Thirteen-year-old fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.Thirteen-year-old fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.Thirteen-year-old fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.
- Director
- Writers
- Stars
- Won 1 Oscar
- 52 wins & 150 nominations total
Felix von Simson
- Pierrot Quincey
- (as Felix Von Simson)
Charlie von Simson
- Jackson Quincey
- (as Charlie Von Simson)
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- Writers
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Featured reviews
Well, from the trailers I could tell this would be an epic film before I was even able to see it. I managed to attend a gala screening of the film last night and I thought it was amazing. Despite my constant dislike to Keira Knightly, I was unable to disapprove of her acting in this film. She has improved massively since the first pirates film. The film itself has an intriguing plot line which keeps you hooked throughout. The film includes humour at the start and fascination by the end. I loved watching this film and I enjoyed the smartness of the story. The film is cleverly done with jumps in time and different perspectives of events throughout which will leave you understanding the motives of each character more. The music is composed beautifully, the orchestral tunes accompanied with the clatter that a typewriter makes creates a beautiful piece of music that fits perfectly with the film itself. I have since begun to read the book, the only thing that the film lacks is the character depth that a book can write about but a film simply can't explain. I feel that the film shows what happened but the book is able to explain a little more as to why the events occurred. Overall the film was beautiful, brilliant and emotional.
Comprising recognisable, realistic and outstandingly beautiful performances, set within an uncomfortably believable and heartbreakingly tragic story, it will leave a mark, a scar, a wound on your soul; especially if you have an ounce of humanity, understanding and empathy for the circumstances within which it is told.
I usually don't like watching novels turned into movies (specially when I liked the novel as much as I liked McEwan's "Atonement") but this was a really pleasant surprise. The plot is extraordinarily well adapted, leaving out what cannot possibly be included in a two-hour film, changing very few details to translate literary language to cinematographic language but sticking to the essence and the spirit of the novel.
I really believe that if you enjoyed McEwan's novel, you will fall for this beautiful film. If you have never read McEwan, you will fall for the intriguing and thrilling story written by this wonderful English novelist.
Please, don't miss this one!
I really believe that if you enjoyed McEwan's novel, you will fall for this beautiful film. If you have never read McEwan, you will fall for the intriguing and thrilling story written by this wonderful English novelist.
Please, don't miss this one!
At a gathering in a country house a jealous little girl meddles in her sister's love life, and things will never be the same ...
From an interesting novel that had an engrossing first half but, for me, trailed off in the second. So I had a different experience with the film adaptation, where the country house scenes are not quite satisfying but the following war story is brilliantly told. The narrator is a fascinating little character, but looking back I think her motivation needed to be colder and her atonement more problematic. In the end the story is wrapped up with a talking head, which I guess was unavoidable but not the mark of a great movie.
The long tracking shot on the beach at Dunkirk is amazing - not only a technical marvel (the amount of ground covered, the multiple interactions) but it creates a great sense of chaos and despair.
Performances are good, and it's no wonder people raved about Ronan. The music is excellent and plays about with the rhythm of a tapping type writer. Photography too, although I didn't get the sense of oppressive heat in the first act.
Overall: interesting and impressive, but some big flaws.
From an interesting novel that had an engrossing first half but, for me, trailed off in the second. So I had a different experience with the film adaptation, where the country house scenes are not quite satisfying but the following war story is brilliantly told. The narrator is a fascinating little character, but looking back I think her motivation needed to be colder and her atonement more problematic. In the end the story is wrapped up with a talking head, which I guess was unavoidable but not the mark of a great movie.
The long tracking shot on the beach at Dunkirk is amazing - not only a technical marvel (the amount of ground covered, the multiple interactions) but it creates a great sense of chaos and despair.
Performances are good, and it's no wonder people raved about Ronan. The music is excellent and plays about with the rhythm of a tapping type writer. Photography too, although I didn't get the sense of oppressive heat in the first act.
Overall: interesting and impressive, but some big flaws.
I saw a preview of this film yesterday and felt privileged to be one of the first people to see the film. It was also a pleasure to see a film before reading any other critical review or opinion. I am a great fan of Ian Mcewan and was concerned that it would not be possible to capture the subtleties and nuances of Mcewan's writing but I needn't have had any worries. The director, Joe Wright and screenplay writer Christopher Hampton have done a superb job and the complexities of the novel are superbly captured with real imagination. The story is set in three main areas, an English country house in 1935, war torn France 1940 and London 1940. The atmosphere in of all three are wonderfully captured by the director, cinematographer, costume design and score and I am sure that there are going to be some Oscar nominations for these. James McAvoy as lead man gives a tremendous performance of a restrained but passionate man. I was not as convinced by Keira Knightley's performance and am not sure that her acting has the mature edge to capture the social nuances of the times that McAvoy did so successfully. Do not see this film if you like fast paced films and rapid plot development! This is not a film for the pop video generation. If however you like character development and a plot that unravels at a pace that allows you to be immersed in the atmosphere of the film then I can highly recommend Atonement as one of the best films that I have seen this year.
Did you know
- TriviaDirector Joe Wright had wanted Keira Knightley to play the role of Briony in her late teens, but Knightley immediately liked the character of Cecilia, and also wanted to get away from playing girls on the brink of womanhood and play a more mature character for once.
- GoofsAny apparent continuity errors in the fountain scene - the position of the vase, the tennis shoes, Robbie's sitting position, Cecilia's strap slip, the buttons on her blouse etc. - are not what they seem: we are seeing the same event in different ways through different pairs of eyes.
- Quotes
Cecilia Tallis: I love you. I'll wait for you. Come back. Come back to me.
- Crazy creditsThe title types itself out like on a typewriter.
- ConnectionsFeatured in Friday Night with Jonathan Ross: Episode #13.1 (2007)
- SoundtracksClair de Lune
Written by Claude Debussy
Performed by Gordon Thompson
Courtesy of Sanctuary Records Group Ltd
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Expiación, deseo y pecado
- Filming locations
- Stokesay Court, Onibury, Shropshire, England, UK(Tallis home)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $50,927,067
- Opening weekend US & Canada
- $784,145
- Dec 9, 2007
- Gross worldwide
- $129,266,061
- Runtime
- 2h 3m(123 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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