Al final del espectro

I'm a student of film-making in Colombia. This movie really makes me sad in the way that there are so many projects of films that are more interesting, but they are not supported, because the infamous people of Colombia and many of their filmmakers believe that telling stories of Colombia's problems is something boring and "typical". It only pronounces more the sense of indifference that is overwhelming this hurt nation. Now, talking about the movie, it stinks. The story is too entangled, showing us the problems in its screenplay. The acting of Julieth (Tulipan), is pathetic, too cliché. This character is the same thing as the typical misunderstood teen (oh what a surprise, a wannabe Gothic girl) The movie itself is big cliché of American horror movies, in which the horror is done through the typical terrifying noise, but not from the image itself. In the technical aspect I think that the movie is good, although there are many out of focus, that you can tell that are not intentional. The audio of the movie is well done, and the lightning is pretty descent. I also admire that the movie has got a big response in the public, so be free to watch it and drop your own conclusions.

Very very good. It's cinematography will surely win the Colombian Film Award next year. The editing and the direction were superb, giving us very well-done tension moments. I liked the story in general and it looked to me extremely claustrophobic.

Such a cool ending. Very scary.

Noelle was very good here, and also the beautiful Julieth Restrepo, in her movie debut. Correct me if I'm wrong, but was Tulipán a lesbian? Cause there are facts that can prove it...

Congratulations, cast and crew, I hope the American remake don't destroy this amazing amazing amazing Colombian movie. Keep working.

I went to see this movie with high expectations, mainly because a Horror movie made in Colombia is something you can't watch everyday. What i've found was a very good color quality, good use of sound but a quite poor story, a Colombian remake of "A tale of two sisters".

I really enjoy Colombian films, mostly because they're original, and our filmmakers don't use to repeat a story... every story has a different spark. But honestly and sincerely, this movie sounded like "Hey, we're Colombian filmmakers, we also know how to make a long-black-haired lady coming out wet from a bath tube and with an erratic way of moving" ... so commercial, so American-remake ... in other words: "Roy Lee, this is your movie, we've made this for you" I'm sure Kidman could be nuts if she really wants to participate in a remake of this movie... this is not gonna work, i'm sure.

It's incredible the level of art of this picture, including photography, art design, direction and VFX.

This is one of the first films in Spanish which brings together all these fabulous value - added items, as a great art concept, really good VFX and a great score.

Aditionally, it has a tremendous script, which turns around sinister and usual fears of humans, specially in our modern times.

It's also one of the first movies in Latinamerica and Spain which is going to be produced as remake.

The actors are at a top level, specially the performances of Noëlle Schonwald and Julieth Restrepo.

If you have another guerrilla, narc-traffic, "sicario" script ready to shoot, way to go, man!!! Those are the kind of movies Colombia needs to change our reality.

I didn't know every writer, singer, painter, sculptor, reporter or filmmaker in Colombia had to write, sing, paint, sculpt, report or shoot only our problems not to be called infamous or indifferent.

Good luck with your movies about our "hurt nation" and good luck to those whose movies distract us and entertain us to avoid that reality just for a couple of hours. I'm not indifferent or infamous just because of that, I love my country and it hurts like hell everything that happens here, whether a movie shows me or not how overwhelming our reality can be.

You are another one of that disrespectful Colombian pseudo-artist who don't allow our reality to change by not showing just a little bit of respect for somebody else's expression of art.