Grace Is Gone

"Grace is Gone" is a very sad, but important film. Until I read about it on IMDb, I had no idea that it was being made. Very subtley, it slipped in and out of theaters. Finally, I found it at Blockbuster and picked it up to watch with my family. At the end, my family remarked on how sad the movie is. They are very right with this comment. In fact, this may be one of the saddest, but beautiful films I've ever seen. It takes a situation that every parent may face and turns it into a beautiful story about family and love.

Stanley Phillips is a dad taking care of his two daughters while their wife and mother, Grace, is in Iraq in the Army. When the news comes one day that Grace has been killed overseas, Stanley is left alone and clueless as to how to tell his daughters that their mother is not coming home. As a way of avoiding the conversation, Stanley takes the girls on a trip to Enchanted Gardens, an amusement park that looks similar to Disney World.

The plot, with Clint Eastwood's beautiful score and James Strouse's great writing and directing, brings the viewer a subtle and beautiful film. "Grace is Gone" definitely stays with the viewer.

9/10

I found the film to be a very sensitive, low-key portrayal of a father having to learn to communicate with his children after his soldier wife is killed in Iraq. It is not political. Cusack's character is an uncritical believer in authority, while his opposite number is shown as an immature oppositionist, lacking grounding in the real world. In their political discussion, both make valid points but neither view is the focus of the film. This is a family tale, with the twist that it is a guy having to cope with losing a soldier spouse, not a woman. Coping here means telling his children that their mother is gone, and his struggle is not exactly new ground. Kramer vs Kramer is the obvious example of a father learning how to cope with fatherhood. Grace, however, shows a pretty decently coping Dad from the git-go. His struggle is more focused. Unable to bear telling his daughters the bad news, and unable to face it himself, he takes them on a fantasy trip to a Disneyworld stand-in, driving from Minnesota to Florida. As with most road trips this is a journey of discovery for him and particularly for his older, 12-year-old daughter. Ultimately, he finds the voice in which to speak the painful words. Cusack is masterful in his portrayal of the struggling widower. The young actresses playing his daughters are completely convincing. One thing that stands out is the minimalist Clint Eastwood score. It supports the sorrowful tale and seems almost to be trying to sooth the grieving father. This is not a cheery, feel good flick in which everyone goes home with a smile on, but it is a satisfying film that offers a realistic portrayal of regular people coping with a very harsh reality.

I saw this at the Traverse City Film Festival.

Grace is Gone stars John Cusack as a husband whose wife has just been killed in Iraq. He doesn't have the courage to tell his two young daughters that their mother has died, so instead he decides to take them on a road trip, perhaps not to just make it easier on the girls but to make it easier for himself.

This film was pretty good but I felt it was flat at parts and some tears were forced. It didn't have as much emotion as I thought it would have. John Cusack does a great job acting in the film, but most of the time his character is just trying to hide the sadness from his daughters. Some scenes drag on and others don't seem to really fit in with the rest of the story.

My favorite scene in the film takes place in a store and involves the younger daughter wandering off on her own. The scene is so subtle and the drama isn't as obvious as other parts in the film, but it's quite an emotional scene. I wish the rest of the film had moments like that.

Politics aren't really discussed much in the film, at least not as much as I thought there was going to be. However, when it does, it goes with the typical cliché of family members differing in beliefs and trying to get their own point across. People will probably be interested in this film because of the subject matter and the modern storyline, but apart from the cause of death of the wife, the war is never really mentioned. In a way, that's why this film doesn't work at times. Apart from the one scene with his anti-war brother, Cusack's character never gets a chance to express his emotions and regrets because he's always with his children.

Nonetheless, as a film about a father trying to reveal to his children the death of their mother, it's a good film. But if you're seeing the film because it involves the war in Iraq, you'll be disappointed because the war is hardly mentioned.

this is a very sad movie. it's about the American public's relationship with the war in iraq, as told through a middle American family.

great incidental music makes this a tearfest. symbolism make the message clear. great acting makes you care. you heard it here first (flicz-11/07/07): john cusack will win "best actor" for this hands down.

i hadn't seen john cusack in a movie before, but he does a great job in a role that is extremely difficult. i don't think most actors could even attempt to play it.

the movie is not heavy handed or overtly judgemental.

not a good date movie. adult oriented. very sad.

Many reviewers gushed about how this movie is a wonderful drama about coping after a loss. Sure it is, but that's not the point of the movie.

It was clear when watching this film that it was one thing only: preachy propaganda. Now, I'm not judging the message of the preachy propaganda, just pointing out what this film is: One strong, loud message, which is so blaring that it scared people away from the box office. It wasn't an emotional fiction, it was 100% political commentary, and moviegoers can smell that a mile away and they usually don't like that. They want entertainment, not a sermon. Not only that, I further submit that John Cusak is an extremely intelligent person and knows exactly what he was doing by agreeing to take on this project. He knew the movie wouldn't do financially well but the message probably spoke to his beliefs.

It's not an anti-war message in the literal sense. The point isn't "War is Bad." It's more of an anti-Bush's stupid notion to go into Iraq itself. It's mostly critiquing Bush's main reason of going into Iraq, namely "Ahm a war prezidunt." Most Americans realize now that Bush wanted to go into Iraq, Iran, Syria, and North Korea for a campaign against evil without 1) understanding the true consequences of attempting it and 2) without the determination to stay hard when things get messy, which things did, which is why he never made it past Iraq. This movie's message is: "Hey, future presidential leaders! Please realize that when you make some tossed-out decision about "gowin' tawore" that you're sending real actual men and women who have lives, who have families, and there will be huge repercussions for each loss, every victim is a major tragedy, not just 'Oh, cool, we only lost 4 this week.'" I think the writer of this movie felt that this message was a necessary one to reach the hearts of every American because he probably believed that the Iraq war was a half-thought out plan that Bush decided on just because he felt like it. To make my theory more obvious, they even had a scene where Cheney or Rumsfeld or whomever was saying the rhetoric of 'if we don't continue our aggression it will be seen as a sign of weakness.' Liberals HATE that line of reasoning, which is why it's in here, to have viewers scream "That's why soldiers are dying?!"

So, where do I stand? I definitely agree with the message of the film but at the same time, I had no idea I was signing up to join a rally for 90 minutes in watching a movie. The obviousness of the film's message was a bit eye rolling, that's all. And it therefore seems like a project or an after-school special for adults that only reached a handful of US audiences. I guess it's good to have it out there for the record. Perhaps it can even be shown in schools. Great, stellar acting by all, for what it's worth.