Teeth

This movie is like a crossover between a feminine horror story and a black comedy, better yet satire. Teeth succeeds because it doesn't take itself too seriously and it gives as well fleshed out characters. The lead actress is an amazing find. She knows exactly what to do with her character and how far she can go with it. She is believable from start to finish. I wouldn't recommend this movie to people with high morals, because you do get to see a lot of 'genital gore' in the movie. Just look at the plot keywords, if one of the things bothers you this movie isn't for you. All in all this movie is for people who like to see something different for achange, not that manufactured sh!i from Hollywood these days. If you don't take this film too seriously and you have a good sense of humor, this movie is a must see for you. I give it 7/10 because the ending is not that good and IMO it could have been longer.

Teeth is certainly original in it's concept and it's delivery. It starts off very promisingly. It establishes it's mood promisingly, and I have to say, I did not expect what I got. The film is about a young girl who is keen on abstinence, but after she discovers her vagina has teeth, she uses it to target to those who plan to sexually use her. That is the basic story, but the film only gets to that in it's last half hour. It is supposed to be a horror comedy, and I have seen a lot of horror comedies. Evil Dead 2, Drag Me To Hell, Cabin Fever, and to a lesser extent, Scream. The horror aspects and comedy aspects worked in all of those, yet here, the tone is so different. I expected more comedy, yet even when the funny parts happen, it does not seem like a comedy, or even a horror. I do not know if this is a product of it being a truly unique film, or just that the comedy aspects of it failed. I thought the first half of the film was more successful, because I did not know what the film was about when I started seeing it, so I thought it would be about the girl finding her sexuality after being raped, so when the actual plot kicked in I was so shocked. I was shocked because the film's first 30 minutes establish it as some sort of dark drama, neither horror or comedy. I felt as if the film did a complete 360 and all of the ideas it put in my head earlier were erased to make room for the 'comedy' section that it wanted to have, as well as the horror aspects. I also thought it should have been longer if it really wanted to explore more about her and her vagina, since like I said, the actual plot does not kick in until almost an hour into the film. But that is not to say I did not like the film. I did like it, probably more than it seems right now. Some of the writing was very clever, and it reminded me of Diablo Cody's form of writing (in both Juno and Jennifer's Body). Some of the scenes in the first half, especially the one in the cave where all goes wrong, was very brutal and, like I said already, shocking because I did not expect that. Jess Weixler was another highlight of the film. I thought she started off sort of awkward, but I get that was her character, and she completely pulled off her change in character. I never thought of her as sexy at all, and yet the last scene I was like 'WOW look at her'! Of course, this was all because of her acting skills. The ending was unsatisfactory because I felt this film had so many ideas and themes it could have explored more, yet it was just happy wit itself for being a 'vagina revenge film'.

Overall, I did like this film, but it is so difficult for me to grasp on it completely, just because I do not know if it is a product of the film's quality, or lack of quality, that it's tone is so unusually dark for a film about vagina teeth. Also because I find it harder to enjoy without it being a funnier film, and because I thought it could have explored so much more on female sexuality. I saw this film because I heard it had some of the same concept of the newer horror-comedy Jennifer's Body. I can say that while this film did have darker and more interesting themes (than Jennifer's Body) about female sexuality and purity in the beginning, it all seemed to vanish for the most part to a still enjoyable, but lesser film whose fundamental question is 'Next time I am with a girl, should I be scared that my genitals will be chopped off'? But I am sure I will not forget this film simply because of it's originality.

The premise alone can speak for the originality of the movie. Most audiences will be rushing to this film out of sheer curiosity, I know I did. While this movie is graphic, the conflicting tones of horror and comedy give it a playfulness and a freshness that any true movie-lover could appreciate. Now, its not by any means the best movie ever or the funniest or most horrific but it shines its light. The story and characters are all cheesy/campy but thats what gives this movie its charm. Its almost like whats going on is so absurd and awful and awkward you have no choice but to laugh! I don't recommend this film to the faint of heart but if you are in the mood for something new and will keep you talking for weeks, then I say this is the film for you. If anything, just to say you saw it is quite enough for most people. Women, you'll appreciate it more than you think. Men, you'll be more careful out there in the real world.

I was a little worried about this going in, even as I loved the joke that was the premise: a vagina with razor sharp fangs inside the walls. How much could be done with something like this? As I found out, a lot more than I expected, but especially surrounding it as a nifty satire on the world of abstinence pledgers in high schools. There can never be enough room to make fun of these 'abstinence-only' folk who wear the "Promise Rings" and are amid a self-made desensitized cult that, in essence, dissuades those who do have romantic connections from giving in to their desires. And there's mythology to boot!

If anything, the burgeoning relationship between Dawn (Jess Weixler) and Tobey (Hale Appleman) shouldn't be something they should ever have to avoid. But they do for "purity" sake, despite each others' curiosity about each other's bodies. The first attack is the most savage, and perhaps though the most anticipated, and with a sweet twist: it's a shock to each of them, as she has no idea what is "down there" (all the sex-ed textbooks have the vaginal area censored, this despite the penis right in diagram, a possible reference to how it turns out in visual-style in the picture as men may grab their crotches in unified pain).

To be sure, some of the satirical jabs and slight plot twists aren't totally effective. While the brother character (effectively played as scum by John Hensley) is needed to move the plot along at a crucial point, there's never much explanation to how he's such a sex-psycho with a big dog. There's also a touch of familial drama that feels a little forced (though, again, as part of disbelief that must be upheld throughout). What I liked, and at times even loved, as the pure abandon, like a talented filmmaker tackling the sexploitation genre with some juicy under-cutting to the society that this springs out of. Somehow this guy in his 50s- his first feature no less after years of acting gigs- has crafted some of the funniest penis jokes that could never be fathomed by, um, most people. To say it's a guilty pleasure doesn't do it justice, be it the most obvious jabs or the visual gags and symbolism (the cave opening, the phallic rocks, etc).

One more note: this is truly a "breakout" performance as Weixler plays Dawn for all its worth as a character who truly has an "arc", if you could call it that. Whether it's the sexually confused innocent early in the film, to the totally mind-f****d soul who realizes an old myth called Vagina Dentata may be why she has this via nuclear radiation, and then onward as someone who can use that tunnel of love for all its worth. She's someone to look out for in the indie world, and leads this film along like it's worth every minute. 7.5/10

The trend of imbuing horror films with a quirky sense of irony cribbed from the hell that is adolescence (think "Ghost World" with gore) may have finally run out of steam with "Teeth," a moderately impressive (though unspectacular) yet overly precious and self-aware stab at subverting the genre's gender roles. Writer-director Mitchell Lichtenstein's concept (a puritanical virgin who grows up next to a nuclear power plant discovers a mean set of incisors below the waist when her sexuality blooms) is intriguing, and some of the film's best moments possess a surreal quality that almost transforms the material into a metaphorical extension of Dawn's (Jess Weixler) awkward adjustment to womanhood. While much has been written about gender roles in the horror genre, "Teeth" cleverly manages to have its cake and eat it, too: Dawn is treated as a haplessly naive girl by every male she encounters; the males are predatory, would-be rapists. In films like "I Spit On Your Grave" and "Ms. 45," the female victims recover to enact revenge in an extreme manner--"Teeth" playfully subverts Freud's notion of "penis envy" by transforming male genitalia into a literal kiss of death; Dawn's encounters (while tinged with a sometimes groan-inducing, "Clueless"-styled humor) eventually contribute to her growth and maturity as a woman, to the point where she finally becomes master of her domain. While not great, "Teeth" is a worthwhile little sleeper with some food for thought.