The Education of Charlie Banks

A terrific film. The director managed to capture the innocence of the seventies. I was glad he didn't use JUST 70's movies because there was a great piece of music that opened and closed the movie. I think it was called "The Sad Song." It was a nice balance to the 70's music and prevented the film from becoming a movie about old music. Very well cast as well. All the actors were wonderful. I am usually bored by coming of age movies, but this had a lot of surprises, and I think it was because the director was really feeling with his characters. The opening and ending section with the small kids was also very moving. I understand this is Fred Durst's first film. It's a great first film and is also very smoothly and seamlessly edited. Will this film be distributed? I saw it at the Tribeca Film Festival and wondered if and when it was opening anywhere else.

The Education of Charlie Banks was an excellent film. This independent film surfaces from a sea of mundane dramas. With elements of revenge between Charlie and his childhood bully which reminded me of the 1991 remake of Cape Fear and elements of admiration and chivalry the film is very dynamic. The time line and set are also very interesting to me, the film starts in the mid seventies and jumps into the mid eighties, with all of the hair styles, clothing and props that bring you back to those time periods. With surprise twists and smart dialog, it kept me interested and curious. The climax of The Education of Charlie Banks satisfies the viewer in a way it answers questions of character and of lessons learned. A must see for drama fans. ~NikkoD

As the directorial debut from Limp Bizkit's outspoken and often loathed frontman, Fred Durst, it's safe to say that the bar was set very low for "The Education of Charlie Banks" -- too low, as a matter of fact, as Durst's film (drawn from a screenplay by Peter Elkoff) is a surprisingly rich experience that unfortunately sat on the shelf for too long after being made and which got virtually ignored by critics and mainstream audiences alike.

Opening in the mid-70's and then picking up sometime in the 80's, "The Education of Charlie Banks" tells the story of a bully (Jason Ritter) who appears as some sort of boogeyman to the title character (Jesse Eisenburg). Though the two make acquaintances as teenagers, it isn't until his college years that Charlie finds himself being truly haunted by the ultra-violent hot-head when he shows up unexpectedly in the dorm-room he shares with his childhood friend (Chris Marquette). Slowly, he works his way into Charlie's life, tagging along in spite of the fact that he never quite fits in. Has this friend from the past changed his ways, or is he just a hot-head ready to blow at any minute?

Without a doubt, the film was influenced by the films of Martin Scorsese (see the "Raging Bull" poster in Charlie's room) and although it's not quite in the same league, it's a noble effort nevertheless. The film reaches for lofty heights, and thanks to its credible cast, reaches them. You'll feel immersed in the characters and situations in "The Education of Charlie Banks" and while it's ending doesn't exactly resolve anything, ultimately resembles reality a bit closer than the average coming-of-age story. It's a well-written and well-paced story directed almost effortlessly by Durst that should intrigue the interested and silence the critical.

The Education of Charlie Banks marks the film debut of Fred Durst of Limp Bizkit. And what a remarkable debut it is! The film's themes deal with love, change and facing one's fears. Durst really makes the characters come to life and, despite many films of the same ilk, creates a likable antagonist--albeit a brutally violent one--who proves to be human, despite all his flaws. Jason Ritter plays a fearsome character, but just as the protagonist, Charlie Banks, expressed his need to "protect" him, I too sensed something in him that was precious. Unlike Variety magazine, who said Ritter "simply lacks sufficient menace and charisma," I find Ritter to be quite right for the role. In fact, the next day, I met him at Club Embargo and asked him not to beat me up! The real star, however, is Jesse Eisenberg, who plays the lovable Charlie Banks. His sincerity and genuine concern for others rightfully took an emotional toll on me as I sat in the theater. Tom Huckabee mentioned the film ought to be up for an Oscar nomination. I think I could agree with that.

First of all, I love high school/college setting, dysfunctional family and coming of age drama. Despite having the elements in this film, it was missing lot of chemistry between the actors, the time period didn't fit the screen, wasn't really impressed by the lens/filter or the cinematography. It would be amazing if Gus Van wrote/directed this film.

Nevertheless, I do have to praise Fred Durst for evolving. He has come long way from directing music videos to the big screen. He displayed so much maturity through music choices in this film and long drone camera staring into the characters. Also, to get a dramatic gig like this film and to bring forth so much emotion off the characters/story was just good for Fred. He really tried to capture the mentality of teenagers/young adult. it was very good first choice for Fred Durst. I am very much impressed by his first attempt. (o yes I love the guy, he was so humble and awesome guy when I met him at TRL in 2003)