The War Tapes

The movie reopened some really deep wounds for me. I was in fact one of the guys in Iraq with the unit that filmed this. It is unfortunate that the Executives refused to recognize the unit as a whole. If it weren't for all 180 of us in Charlie Company, 3rd Battalion, 172 Infantry (Mountain), Scranton-Lacy would not have had the opportunity to get this documentary into the theaters. Let's give credit where credit is due. To my "Brothers-In-Arms" A job well done!!!! And yes, I did feel that the movie was great, all I can say is, DOWN WITH THE MEDIA!!!! They can't report the news, even when their lives depend on it. Here is to the TRUE heroes of the Military!

I don't even know what to say about this film.

Every unit has a different experience in Iraq, but I'm not sure I can say that unit's experience or bearing well represents the Army experience in Iraq. More, I'm not sure I'd want to be rolling with a bunch of guys consumed with filming themselves.

There's also an undercurrent of self-pity in the film--my favorite example is the Sgt with carpal tunnel syndrome. Well, at least he still has a carpal tunnel (or two) to bitch about.

Just one man's opinion.

13 Fox

I have seen a lot of the other documentaries that have come out, gunners palace was good, but this film really captured what soldiers roles were and what they were being forced to protect.

The story goes from pre deployment to post deployment which focuses on a few soldiers lives and families as well.

The film also spotlights where the money is being made in Iraq. Either way, if you care about the war in Iraq, I would strongly suggest watching this film.

Again, it is providing us with another point of view needed to understand whats going on. Great Film.

I just saw this film at the Tribeca Film Festival and was moved by how compelling it was.

Director Deborah Scranton had an opportunity to become an embedded journalist with a National Guard Unit from New Hampshire deployed to Iraq. She turned down the opportunity, but instead gave cameras to several soldiers who agreed to film their experiences while serving their tour of duty. The images are striking and disturbing. The words of the soldiers are as real and raw as anything I've ever seen. These are men who are facing a deadly enemy every day yet still do their job proudly and professionally. The soldiers do not hold back their views on the war; and those views do differ wildly. Nonetheless, they all believe firmly that no matter the reason why we are there, we must finish the job right. It was also a special treat to watch the audience give them a several minute standing ovation during the Q & A. These are all intelligent and heroic men who sacrifice a great deal. Even more amazing, they reveal their flaws for the camera, and their humanity is even more compelling.

Had the filmmakers merely shown footage of the soldiers, that would have been enough. However, they also took footage of the families during the year these husbands, fathers and sons were gone. The wives, girlfriends and mothers show the viewer that not only are the soldiers sacrificing a great deal, but so are the families. The footage of one mother who escaped a war-torn Lebanon only to see her son go off to war as a volunteer was absolutely heart wrenching. I would challenge anyone not to cry at that scene, and many others. Most movies invoke emotion by a good story or good acting. This story is real and the people are real, and that is what makes it so overwhelmingly powerful.

Honestly, I had expected this film to be an anti-war or Bush-bashing screed but the film is both political and non-political. No matter how one feels about the war, this film will make their views even stronger.

This film deserves critical acclaim. More importantly, this film deserves to be watched by as many people as possible.

Deborah Scranton put digvid cameras in the hands of several members of a New Hampshire National Guard Unit deployed to Iraq early in 2004. She then guided their filming of experiences there, reviewing footage fed back via Internet, responding with tips on improving their photography and complementing the content. The Unit stayed in country for 16 months, and was involved in highly dangerous missions, i.e., the invasion of Fallujah in November, 2004, and escorting supply truck convoys here and there. Scranton distilled 900 hours of tapes to yield this 97 minute film that focuses on the experiences of three soldiers.

The footage succeeds in capturing the unpredictability, fear, chaos and ugliness of war. But the scenes that depict these matters make up just part of the film – the most revealing and unique part. Much of the remaining footage is just so-so, not up to the quality seen in professionally shot docs like Gunner Palace or Iraq in Fragments. Still, Scranton's bold experiment, moving beyond freelance or "embedded" photojournalism to the recruitment of soldier-journalists, is a worthwhile effort. My grades: 6.5/10 (low B) (Seen on 10/12/06)