La fille du lac

This was a delightful detective story about a murder mystery set in a charming and picturesque European mountain village. I liked the subtlety of various scenes and how it was filmed in a unique and interesting style. The actors are all good in this movie and come across as natural and realistic characters who live in an isolated and tight knit community.

There are many different things going on as a veteran detective investigates the mystery and uncovers secrets of the towns people. The film is slow moving however, and requires patience and close attention for enjoyment of the plot, otherwise I could see how this movie's quirky style might be unappealing to the mainstream. The ending is unfortunately abrupt and disappointing, and the mystery wraps up in a mundane and uninteresting manner. Despite this, the movie for most if its running time is well worth watching for those looking for an offbeat and interesting whodunit.

An atmosphere which recalls Georges Simenon but the plot itself is closer to Agatha Christie's whodunit.Although a little MTV quality,the movie is often filmed on location and the mountain landscapes are wonderful.

What puzzles the viewer is that almost all the characters are suffering ,including the cop,who 's got a wife in a mental hospital (probably Alzheimer's disease).Directing is effective if a little remote;but ,this is crucial in this kind of investigation,all the characters are interesting and the cast rise to the occasion.

A girl was killed on the banks of a lake and many people from the village are suspects.If you like detective stories ,this movie was made for you.

This film set in a mountain valley, well received at Venice last year and feted in Italy, is a slow burner for sure. It's sometimes a little hard to tell if it still has a pulse. But it does move on well-oiled wheels. It develops its portrait of malaise with steely control. As in any good murder mystery, which is what this is, everybody has secrets to hide. Many are simply repressed. Others are depressed, angry, or impaired. Several are seriously ill. Perhaps it should come as no surprise that the story is adopted from a Scandinavian source; the lago (lake) was originally a fjord, and the book was Karin Fossum's bestseller mystery novel Don't Look Back (apologies to Nicolas Roeg), which Sandro Petraglia adapted for the screen in collaboration with directorial debutant Molaioli.

Things start when little six-year-old Marta (Nicole Perrone), who has spent the night with her aunt, is sent off home, but on her way is talked into mounting the van of somebody she knows (in this town, everybody knows everybody else), and her safe trip home is derailed. Later, Marta's mother (Maria Sole Mansutti) frantic with worry, and a search that extends beyond the town is begun. The culprit is Mario (Franco Ravera), who's crazy. Harmless, some say. Till he's not, says another.

Though this may seem more a study of provincial angst than a police procedural, the most angst-ridden and the center of the story is a former homicide cop, Inspector Sanzio (well played by noted director and theater man Toni Servillo). He's newly arrived in these parts (Carnia, in the Friuli), but his instincts were immediately awakened by Marta's disappearance. Than Anna Nadal (Alessia Piovan) is found dead by the side of the lake, arranged in a peaceful position and with a coat over her naked body.

Anna has a father, Davide Nadal (Marco Baliani), who loved her excessively; his videos of her have an almost voyeuristic quality. The father of Mario (Omero Antonutti), hated Anna because she had thin legs, and he saw her often running up in the mountains. She was a gifted hockey player, but has recently quit and only runs. The autopsy reveals surprising things about Anna. She has a boyfriend, Alfredo (Nello Mascia), who goes into a funk and stops reporting to work. He's found trying to erase Anna's CD-Roms and with other incriminating evidence. There's another man who says Anna had a crush on him. Meanwhile we get to know the stony-faced but technically impeccable Inspector Sanzio further. His wife is (Anna Bonaiuto) elsewhere and he is hiding secrets about her from his daughter Francesca (Giulia Michelini), which whom he has an uneasy relationship This may seem revealing too much, but when we know this, we still know little; the essential information is yet to come along with the confession of the murderer. That scene is a little too collegial and flat for anyone with a taste for noir. But this is never noir (black); it's gray, gray and misty. And in this "existential" approach to murder—though this is hardly new—it's not so important Whodunit as what's motivating everyone, and how much lies hidden in a seemingly quiet, well-behaved town, the turbulence below the placid surface of the lake.

Andrea Molaioli has worked with directors Nanni Moretti, Carlo Mazzacurati, and Daniele Lucchetti. The Girl by the Lake/La ragazza del lago swept the Italian Oscars with ten Davide di Donatello awards including Best Film, Best Director, Best Editing, Best Actor (Servillo) and Best Screenplay. Shown at the Open Roads: New Italian Cinema series at Lincoln Center June 2008.

'The Girl By The Lake" is a good mystery movie with several suspects and a detective with an insinuating style that gradually arrests your attention. It defies you to pick the murderer and keeps its secret until nearly the last scene, and is gorgeously photographed. The suspects backgrounds and possible motives are uncovered like layers of an onion, so towards the end of the picture you feel you are nowhere closer to a solution than when it started. In this respect it is a masterful screenplay and with an intelligent script. No complaints here, right?

Well, one small one. Why so much talking? Most of us appreciate good screen writing, but this picture had so much of it. Would have been nice to see some action or at least some scenes with some energy, but it's like reading a letter - all the words and sentences are in one tone of voice, with no emotional highs or lows to be found. The movie is saved from a lower rating by the efforts of Toni Servillo as the Police Inspector, a nondescript sort who showed a great deal of charisma and brought his character to life. I do not agree with a contributor who felt the support cast was amateurish as they were competent down to the least character.

This picture is worth a good look and is better than the website contributors give it credit for. The climax was not thrilling, but probably the way many murder cases end in the real world, matter-of-fact and not with guns blazing like in the movies.

I'm glad a movie was filmed in the region where I live! Even though we have always been almost forget by the rest of Italy, our place offers a breathtaking variety of landscapes perfect for filming. More and more directors are realizing that, and other movies are being filmed here at the present time. I found this movie kind of slow though,and I didn't like too much the fact that the main character spoke with a southern accent as well others in the movie speaking with accents other than the Fraulein (spoken in the province of Udine). You could tell it was a production from Rome. Next time make it more "local"! Anyway I liked the plot.