The Beautiful Ordinary

So there was this woman who went to film school and saw "Dazed and Confused" and decided that she could make a movie just like it. And she tried. And she failed. But you can learn something about what makes a real film if you watch them one right after another. Oh wait IMDb thinks all movies deserve at least ten lines of text. This one doesn't but here goes.

The music was almost interesting. The young actors tried their best but unfortunately when there is no plot it is hard for the characters to develop. Many have gone on to act in real movies so I guess this was some kind of learning experience for them. Actually, the most impressive thing about this movie was the ability of the filmmaker to get so many talented and pretty young people to be in the film to begin with. Perhaps she has a future as a producer. She would be much better off if she let someone else write the script, direct the movie and come up with an better idea then let's rip off a mediocre Linkletter movie.

This movie was phenomenal for the audience who can understand it on a deeper level (Think "The Fountain"). Yes, on the surface it seems like another "Dazed and Confused", but its very accurate to its 1999 time period, and the sex and drugs are a key element to what the movie's about, because the sexual desires and drugs are what bring everybody's different social groups together. The reason why some people might hate this movie is because it isn't plot driven. It's instead character driven, and the interesting thing about it is that it doesn't really have lead characters, it just has an outstanding ensemble cast of some rising stars like Khleo Thomas, Melonie Diaz, Lyndsy Fonseca, Amber Heard, Alexa Vega and Chris Marquette, and some newcomers like Charles Chen, Shahine Ezell, and Katrina Begin. I agree with the other commenter that they did an excellent job with the casting, which is very important in a character-driven film. I disagree however, with the comments that Jess Manafort's script tries too hard to be filled with "funny" stoner jokes. There's so much going on in this film, there's so many different characters leading different lifestyles that end up colliding, that for each thing you may hate about the film there will always be something you love. Amber Heard and Melonie Diaz stole the show for the female casting, and Chris Marquette and Charles Chen had to be my favorite male characters. Like I said in the beginning, if you watch this movie on the surface it may seem stupid and old. If you watch it with more concentration to find a deeper meaning, it becomes an excellent teenager film about the key to blending the high school cliques so everybody fits in. I highly recommend it.

"Remember the Daze" is a 2007 direct-to-DVD release whose main claim to fame is an ensemble of the hottest young actresses ever assembled (at least in recent memory). For viewers looking for that sort of thing it starts with then unknowns Leighton Meester and Amber Heard; and doesn't really go downhill much from there with Marnette Patterson, etc.

This is one of those 24-hour important transitional day teen movies, which are produced every few years and key in on a day that marks the passing from one stage of life to another. In this case it is 1999 high school graduation party night (in North Carolina) as the seniors prepare to move on to life after high school. Think "Can't Hardly Wait" (1998), "Dazed and Confused" (1993), and "American Graffiti" (1973). Throw in some elements and cast members from "Sleepover" (2004) along with the lyrical qualities of "Empire Records" (1995) and maybe even a little of "Sixteen Candles" (1984).

The only thing really unique about "Remember the Daze" is that Jess Manafort (the writer and director) is a relatively young woman. So the point-of-view is more female oriented; and the parts of the female characters are better written and much more believable that those of the males. Intuitively you would think that this would give the film a box office advantage over its predecessors. The many hot babes and some comedy, drug use, and misbehaving should attract a teen boy target audience and the more cerebral and sensitive dialogue should connect with girls of almost any demographic.

Unfortunately the wheels mostly fall off and the film fails to make the sentimental connection Manafort was hoping to achieve. It probably has something to do with too many stories being told, more than in the other films mentioned, and passing some vague tipping point where there are so many that the audience struggles to tap into any one particular character for point-of-view and strong identification purposes.

Also a problem was too much emphasis on the two weakest stories in the bunch; Heard's struggle to break up with her terminally depressed boyfriend (together they sap the energy from every scene in which they appear) and Patterson's struggle to break up with her terminally depressing boyfriend (who is physically and emotionally interchangeable with the assorted members of his moronic but staggeringly unfunny homeboy pack). Mostly you just end up feeling embarrassed for the poor folks tasked with playing such poorly written parts.

The film has some entertaining moments. Meester and Katrina Begin make the most of their limited screen time, and manage to inject a lot of badly needed comic relief. They represent a fusion of the Ron Howard - Richard Dreyfuss - Cindy Williams characters, struggling to sort out an upcoming geographical separation.

Stella Maeve ("Lightly" - I love that character name) and John Robinson ("Bailey) have a sweet and believable romance that is nicely sold by the way the two actors gently tease their roles. Each year in high school I recall romances where an incoming freshman girl pulled an older but less mature upperclassman out of his shell, but for some reason the dynamic has been neglected in films.

Even with the missteps already noted, Patterson is excellent in what turns out to be the biggest part in the production (after editing but probably not in the original script as she gets no billing on the main promotional material). This is essentially Jennifer Love Hewitt"s "Can't Hardly Wait" character, this time mostly played for laughs but not aggressively enough written so that the absurdist elements are not as effective as they could have been.

A distanced and largely silent guy (Charles Chen) with a still camera bookends the film; the quintessential class historian who participated in nothing but is destined to one day serve as the class' collective memory. They go out on an elaborate crane shot that goes up and into a second-story window to pan across a montage of his just developed photos. He also serves the Wolfman Jack role, with his constant presence a lyrical commentary and a way to bring unity to the disparate story elements.

Then again, what do I know? I'm only a child.

How's this for a plot line? "A glimpse into the teenage wasteland of suburbia that takes place over 24-hours on the last day of school". Sounds like "Dazed and Confused", right? "Remember the Daze" feels like a film made by people who did nothing in High school but watch "Dazed and Confused". I'm sure that not all the similarities between the movies were intentional. Let's be honest though, this film is like a poor man's "Dazed and Confused", crossed with "American Pie". I'll start off with a little background information.

I myself am just a smidge younger than the Dim Wits portrayed in the film. Class of 2004 (Ugh). I can tell you, without ANY hesitation, this is about as accurate a portrayal of High school life in 99' than "Saved by the Bell" is. This generation was not nearly as hip-to-drugs as the filmmaker wants to believe. EVERY high schooler in this flick is carrying at all times. Please. Not that my generation is any better. You couldn't do a "Dazed and Confused" in the 2000s. Every kid is too busy on Myspace and whatnot to even get out of their chairs. Most high school seniors today couldn't roll a joint if their life depended on it.

So, right off the bat, "Remember the Daze" is plagued with a sense of unauthentic narrative. Making things worse are the fact that every character is a stereotype (multiplied by about 100). Not one realistic teen in the bunch. Not that it matters, the only dialogue any of them get is along the lines of "Let's get wasted", or "Who's got some pot". I kid you not; those lines are spoken once every 30 seconds. The cast of young actors are all apt, with a couple doing some above average work. Unfortunately, the fact that they all play whiney degenerates doesn't help. Marnette Patterson, the young woman that plays Stacy, gives by far the most layered and lively performance.

This film is far from terrible though. Apart from being fake and overly derivative of a certain other teen/drug film, it does have some finer points. The whole thing moves along pretty well, with some interesting scenarios and occasional humor. The cinematographer also seems to know what he's doing, and the film looks a lot more polished than one would expect. While the film definitely features a bit of phony sentimentality and lame profoundness, it never really demands much from the viewer and provides a consistently pleasant atmosphere.

Before I forget, two last thoughts. Was it just me or was the inclusion of the "Photographer kid" beyond pretentious. Ouch. They could have easily cut him out and saved a lot of embarrassment. Although I suppose that lost shot of the photos was suitable. And the title, "Remember the Daze". That's just corny and in no way fits with the tone of the film. They should have just called it "Remember Dazed and Confused", because anyone who watches this will find themselves gawking over the similarities. If you're a fan of the former though, this should be worth a free rental if you've got a coupon lying around. Or better yet, pick up "Can't Hardly Wait", which is leagues more realistic and enjoyable than this.

I have to say, that when i started watching it, I was expecting a typical teenager film with a few laughs and meaningless ideas. However, i was completely surprised to find myself with a great cast with a lot of young upcoming actors and some new faces which i found were also good. The fact that this film is not centered only on one person's life and stories, but on a group of teenagers who are on the brink of becoming adults, is enthralling. It shows us how different groups, races and sexuality are not important in 1999, where drugs and alcohol are a big factor in teenager lives. Furthermore, i feel that, being a teenager myself, i can relate to the insecurities these teenagers feel and at the same time have a laugh at the film as it is kept pretty real. There really are some funny parts! This film takes in a lot of ideas and thoughts which can be reflected on. It is not just another teenager film. It is well written and well worth watching.