Samsara

Baraka was a film that left me dazzled and mesmerized. Walking into Samsara, I was nervous that my expectations were simply too high, and that the film would too closely mimic its sibling.

I can confidently say that by the end of Samsara, I once again experienced the flick of a light switch in my mind. Everything I am was completely put into perspective. As a result, I can promise that Samsara will leave you both awestruck and completely terrified.

Samsara struck a very personal chord with me. Much of what is shown exists because of people like me. The film is an unfiltered walk through the things that I try my best to ignore in daily life. I'm not sure how to reconcile the imagery of Samsara with how I live my life. I'm also not sure that I want to. It would mean giving up the vast majority of my creature comforts, even though I know those comforts come at the expense of other people, animals and the planet.

The fact the film allows me to think about these things, in a way that I normally wouldn't, means that it worked. 4/4.

This Film captures exactly the great practical joke that is the Human condition. There is just enough beauty to hold the ugliness in check. Life offers an enormous amount of unnecessary suffering and despair only to keep depression at bay with doses of beauty and charity and sacrifice.

Watching this enormously engrossing visual landscape the heart is both warmed and broken. The extremely insensitive and uncompromising modernity, all destined to disintegrate into the sands of time.

The Film lays out the beautiful coating of our Planet, but its underbelly is a constant and bizarre barrage of destruction and decay, some natural, some not so. It is a superficial existence with a lush and plush feeling, but also with a nagging reminder that things can get really ugly really fast.

This can be a hard watch, at times, and that is ironic because of some of the sumptuous images. However, it truly and without apology, offers those breathtaking portrayals along with the other side. That offensive, disturbing, and unattractive side. It seems to say, it's a colorful cruel joke this here Life, and the Filmmaker is in on it.

Samsara is a depressingly accurate account of shallow human materialism, the widespread ungratefulness of our culture, and the incredible arrogance we continue to proudly possess. It features images too powerful to be computer generated and humanity too sincere to be fiction. Even though not a word is spoken, the film's images pack well over a thousand words, making Samsara, hypothetically, the longest work of poetry ever written.

The film chronicles the living conditions, the activities, and the day-to-day routines of many different people across twenty-five different countries. We never do get a true answer where we are at, which works as a method by the filmmakers, I assume, to prevent assumptions and judgments on the places and the people. We are shown many things in these evocative, unforgettable one-hundred minutes, and more depth and enigma than many will experience in their lifetime.

Shots are presented in crystal clear 70mm (if you're lucky enough to find a theater with the proper projector, but regular theater projectors should work efficiently enough), and we get a beautiful look at life in the slums, life in mansions placed delicately on the coastlines, and living conditions in countries such as Ethiopia and the United States. We see early religious rituals carried out, such as Tibetan monks engaged in their prayers or youthful baptisms, as well as contrasting lifestyles that involve dance mobs, suffering, and habitat destruction.

Director Ron Ficke's imagery and global cinematography is gripping and astounding, with long shots centered on characters, groups of people, or sometimes, aerial shots that feature a wide coverage of the surrounding land. My favorites are easily the time lapse sequences, sped up to breakneck speeds, sometimes showing haunting images of uncertainty or simply the fast paced nature of our world.

There are two sequences in particular that are the most haunting, and describing them will be no easy task. One involves a man sitting behind a desk, who begins to smear modeling clay on his face, before grabbing a tiny paint brush and stroking black and red paint all over himself as well. He begins to vigorously do both things at once, ripping clay off his face only to smear it back on, throw dust in his eyes, stick pencils in his face, etc. The long-shot becomes faster and faster, while jolting music plays in the background. The scene alone is more horrifying and surreal than anything I've seen in 2012, with the exception of Battle Royale.

The other lasts about five or six minutes, involving a barn full of chickens helplessly being sucked into a large, ominous tractor that will kill them and prepare them for tomorrow's meal. From birth to death, they live their entire life in fear and darkness, barely being able to move due to their heavy breasts and increasing plumpness. We too get a look at pot belly pigs, also too heavy to move, as they lay still and allow their piglets to drink milk from their nipples. We then see those same baby pigs hanging from a long line in the air at a condensed factory, being prepared into the bacon you will eat tomorrow for breakfast.

These images are nonetheless painful, but it all resorts back to what I called Samsara in the first paragraph - depressingly accurate, more haunting than fiction, and silently nudging us when we're left agape, saying, "hey, we're to thank for this." And we are. One of the final shots involves a beautiful mural of tiny colored specs being swept away in seconds by men brushing the table it is on. We are stunned that such a beautiful thing would be carelessly wiped away, but it all returns back to the idea that we were too given a beautiful slice of life and the world and we took it for granted and nearly destroyed it. We weren't able to take a second look.

Fricke paints Samsara, which is Sanskrit for "the ever turning wheel of life," as a film that sometimes can laud human activity and then turn around and condemn it. It is predominately a loose picture, that wants you to search for meaning in its images, but unlike Jean-Luc Godard's Film Socialisme, a horrible exercise in a similar field, we can see the images represent something and there's enough ambiguity that we are able to extract many different messages from the source material and are able to provide sufficient evidence to back up our claims. To put it simply, this is one of the best, most intellectually stimulating films of the last ten years.

Directed by: Ron Fricke.

S A M S A R A (my little review)

Ron Fricke, creator of the films Chaos and Baraka creates a tour de sympathy with his third, evocative, deeply stirring, film Samsara, a movie that points directly at personal responsibility, empowerment, and the price of thoughtless consumption, attachment, creation of ideologies to supplant a close relationship with life, but also a sort of raging against the dying of the light... and those who pay the price in society... the spirit of man, the animals we share this planet with, women, children and nature itself...

First off I would recommend this movie, this beautiful movie shot in 70mm full of color and feeling, that traverses the globe, and one's own heart. The film makes a Tibetan sand mandala of us all, blossoms a petal of truth within, then wipes away the dross...

I believe there is not only a definite thread to follow, but it's rather like seeing a natural singularity becoming split into the myriad activities of all humanity, the occurring entanglements, and then how it comes back together into the singularity within the heart, the seat of the soul. We always have a choice to diverge or to return to the inlet of our spiritual sea, the remembrance of our natural state as humanity... I believe the movie gets this across in such a beautiful and simple way that it's life changing. I don't think everyone will get it in the moment, I believe a seed will be planted in some, watered in others, and blossom in others, but for each where they stand, the movie will meet you where you are if you are open to its message.

Go see this movie.

I came across the trailer for Samsara having never heard anything about it before, or the filmmakers involved, but the trailer alone made me want to check it out. I got to see it in IMAX and I'm glad I did as, as everyone else has said, visually it is stunning, so the bigger the screen you can see it on the better.

I have never seen Fricke's previous work such as Baraka so I had no idea what to truly expect when I sat down before it started. I see people have mentioned they got bored after 30 minutes due to the lack of dialog/narration and that overall it's too long but I couldn't disagree more. From the first scene to last, I was totally engrossed in the visual and audio experience. The juxtaposition of concepts and themes worked, I got to see places and activities I didn't know about in a way I have never seen before. The soundtrack is spot on, capturing and switching the moods perfectly. It moves you.

I see critics have said that the message of Samsara isn't clear but I don't think it needs a message. Seeing Samsara has enhanced my understanding, and appreciation for, the way our world is and works, and what really matters most to us. How many times can you go to the cinema and come out a more knowledgeable person?

Samsara is quite simply a work of art and, like all great art, you interpret it in your own individual way and it makes you think. Do yourself a favor and experience it.