Soredemo boku wa yattenai

A man falsely accused of groping fights for his innocence. Groping leaves no evidence, and the Japanese courtrooms are heavily biased against the offender.

"Soredemo" is one of the greatest Japanese film I've seen to date. This movie deals with the horrifying truths behind the Japanese court system. Life-altering and inspirational movie. I haven't seen Kase Ryou in film before, but he handled this difficult role perfectly, excellent control of his emotions. The supporting cast is filled with actors I consider to be the most talented in acting skills, and they all gave great performances. Casting was incredibly well-done.

This movie was directed by the same person who did "Shall We Dance?" and the lead actor in that movie, Yakusho Kouji appears as the main lawyer. Direction, screenplay, and the story were absolutely perfect.

A must-watch film.

Japan's foreign-film entry to the 2008 Academy Awards is a doozy and arrives from one of the country's preeminent filmmakers, Masayuki Suo. In his first film since 1996's "Shall We Dansu?", he brings the same discriminating eye back to Japan's cultural and social norms and in "I Just Didn't Do It", zeros in on its oppressively rigid judicial system. Observed on a level that can only be described as stark realism, a true departure from Suo's august social comedies and a distinct legal procedural going by its narrative trajectory of showing the inciting incident, investigation and to the courtroom in its various stages of due process – Teppei Kaneko (Ryo Kase) is accused of molesting a schoolgirl on his way to a job interview, subsequently coerced by weary detectives to accept the charge and pay the fine instead of pursuing vindication – a system that Suo notes as the reason for Japan's almost perfect conviction rate and institutionalised prejudice against the accused.

One day man is suspected as a criminal of a groper. He has never done such a thing, however he is wrongly labeled as a criminal. He cannot accept it and decides to bring the case into court. He strongly insists that he is innocent but his claims are rejected. The police struggle for their pride. He fights for his innocent for a long time and in the end…

I am very sorry that this kind of accident really occurs. Of course groping should not be accepted. However, someone who is under suspicion also has his life. If he is not a criminal, his life will be unexpectedly changed. I cannot accept such a thing. This film shows us very serious problem of Japan. I want many people to watch this film and rethink about Japanese trials.

I applaud the film director, Masayuki Suo, for having the courage to put out such a poignant film that speaks volumes about Japan's flawed justice system as a Japanese citizen. The 99.9% guilty rate is a reality not taken seriously by foreigners and many of those living in Japan. As a foreigner, it was interesting to see how laws are applied within the context of such a seemingly modernized and developed country. We follow the main character, Teppei, who is caught at the wrong place at the wrong time as he is accused of committing a crime he did not commit. With the assumption that standing by his innocence will set him free quickly and painlessly, we soon learn about the psychological battle he and those close to him have to battle.

Japan's judicial system is very different from westernized systems. In Canada for instance, much of our outcries and screams of injustice belies on the fact that the justice system "protects" criminals. More guilty people walk away or serve light sentences for crimes committed here. In Japan, it is quite the opposite and it makes one ponder... how many innocent people exactly are locked up? How easy is it for individuals to take advantage on that "trust" and falsely accuse another person of a crime they did not commit for the purpose of a hefty out-of-court settlement? In all, this film was excellent and is an important tool for us to reflect upon how "justice" is applied in different nations. It is exceptionally accurate in its portrayals of the daily ins and outs of those in Japanese jails. To assume that the Japanese system "can't really be THAT bad" is a slap in the face to all those who had to undergo that kind of psychological hardship as INNOCENT men and women. I am saying this as a fact. My boyfriend had spent close to a month in jail with accusations for a crime he did NOT commit. The prosecutor's only goal is to dig up any kind of confession by any means necessary - verbal coercion, bending stories, refusing or providing menial legal counsel, etc. When your ultimate verdict is guilty from the start, what kind of justice does an innocent individual have left? Is it right for an innocent man to say that he is guilty when he is absolutely innocent? Think about that.

The film follows the procedures of an unfortunate man as he is arrested, indicted, and tried for groping, a criminal offense. Throughout, the audience is confronted with moral dilemmas, questions on the most basic, most fundamental principles of the justice system and court procedure. Of course, the basic tenet is "innocent until proved guilty," but how does a court truly guarantee such? How does a justice system work efficiently without error? How should the justice system correct itself when there is a mistake? And how should the defendant act when he is wrongly accused? These questions are relevant to any nation, not just Japan.

Despite all the considerations of a highly developed democratic system, the main character, Teppei, still finds himself in the most unfortunate situation of being indicted for a crime he did not commit. Japan has checks and balances different from the United States or other western nations. Most innocent people are freed in the Kensatsu (something similar to the prosecutor) and are never indicted. In a sense, there is a court involving investigation, before the actual court. That a defendant, before entering a court room, has already been found guilty in two separate investigations renders the court a place to merely decide what the punishment should be. This is the reality of 99.9% guilty rate (which includes those who plead guilty). Teppei finds himself in the unlucky situation where he actually gets indicted despite being innocent.

After seeing this movie, many people, especially non-Japanese, will get the wrong impression of the Japanese justice system, which is a lot more fair than this film gives credit to. Regardless, the film presents a very valuable and justified perspective of the way criminal cases are handled in Japan and forces us to contemplate the concept of courts regardless of nation.