Danielle, a young psychology student, is trying to rebuild her life when she sublets a century-old Victorian house. Unknowingly, she awakens an evil specter lurking in the dark recesses of h... Read allDanielle, a young psychology student, is trying to rebuild her life when she sublets a century-old Victorian house. Unknowingly, she awakens an evil specter lurking in the dark recesses of her new home. To prove to her sister, Anna, that she isn't delusional again, Danielle sets ... Read allDanielle, a young psychology student, is trying to rebuild her life when she sublets a century-old Victorian house. Unknowingly, she awakens an evil specter lurking in the dark recesses of her new home. To prove to her sister, Anna, that she isn't delusional again, Danielle sets out to document the haunting with horrifying results. She unleashes the soul of Edgar Crow... Read all
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Upper Year College student Daniel has just moved into a new place. A very old, red brick house. In less than a day, she becomes convinced that it is haunted. She starts doing a little experimenting: filming herself at night, going through closets. After doing some extensive research, she finds material which causes her not only to wanna write her masters thesis on horror related topics, but she is driven to perform some very sadistic behaviour, which is increasing becoming a concern (and a threat) to her friends and family.
Director Brett Sullivan knows what he is doing when he steps behind a camera of sits in front of the editing software. He effectively uses technique rather than traditional shock factor to scare the audience. While not the scariest of films, I don't exactly have a long list of films that achieve the kind of effect that the Chair does. some films on that list like Friday the 13th predate the chair, others like Paranormal Activity come after. But this is all contained within the first half. The second part of the feature, is where the blood gets spilled. Sullivan again avoids the superficial approach, relying more on grotesque ideas rather than quantity of bodily fluids to startle the audience. It works, but not flawlessly. This is the dumber half of the Chair.
speaking script-wise, it's not like the first half was perfect either. Most of the dialogue in the Chair is not that great. Nobody has much to say, but at least the delivery shows signs of attempt. Indeed the movie is just as dependant on a strong leading role as it is on suspense. Alanna Crisholm (in her only movie role) makes a pretty credible lead, given the limited room she has to work with. She sells it to us quite well through her face and her body gestures.
The Chair has quite a bit going for it, but not quite enough. It needs a bit of a reworking perhaps, because it stills feels a bit unbelievable in places. It looks as if it is intended to appeal to two different types of horror lovers: the Blair Which lovers and the Saw Lovers. As a horror film, The Chair is successful, but it remains a bit unstable and under fleshed. I did enjoy it though
From director Brett Sullivan ("Ginger Snaps II") and distributed by the now-defunct Alliance Atlantis, this is a relatively low-key film that does not command one's attention. Indeed, it is subtle, and really only exists to showcase the so-called "panic chair" (which only shows up later on).
There is some interesting back story about a mesmerist, a child killer and a professor, but it is all sort of strange. May be brilliant or awful, just too hard to say.
There's mystery, suspense, and creepiness throughout. There's a haunting and even a possession. Then, the chair of the title comes into play, which is as ingenious as it is diabolical! It's a torture device designed to instill hopeless, suffocating terror in its victims, while slowly relieving them of their lives. According to the film's creators, this thing actually works, making it all the more frightening! In spite of its miniscule budget, this movie makes the best of its limitations...
But then a possession-style plot kicked in which, while still fairly entertaining, was nowhere near as powerful as the opening. The final half of the movie fell into a more mundane indie movie style, lost almost all of its creepiness, and sadly got a little unbelievable too. If the director had had the restraint to follow the tone of the first half through to the end it could have been a masterpiece in the haunted house genre. As it stands it's just another indie - far above average at first, then just average after that...
Did you know
- TriviaShot in Director Brett Sullivan's home.
- GoofsAnna's car has no front license plate in long shots, but in closer shots as she drives you can see the top edge of a license plate.
- Quotes
Danielle Velayo: It's all good, sweetie.
- SoundtracksEverything Always Moving
Written by Au4
Performed by Au4
Courtesy of Torn Open Records
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Details
Box office
- Budget
- CA$1,000,000 (estimated)
- Runtime
- 1h 29m(89 min)
- Color