IMDb RATING
6.7/10
2.2K
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A sex and drug-addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction," where instead he is faced with the truth in his heart and spi... Read allA sex and drug-addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction," where instead he is faced with the truth in his heart and spirit.A sex and drug-addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction," where instead he is faced with the truth in his heart and spirit.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Greg Serano
- Hector
- (as Greg Serrano)
- Director
- Writers
- All cast & crew
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Featured reviews
Wow - this movie really blew me away. It managed to tackle an extremely difficult subject with Honor, Love, and Respect for both sides of the issue. I agree with another reviewer that Judith Light was overlooked for an Oscar Nomination that year. What an incredible performance.Cad Allen, too I think gave one of his best performances to date. Can you believe that this is the writer's only work, so far? I hope he is working on other things, as a writer. If anyone who worked on this film reads this....a big CONGRATULATIONS & THANKS! This is what film making should be about. A film that can help to bridge gaps with honesty, understanding, and self awareness.
There is a whole list of things I liked about this movie. Though it has some flaws, they are far outshone by the good.
The setting of the movie and the approach to the characters is brilliant. Most movies that show non-urban, non-coastal US cities fall into a trap of playing the setting and the characters for laughs, or at least exaggerating the local color for effect (witness Coen Brothers movies, for example). This movie didn't fall into the self-conscious exaggeration, which inevitably keeps the audience at a distance. Instead, it shows most things in a very human level--you're not looking down on, or sideways at, or with an outsider's view of the people or situation. This is the water you're swimming in. You're there to witness what is going on without the self-conscious, ironic and "precious" aspects that many directors are afraid to leave behind. This view of the rural West feels very genuine (and I know because I've lived there before).
The acting by Judith Light and Stephen Lang is phenomenal and that by Chad Allen and Robert Gant is very good. The large cast of supporting actors is largely very good, too. It becomes even more amazing that they pulled this off when the movie makers undoubtedly were working on a shoe-string budget. The performances are better than many big budget movies. The script allows for complex characters and the acting is nuanced.
The production values are similarly good for the small budget: beautiful filming, a good musical score and songs that worked just right for the tone.
There is a sense of space and stillness that allows things to breathe and it's a little bit "Zen" once the movie gets going. I didn't find the first few scenes of the movie fit in particularly well with the rest of the tone, but it was a minor annoyance. Some people may be expecting more of an emotional roller-coaster. The script and the direction were taken in a different direction than "hero-against-conspiring-world." You're meant to identify with different aspects of many characters and not only see things from a single perspective. It's harder to maintain a singular emotional intensity based on this focus. I found it quite effective for what it set out to accomplish (not what some reviewers wished it had accomplished instead).
A minor quibble is that some of the quiet lines were hard to hear and understand (though it could've been bad audio compression artifacts since I watched it on Netflix instant watch so it was not full DVD quality).
You really should see this movie if you care about any of the themes it addresses or you love to watch good acting.
The setting of the movie and the approach to the characters is brilliant. Most movies that show non-urban, non-coastal US cities fall into a trap of playing the setting and the characters for laughs, or at least exaggerating the local color for effect (witness Coen Brothers movies, for example). This movie didn't fall into the self-conscious exaggeration, which inevitably keeps the audience at a distance. Instead, it shows most things in a very human level--you're not looking down on, or sideways at, or with an outsider's view of the people or situation. This is the water you're swimming in. You're there to witness what is going on without the self-conscious, ironic and "precious" aspects that many directors are afraid to leave behind. This view of the rural West feels very genuine (and I know because I've lived there before).
The acting by Judith Light and Stephen Lang is phenomenal and that by Chad Allen and Robert Gant is very good. The large cast of supporting actors is largely very good, too. It becomes even more amazing that they pulled this off when the movie makers undoubtedly were working on a shoe-string budget. The performances are better than many big budget movies. The script allows for complex characters and the acting is nuanced.
The production values are similarly good for the small budget: beautiful filming, a good musical score and songs that worked just right for the tone.
There is a sense of space and stillness that allows things to breathe and it's a little bit "Zen" once the movie gets going. I didn't find the first few scenes of the movie fit in particularly well with the rest of the tone, but it was a minor annoyance. Some people may be expecting more of an emotional roller-coaster. The script and the direction were taken in a different direction than "hero-against-conspiring-world." You're meant to identify with different aspects of many characters and not only see things from a single perspective. It's harder to maintain a singular emotional intensity based on this focus. I found it quite effective for what it set out to accomplish (not what some reviewers wished it had accomplished instead).
A minor quibble is that some of the quiet lines were hard to hear and understand (though it could've been bad audio compression artifacts since I watched it on Netflix instant watch so it was not full DVD quality).
You really should see this movie if you care about any of the themes it addresses or you love to watch good acting.
I love gay films, and this is one of the better ones I have seen. I grew up in the Midwest, and I know only too well the struggle to reconcile who you are with the religion you grew up with. It's easy for some to write off religion or to say that it is outdated, or shouldn't matter; the truth is that for many people faith and God are important in their lives. And this movie addresses that struggle. Some won't like the movie because there's not a clear-cut good and bad, and it is clear that although sometimes people acting "for the Lord" can be misguided, there is also a lot of good that can be done. The actors are amazing. I actually was not familiar with any of them before watching this film, but I was very very impressed. Watch it! It's beautiful and truthful all at once.
This was certainly not what I expected. having seen But I'm a Cheerleader, I thought it might me another film about some misguided bigots that think they can change a person's sexual orientation. It was much better than that.
Judith Light was fantastic in a subtle and deep performance as the head of a house that gives those with addiction issues, and who also happen to be gay, a chance to find themselves. Yes, it is done from a Christian perspective, but it really seems to be Christian, and not the counter-programming or brainwashing we usually see.
Mark (Chad Allen) has issues with drug and alcohol addiction and was sent to Genesis House after a suicide attempt.
Gayle (Light) and her husband Ted (Stephen Lang) work to keep the wolf from the door as they help their residents find Jesus and themselves. There always seems to be something going on in their marriage. It really get heated as Scott (Robert Gant) and Mark become closer.
We never really find out why Ted and Gayle's marriage is so strained. maybe it is because he is coming from an alcohol addiction background and is more accepting, while she is trying to make amends for driving away her son without really understanding that love exists in all forms, straight or gay, and that acceptance of others is the only truly Christian way of living.
Judge ye not...
There were some excellent performances in Robert Cary's film, along with beautiful New Mexico scenery and a great soundtrack.
Judith Light was fantastic in a subtle and deep performance as the head of a house that gives those with addiction issues, and who also happen to be gay, a chance to find themselves. Yes, it is done from a Christian perspective, but it really seems to be Christian, and not the counter-programming or brainwashing we usually see.
Mark (Chad Allen) has issues with drug and alcohol addiction and was sent to Genesis House after a suicide attempt.
Gayle (Light) and her husband Ted (Stephen Lang) work to keep the wolf from the door as they help their residents find Jesus and themselves. There always seems to be something going on in their marriage. It really get heated as Scott (Robert Gant) and Mark become closer.
We never really find out why Ted and Gayle's marriage is so strained. maybe it is because he is coming from an alcohol addiction background and is more accepting, while she is trying to make amends for driving away her son without really understanding that love exists in all forms, straight or gay, and that acceptance of others is the only truly Christian way of living.
Judge ye not...
There were some excellent performances in Robert Cary's film, along with beautiful New Mexico scenery and a great soundtrack.
This story touches on a very sensitive subject that some film makers in the past have tried to put a story to.(and usually failed) A shout out to the cast and director for having the courage to portray such a story without villianizing or stereotyping either side of the spectrum. It really shows the need to open communication lines for two drastically different people to find some common ground and be able to love each other as human beings. Judith Light was phenomenal in her role as Gayle, a deeply religious woman who, with her husband, runs a church and privately funded house to help men fix their "sexual broken-ness", driven by her own inner termoil and personal experience. Layered with great performances by Chad Hall and Robert Gant contributes to a very eye-opening and touching film.
Did you know
- ConnectionsReferences 1, rue Sésame (1969)
- SoundtracksAll For You
Written and Performed by Dustin Ditomasso
Courtesy of Heavy Hitters Music
- How long is Save Me?Powered by Alexa
Details
Box office
- Gross US & Canada
- $83,397
- Opening weekend US & Canada
- $6,992
- Sep 7, 2008
- Gross worldwide
- $83,397
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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