The Signal

This movie could have been amazing. The premise was one that hasn't been done to death, the first section was exciting and full of tension... and then it becomes a mess.

This film is split into 3 for some unknown reason and unfortunately this not only breaks the tension and flow, it also changes the tone entirely. Had the film continued in the vein of the first segment, it would have been brilliant, but by the halfway point I was wishing for it to end.

The cast are good, the idea is great...unfortunately the execution tailed off into a disappointing mess that I no longer cared about and wanted to end. There is something incredibly sad about so much promise coming to nothing.

I saw this for the first time in 2008 on a dvd which I own. I bought the dvd without watching the trailer or reading any imdb reviews. I found the poster cool n it has a very glowing review by aint it cool news.

When i saw this for the first time, i found it to be surreal n a different take on the "crazies". But aft revisiting it recently, i found it to be a bit lengthy with some irritating flickering lights n non linear approach and a not so cool ambiguous ending.

The film has lots of gore, some scary situations n a hilarious decapitated head talking scene.

The Signal is one story, broken into 3 specific acts. Each act is written and directed by a different person, which is neat, but it didn't quite work out. I enjoyed watching it, but I can't recommend it.

The idea is very cool, and the first two acts are solid. The first act feels like a tense horror film, which is what I expected. The second act was very funny and had a totally different tone, which was a cool change.

The third act, however, was a total mess. It honestly felt like the writer had a pretty tenuous grasp on what they wanted the story to be. They couldn't commit to what they wanted the signal to actually do, so some people were effected in a drastically different way than every other character had been previously.

Act 3 started fine, but quickly felt forced, and confusing in a non-mysterious way. Every character becomes an unreliable narrator, and you have no idea what's actually happening. That sounds cool, but it wasn't done well, so the entire ending feels like a chaotic mess. The answers you want aren't provided, and the story you get isn't good.

Additionally, Act 3 jumped the shark when it comes to over the top lighting. Expect every moment for the last 20+ minutes to be 90% bright, blinking lights, full of quick cuts to different bright, blinking lights and loud noises.

This movie was definitely an amazing find. I received tickets online to go to a showing at the local Magnolia theater, which only shows Indie films. It was definitely worth driving through an hour and a half of traffic to see this film. The movie turns to three different directions but keeps the plot on track most of the time. It's by three different directors who all have their own styles that work for this film. The first segment, the director does a great job introducing us to the characters and setting up the universe for us. the second director has a hilarious sense of humor that definitely show us the "Crazy" in these crazy people, and almost makes us sympathize with these killers. And the third director brings us back to the action, and takes the audience down a winding and twisting crooked road that doesn't stop until the credits start. I was so glad to hear that this was getting a national release and I hope that people will go see this and experience a truly terrifying, but surprisingly humorous, scary movie.

Kego

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

This bizarre little horror film that appears to have come out of nowhere seems, judging by it's style and appearance, to be a homage to the grainy 1970s horror flicks from the likes of Dario Argento or other such luminaries. Playing out in various acts (i.e. Act I: Transmission and such...) maybe the feeling isn't so much homage as one of trying to be clever and post ironic, but either way the film has the feeling of a particular type of grainy horror flick.

The driving force seems to be AJ Bowen's possessive husband, tracking his unfaithful spouse (Anessa Ramsey) after being driven mad by a twisted transmission in the tellys, leading to a whole succession of mad plot twists, until saviour (hopefully) arrives in the form of Justin Welborn's more rational bit on the side. There's plenty of blood splattered violence on display, some of it seriously pushing the boundaries, but all done with a noticeable and decent tongue in the cheek that balances it all out. The plot alone is complicated and, yes clever enough that at least two viewings would be a good idea. While this doesn't manage to be a classic of any kind, it more than makes for a rewarding enough horror flick. ***