was softened for me by my girlfriend rightly observing that Phil literally "comes out of the closet" to hand Vito his fate – which I missed both times). The side plots are perhaps why people do not like this season as much, because they do feel a little fragmented with Paulie, Carmela and AJ all having personal issues to deal with. Paulie seems the most out of place although it does provide us with some insight into his character in terms of his violence and his ability to bear a selfish grudge and lash out at those who he perceives as doing better than him. Christopher's movie sub-plot is OK but more of a curio than anything else. Carmela's Paris trip only takes up one episode but it does serve as a good contrast with the New Jersey material. AJ's thread should really be stronger and more engaging but it is hard to feel for him because he is portrayed as an irritant – which he is but somehow the show manages to have lots of "unlikeable" characters who we like watching and get into but it seems to struggle with AJ. All these bits do weaken the show a bit here because this season doesn't quite manage to have as much insight and subtle character development as before, even if it is still good in what it does, Gandolfini continues to deliver the role that will define his career. His material is great and he totally convinces as a man driven almost wholly by selfish motives but yet unable to see himself for who he is – whether it is his conflicting statements between how he acts and what he says or just petty things like how quickly he withdraws help to Carmela over nothing, only to give it when it suits his needs. He is a great character and he nails it again and again. Falco is great in support again even if her material is not as good as it has been in the previous few seasons. Imperioli cannot make Chris' constantly reoccurring drug addiction into a strong thread but he performs well. Iler is worth mentioning this season because I don't think he is up to the demands put on him – his character is more important than ever in this season but he doesn't quite make it happen. Turturro's Janice is well delivered again and she does a great job of translating her mother into her character in more than just words. Support from Sirico, Van Zandt, Schirripa, Gannascoli, Bracco and others continues to be of a high calibre.

Overall season 6 part 1 is not the best of the show but it is not far from the bar. Bits of it don't work as well as other bits but as a whole it continues to be a very enjoyable and engaging show, with the strong central mob narrative built on well with complexity in the characters and side plots. If anything it is testament to the strength and quality of the series as a whole that one season that isn't perfect stands out as being slightly inferior while managing to still be this good.

I am probably part of the few or many who think this season has gone way too soft for this show. The show has accomplished a lot but I think the show has not delivered the hype they created prior to this season. The long breaks, between seasons, and the action and excitement the show once provided has disappeared. This finale was disappointing, in a way, the fact that its Christmas in this show, kinda makes it lose its power, feels outdated, but again strictly in the action sense, I think this show was not that good, and it didn't hint for something to come in the next season. For that reason I gave this episode a 7/10, but still worth watching to be caught up with everything. I hope for better episodes, but I keep getting disappointed. Thanks for reading. ciao

I have just watched the final episode of this year in Series 6 and feel that there has been quite a big build up to the final episode next year but has left me at the half way point bit deflated. I love the Sopranos and will be sad when it does end but this series has had its ups which haven't reached the level of previous series but the downs have been more obvious and evident. My worst was Tony in hospital when he was having the dreams, this just seemed to take up valuable time and not really go anywhere.I must admit that it has been easier to follow recently then some of the older episodes which i couldn't quite get round some of the characters. Christopher has been an excellent role and agree with some as to which direction he is going, I think he will have quite a impact on the story line next year and imagine he will be taken out. The lady shrink hasn't been too involved this series, if there was one episode which disappointed me and was hoping to see Tony seek revenge was when she was raped by the fast food worker. I kept saying to the screen tell him what happened, but her professionalism and human kindness took over unfortunately because that would have been a good scene. Anyway if you are a fan then stick with it and lets see what next year brings.

More violence appears on the horizon between the NY and NJ families, whilst Chris substance abuse continues.

This is a very strong episode with powerful character moments.

There has been some tense build up to confrontation between the two mob families in the past few seasons and this episode handles it in a typically ironic Sopranos way. Tony and Phil have memorable scenes that link well to previous episodes. I love how their confrontation unfolds, particularly the hospital scene and how it subverts expectations.

The funniest scene by far is Carmine's attempt at mediation between the two disgruntled parties. He is a great comedy caricature that reminds me of numerous office managers I have had the pleasure of working with over the years.

The ghost of 'Long Term Parking' hangs like a cloud over this episode and the scenes involving both Chris and Carmela are cleverly fuelled with underlying feelings relating to an absent character. Some moments such as Tony's spec house u-turn are very funny, but much of it is quite dark and creates a sense of impending dread.

As ever the "regularness" of life drives much of what happens and those looking for the excitement and spectacle of a mid-season finale might be left disappointed. For me it's all about characters and they remain very compelling.

Each season is about a certain theme in our Americana. The show is about the supposed American Dream in our society. They all succeed but look at the price. Season #1 is about Man's struggle with his Mother. Season #2 is about Man's struggle with his siblings. Season #3 is about Man's struggle with his kids. Season #5 is about Man's struggle with his friends. AND finally Season #6 is about Man's struggle with Money and Society. If you watch every episode of each season, every scene of every episode is about the THEME of each season. Season #6 is the best of them all. It's shot from a very voyeuristic level. Each character losses something very valuable to them. BUT they each choose to STAY IN THE LIFE and keep on doing what they love. The great addiction for these people. THE LIFE is like heroine for them. Tony is trying to struggle from the addiction. But he's good at what he does. This is a man who doesn't fear life. He faces everything head on in his conscious mind. That is why the center of the show is his relationship with Melfi.

So much happens in the last episode of Season #6. It tells you so much. This is a very abstract show. Everything is very subtle and there is no melodrama at all. Watch again season 6. This show is brilliant. I'm shocked how good it is. If only every film or TV show was like this.