Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, ... Read allFilmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
- Director
- Writers
- Stars
- Awards
- 1 win & 6 nominations total
Hiroshi Ishiguro
- Professor and Robot Clone: Japan
- (as Prof. Hiroshi Ishiguro)
Robert Henline
- U>S> Army Veteran: USA
- (as Staff Sergeant Robert Henline)
Tai Lihua
- Lead Dancer: 1000 Habds Goddess Dance, China
- (as Iai Lihua)
Collin Alfredo St. Dic
- Self
- (as Collin St. Dic)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
My boyfriend and I went to see this at the Cinerama in Seattle. For those wanting to see this movie, I highly recommend seeing it in a theater, if possible. It's one that needs to be watched on a big screen with a great sound system to add to the amazing visual and auditory impact. It was also thought provoking and gave us plenty to think about and discuss afterward.
Visually, this movie is one of the best I've ever seen. The time lapse photography as well as the vivid colors and detail... I don't even know how to describe it, as it was like nothing I've ever seen before.
This film screams loudly, despite the fact that not a single word is spoken. It's a journey around the world, showing the immense beauty and the grotesque horrors of humanity, interspersed with stunning natural landscapes and the fallout of natural disaster. Nothing is held back from us and, rather than make a specific point, each viewer is able to take from the film what speaks to them. The filmmakers were able to show some incredible juxtapositions and contradictions, calling into question much of what we take for granted and don't bother to contemplate. On more than one occasion, I was moved to tears, either by the sheer beauty of the scene or out of pure disgust.
The score was so perfectly matched to the scenery that, in some places, it was impossible to believe that the music was not present when the scenes were filmed.
This is definitely a must see and I sincerely hope that we'll be treated to another installment from the filmmaker.
Visually, this movie is one of the best I've ever seen. The time lapse photography as well as the vivid colors and detail... I don't even know how to describe it, as it was like nothing I've ever seen before.
This film screams loudly, despite the fact that not a single word is spoken. It's a journey around the world, showing the immense beauty and the grotesque horrors of humanity, interspersed with stunning natural landscapes and the fallout of natural disaster. Nothing is held back from us and, rather than make a specific point, each viewer is able to take from the film what speaks to them. The filmmakers were able to show some incredible juxtapositions and contradictions, calling into question much of what we take for granted and don't bother to contemplate. On more than one occasion, I was moved to tears, either by the sheer beauty of the scene or out of pure disgust.
The score was so perfectly matched to the scenery that, in some places, it was impossible to believe that the music was not present when the scenes were filmed.
This is definitely a must see and I sincerely hope that we'll be treated to another installment from the filmmaker.
This film has tremendous power, not just from camera technique, but from the simple device of a human face steadily gazing at you. Time and time again humanity intrudes its collective face on you as life plays out across the Earth. Acceleration contrasts with contemplation; Earth rhythms overshadow human activity; no one seems to notice.
Samsara is beautiful, bizarre, and unforgettable. As the film progressed, my convictions as to what is 'for real' began to weaken. We may really be stuck in the same dream state. And always someone 'sees' back at you. Or is Samsara 'only a movie'?
This is not to say there is one correct way to experience or interpret Samara. Your reaction will reflect you only. At times uncomfortable, viewing Samsara is an experience worth having.
Samsara is beautiful, bizarre, and unforgettable. As the film progressed, my convictions as to what is 'for real' began to weaken. We may really be stuck in the same dream state. And always someone 'sees' back at you. Or is Samsara 'only a movie'?
This is not to say there is one correct way to experience or interpret Samara. Your reaction will reflect you only. At times uncomfortable, viewing Samsara is an experience worth having.
This Film captures exactly the great practical joke that is the Human condition. There is just enough beauty to hold the ugliness in check. Life offers an enormous amount of unnecessary suffering and despair only to keep depression at bay with doses of beauty and charity and sacrifice.
Watching this enormously engrossing visual landscape the heart is both warmed and broken. The extremely insensitive and uncompromising modernity, all destined to disintegrate into the sands of time.
The Film lays out the beautiful coating of our Planet, but its underbelly is a constant and bizarre barrage of destruction and decay, some natural, some not so. It is a superficial existence with a lush and plush feeling, but also with a nagging reminder that things can get really ugly really fast.
This can be a hard watch, at times, and that is ironic because of some of the sumptuous images. However, it truly and without apology, offers those breathtaking portrayals along with the other side. That offensive, disturbing, and unattractive side. It seems to say, it's a colorful cruel joke this here Life, and the Filmmaker is in on it.
Watching this enormously engrossing visual landscape the heart is both warmed and broken. The extremely insensitive and uncompromising modernity, all destined to disintegrate into the sands of time.
The Film lays out the beautiful coating of our Planet, but its underbelly is a constant and bizarre barrage of destruction and decay, some natural, some not so. It is a superficial existence with a lush and plush feeling, but also with a nagging reminder that things can get really ugly really fast.
This can be a hard watch, at times, and that is ironic because of some of the sumptuous images. However, it truly and without apology, offers those breathtaking portrayals along with the other side. That offensive, disturbing, and unattractive side. It seems to say, it's a colorful cruel joke this here Life, and the Filmmaker is in on it.
I came across the trailer for Samsara having never heard anything about it before, or the filmmakers involved, but the trailer alone made me want to check it out. I got to see it in IMAX and I'm glad I did as, as everyone else has said, visually it is stunning, so the bigger the screen you can see it on the better.
I have never seen Fricke's previous work such as Baraka so I had no idea what to truly expect when I sat down before it started. I see people have mentioned they got bored after 30 minutes due to the lack of dialog/narration and that overall it's too long but I couldn't disagree more. From the first scene to last, I was totally engrossed in the visual and audio experience. The juxtaposition of concepts and themes worked, I got to see places and activities I didn't know about in a way I have never seen before. The soundtrack is spot on, capturing and switching the moods perfectly. It moves you.
I see critics have said that the message of Samsara isn't clear but I don't think it needs a message. Seeing Samsara has enhanced my understanding, and appreciation for, the way our world is and works, and what really matters most to us. How many times can you go to the cinema and come out a more knowledgeable person?
Samsara is quite simply a work of art and, like all great art, you interpret it in your own individual way and it makes you think. Do yourself a favor and experience it.
I have never seen Fricke's previous work such as Baraka so I had no idea what to truly expect when I sat down before it started. I see people have mentioned they got bored after 30 minutes due to the lack of dialog/narration and that overall it's too long but I couldn't disagree more. From the first scene to last, I was totally engrossed in the visual and audio experience. The juxtaposition of concepts and themes worked, I got to see places and activities I didn't know about in a way I have never seen before. The soundtrack is spot on, capturing and switching the moods perfectly. It moves you.
I see critics have said that the message of Samsara isn't clear but I don't think it needs a message. Seeing Samsara has enhanced my understanding, and appreciation for, the way our world is and works, and what really matters most to us. How many times can you go to the cinema and come out a more knowledgeable person?
Samsara is quite simply a work of art and, like all great art, you interpret it in your own individual way and it makes you think. Do yourself a favor and experience it.
10sgtiger
Baraka was a film that left me dazzled and mesmerized. Walking into Samsara, I was nervous that my expectations were simply too high, and that the film would too closely mimic its sibling.
I can confidently say that by the end of Samsara, I once again experienced the flick of a light switch in my mind. Everything I am was completely put into perspective. As a result, I can promise that Samsara will leave you both awestruck and completely terrified.
Samsara struck a very personal chord with me. Much of what is shown exists because of people like me. The film is an unfiltered walk through the things that I try my best to ignore in daily life. I'm not sure how to reconcile the imagery of Samsara with how I live my life. I'm also not sure that I want to. It would mean giving up the vast majority of my creature comforts, even though I know those comforts come at the expense of other people, animals and the planet.
The fact the film allows me to think about these things, in a way that I normally wouldn't, means that it worked. 4/4.
I can confidently say that by the end of Samsara, I once again experienced the flick of a light switch in my mind. Everything I am was completely put into perspective. As a result, I can promise that Samsara will leave you both awestruck and completely terrified.
Samsara struck a very personal chord with me. Much of what is shown exists because of people like me. The film is an unfiltered walk through the things that I try my best to ignore in daily life. I'm not sure how to reconcile the imagery of Samsara with how I live my life. I'm also not sure that I want to. It would mean giving up the vast majority of my creature comforts, even though I know those comforts come at the expense of other people, animals and the planet.
The fact the film allows me to think about these things, in a way that I normally wouldn't, means that it worked. 4/4.
Did you know
- TriviaFor several years the filmmakers attempted to secure permission to film in North Korea, but were ultimately denied access.
- ConnectionsFeatured in Lucy (2014)
- SoundtracksBali Dance
and "1000 Hands"
Based on "Omaha Clear Skies"
From the CD "Star Songs" © 2010
By Bonnie Jo Hunt & Ron Sunsinger
Bonnie Jo Productions & Sunsinger Productions
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Luân Hồi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $2,672,413
- Opening weekend US & Canada
- $76,222
- Aug 26, 2012
- Gross worldwide
- $4,426,444
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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