The Babysitters

The sole reason for why I picked up "The Babysitters" was because of John Leguizamo being in it. Having read the synopsis for the movie, and that wasn't particularly a selling point for me. So, for me, the movie was depending on John Leguizamo to carry it - and so he did.

The story in "The Babysitters" is about a young girl who babysits for a family, and whilst driving her home in the evening, the dad invites her in to a diner for something to eat. Here they come to talk and a spark is set off between them. The dad ends up having sex with the babysitter. Eventually his friend finds out and wants in on the deal, and the babysitter bring in her friends to help servicing these adult men who have wives and kids. And business is good for the 'babysitters'.

Storywise, then "The Babysitters" doesn't really blow you away - pardon the pun. The story is good enough in itself, although it does deal with a taboo subject, so the movie may not be suitable for just anyone.

What made the movie watchable was the acting in the movie, because people really did great jobs with their given roles and characters. And also the characters in the movie were really fleshed out nicely and in great detail.

"The Babysitters" is a story- and character-driven movie, so don't expect the movie to get up into a fast pace at any given moment.

If you enjoy dramas that deal with issues that are not common day events - controversial events you might say - then "The Babysitters" might be just the right movie for you.

This movie is both entertaining and highly unsatisfying; as unsure of itself as the teenage girls it depicts. There does not seem to be an overall direction and there is little in terms of a climax. No pun intended, because the frequent sex scenes are among the film's most entertaining sequences.

Almost every act committed by those in the film is immoral, illegal, or a terrible mixture of the two. Grown adults, ranging from lonely elderly perverts to unhappily married businessmen, purchase time with teenage girls running a prostitution ring disguised as a babysitting business. The film attempts to focus on the internal struggle of both the men and girls involved, but does little to form any kind of moral compass along the way. As the movie progresses, you grow to dislike the greedy ringleader as well as the married men her clique sleeps with.

Due to the lack of a leading protagonist, we are left with no one to cheer for. The only thing to look forward to is some kind of justice, some kind of reprehension or punishment for the acts committed. That does not happen. The ending is, to say the least, highly disappointing and resolves no questions nor concludes the movie properly.

This is the kind of film that demands a satisfying ending, but in the end, the viewer is left with more questions than answers. As far as we know, everyone involved manages to forget about the ordeal and move on. Perhaps the viewer should do the same with this film.

This is what I look for in independent film. Well drawn characters, competent movie making, and a pleasing ambiguity that a big studio wouldn't dare leave in, lest the audience actually decide how to feel for themselves. The guys are great - desperate, sleazy, charming, funny and sad. The girls are also portrayed fairly - scheming, sweet, sexy and innocent. Leguizamo's character is believable to me as an aging playa, chafing against middle age and lusting for Waterson's Shirley. And Shirley is the best on-screen pimp in recent memory. To be fair: things unfold a little quickly, people accept their situations a little easier than they might in real life, but this is a pretty short movie, and throwing in more angst would be overkill and overlong on screen. No one comes away clean, and no one comes away as the absolute bad guy. Moral absolutes would kill this film, and I'm glad it got made the way it did.

Stuck at home and recovering from a viral throat infection, I was looking for a couple of nice little cheesy movies that didn't take much brain power. What I found instead, was one utter piece of dross (Black Ribbon, don't bother watching it), and this absolute gem.

Not at all the Debbie-does-Dallas style piece of cheese that I was expecting from the description I had read, I found this film really rather touching and thought provoking. The acting was excellent, especially considering the apparent young age of some of the cast. Katherine Waterston shone as Shirley, and managed to convey all of the awkwardness of her slightly neurotic teenage character, whilst still being completely convincing in later scenes where her inner core of steel shows through. The range of different personalities amongst the girls as a group was excellent, and each character was thoroughly fleshed out. If there was a weak link here, I would say that perhaps there was not quite enough focus on the reactions of the teenage boys to what is going on around them - Scott's reaction to Shirley later in the film appears to come from nowhere. Perhaps a deleted scene?

The sex, whilst somewhat explicit, was never gratuitous, and there were a couple of uncomfortable scenes that had me on the edge of my seat. Whilst I certainly never got involved in anything like this as a teenager, I found I was reminded very strongly of the amoral thing I once was, and rather grateful, in fact, that I was never given the choice that these girls are offered in the film. The lack of any real analysis of their actions only serves to make these teens more convincing in my view - what teenager really considers the consequences of their actions before taking them?

My recommendation: Get hold of a copy of this film, grab yourself some popcorn, and watch it through, and be prepared for some introspection afterwards.

After she ends up having sex with one of her customers, a teenager decides to turn her babysitting job into an illicit escort agency, with herself and her friends as the call-girls. Things are great at first, but the reality of the situation she has put herself and her friends in starts to take its toll.

I'll be honest – even before I started to watch 'The Babysitters', I wasn't feeling great about it. A decent cast of good but unimpressive actors; a handful of sexy girls there to just be sexy; and a play on that lovely babysitter fantasy. It was destined to be failure.

And, well, it's a failure.

It's a failure mainly because it's so predictable. It was clear to see where it was going, and writer/director David Ross never really challenges our expectations – if anything, he goes out of his way to make sure everything goes as we imagined it would. Very boring.

Another problem is that Katherine Waterston (playing central character Shirley), as gorgeous as she is, just isn't a very good actor. If you're going to base your film around a young actor, that actor better be good, and we didn't get that here. She's not absolutely awful, she has her moments, but nothing sustained enough to make it a performance worth investing in. The big name in the film is John Leguizamo. I liked his character, and the man is obviously a fantastic actor, but he's wasted here. Similarly, Cynthia Nixon is barely there, and doesn't have a lot to do.

I feel I should balance this out with a positive from the movie, but I'm at a loss as to what that might be. If I would praise anything, it would be the performance of Lauren Birkell, as Shirley's best friend Melissa. She is the kooky, quirky one, and does it very well. It's a spirited performance, the kind of performance someone gives when they're doing best to get noticed. But it's one shining light in a badly-made film.

'The Babysitters' is watchable, but you're not going to enjoy it too much. If you're happy to put up with a boring script if it means you get some lovely eye candy, please do watch this, as you get a healthy dose of both things. If you like your films, y'know, good, avoid it.