IMDb RATING
6.2/10
1.9K
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In 1976, complex political and emotional forces are set in motion when a young man returns to the race-torn Philadelphia neighborhood where he came of age during the Black Power movement.In 1976, complex political and emotional forces are set in motion when a young man returns to the race-torn Philadelphia neighborhood where he came of age during the Black Power movement.In 1976, complex political and emotional forces are set in motion when a young man returns to the race-torn Philadelphia neighborhood where he came of age during the Black Power movement.
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Watching this film was a deeply moving experience for me. So many times we think we know something about a certain period in history and time, but we don't have a real grasp of the impact the events had on real people, how deep it cut, and how people had to struggle to survive.
In 1976 Philly the remnants of Black Panther movement is transforming itself, and we get to watch how different people choose their directions in life. It was eye-opening to understand how these choices will play out in today's Philly, today's America, 35 years later. The tragic events of the early 70's are bleeding into the love triangle that evolves, and the pain is palpable, thanks to beautiful, thoughtful performances by Kerry Washington, Anthony Mackie and an overall very strong cast.
The director's approach to film-making is essentially European in storytelling style, she employs different visual media modes from documentary to animation without a cheesy effect, and the main characters are complex and believable.
The movie is easy to watch, you root for the people you meet in it, and it allows you to explore simple, yet important questions - how would you act under pressure, who would you choose above all, what sacrifices you would make in life and how do you live with the aftermath of your decisions. Leaving a movie theater and still pondering over these questions a few days later - now, that's a rare occurrence these days.
In 1976 Philly the remnants of Black Panther movement is transforming itself, and we get to watch how different people choose their directions in life. It was eye-opening to understand how these choices will play out in today's Philly, today's America, 35 years later. The tragic events of the early 70's are bleeding into the love triangle that evolves, and the pain is palpable, thanks to beautiful, thoughtful performances by Kerry Washington, Anthony Mackie and an overall very strong cast.
The director's approach to film-making is essentially European in storytelling style, she employs different visual media modes from documentary to animation without a cheesy effect, and the main characters are complex and believable.
The movie is easy to watch, you root for the people you meet in it, and it allows you to explore simple, yet important questions - how would you act under pressure, who would you choose above all, what sacrifices you would make in life and how do you live with the aftermath of your decisions. Leaving a movie theater and still pondering over these questions a few days later - now, that's a rare occurrence these days.
I saw one review on this twisted history movie and had to say something. I lived in this era, I saw the Black Panthers kill a lot of people.I lived in Oakland I saw them burning buildings for no reason except they didn't like the school or the people. I saw them beating up teachers who were trying to help them. The only people killed by these so called 'civilians' were other civilians. The hate was incredible, Oakland turned from a thriving metropolis to a town of empty stores, with newspapers flying in the streets. My whole family lived there my Grandparents were born there and my folks, the town was decent it was full of hard working people. Then the haters moved in and started destroying everything. The city did not help they torn down the Victorian homes that were solid and built slums that had rats within 30 days of occupation because the garbage was everywhere. I saw a whole city implode by shooting and gangs the panthers were just one of many; they were just more talked about than the rest. Anyone who thinks the government was wrong helping the Vietnamese people get away from communist aggression didn't hear the cries for help from them when their cities were destroyed and the people killed in the thousands. We lost only because Congress wouldn't let the military do their job and complete their mission. I know many people from south east Asia that would love to go back to their country if they could worship the way they wanted to without being harassed by the communist regime. Communism isn't pretty! people also forget that the era was full of drugs and immorality it wasn't good and didn't do anything to advance civilization in fact I think it went back a few steps! Docudramas are the bargain basement of movies they take 10 percent real history and 90 percent baloney and everyone thinks it really happened that way! Don't waste your time!
I just recently watched this movie and thought to myself. This movie is phenomenal especially with Kerry Washington. A must see with a outstanding cast and incredible storyline.
Night Catches Us (2010)
A really fascinating look at an African-American reality in Philadelphia in 1976. The plot hook is more sensational than the movie itself—a former Black Panther returning home has to adjust to regular life and accusations of tattling. What really grips you, though, is the "regular life" part, because the acting and direction make this all feel honest and revealing. A slice of life done well.
If the core of the movie is how Blacks of different attitudes and philosophies learn to get along (and not get along) with each other, there is also the more expected acrimony between the Black community and the mostly White cops patrolling it. It's hard to know how accurate this part is, because here we are shown clichés of some very dumb and mean and hardheaded white cops, and maybe that was the norm. I'd like to think that some other movies have it right when there are those bad eggs on the force, but that many make an effort to get along and be reasonable with the people they are protecting.
But maybe one message of the movie taken whole is just how different it was back then, in the shadow of the truly radical and violent 1960s, as the Muslim influence was rising, as power was promising to shift more evenly between groups but was lurching too slowly. Maybe it was just filled with such distrust it led to caricatures for real. There are several segments of archival footage of Panthers and other protesting, and the gritty roughness of those scenes reveals some kind of glossing over of the situation for this fictional version made 35 years later.
The leading actor, Anthony Mackie, and leading actress, Kerry Washington, are both likable and excellent. You might say too likable and excellent—there is a modern feel to their demeanors that's hard to put your finger on. But they're both a joy to watch act and interact. The intentions are low key, and the result is easy going despite the tensions around them. It's a love story after all! Writer and director Tanya Hamilton is making her first feature film here, and she makes the most of her modest intentions.
As a commentary on race relations it is nearly the opposite of Spike Lee's approaches in their highly produced flair. And whatever the limitations of the film and its script, it has the net gain of a feeling of sincerity. Which goes a long way.
A really fascinating look at an African-American reality in Philadelphia in 1976. The plot hook is more sensational than the movie itself—a former Black Panther returning home has to adjust to regular life and accusations of tattling. What really grips you, though, is the "regular life" part, because the acting and direction make this all feel honest and revealing. A slice of life done well.
If the core of the movie is how Blacks of different attitudes and philosophies learn to get along (and not get along) with each other, there is also the more expected acrimony between the Black community and the mostly White cops patrolling it. It's hard to know how accurate this part is, because here we are shown clichés of some very dumb and mean and hardheaded white cops, and maybe that was the norm. I'd like to think that some other movies have it right when there are those bad eggs on the force, but that many make an effort to get along and be reasonable with the people they are protecting.
But maybe one message of the movie taken whole is just how different it was back then, in the shadow of the truly radical and violent 1960s, as the Muslim influence was rising, as power was promising to shift more evenly between groups but was lurching too slowly. Maybe it was just filled with such distrust it led to caricatures for real. There are several segments of archival footage of Panthers and other protesting, and the gritty roughness of those scenes reveals some kind of glossing over of the situation for this fictional version made 35 years later.
The leading actor, Anthony Mackie, and leading actress, Kerry Washington, are both likable and excellent. You might say too likable and excellent—there is a modern feel to their demeanors that's hard to put your finger on. But they're both a joy to watch act and interact. The intentions are low key, and the result is easy going despite the tensions around them. It's a love story after all! Writer and director Tanya Hamilton is making her first feature film here, and she makes the most of her modest intentions.
As a commentary on race relations it is nearly the opposite of Spike Lee's approaches in their highly produced flair. And whatever the limitations of the film and its script, it has the net gain of a feeling of sincerity. Which goes a long way.
Night Catches Us (2010) is a movie I recently watched on Tubi. The storyline follows a man who returns home to his neighborhood after his father passes away. He wants to help his family fix-up the house but quickly comes to the realization he isn't wanted around by his former friends or family. There is one single mother who appreciates who he was and who he is and together they try to overcome some of their inner demons. This movie is directed by Tanya Hamilton (The Chi) in her directorial debut and stars Kerry Washington (Scandal), Anthony Mackie (Avengers), Ron Simons (27 Dresses) and Tariq Trotter (Yelling to the Sky). The storyline for this picture is very interesting and fun to watch unfold. There's numerous mysteries of each other's pasts for the two main characters that keep the audience intrigued. The acting is very good as is the cinematography, settings and backdrops. The character interactions also have the appropriate level of intensity. Overall, this is far from one of the best movies in this genre but is still worth a viewing. I'd score this a 6.5-7/10.
Did you know
- TriviaThis movie reunites Anthony Mackie and Kerry Washington who previously starred together in Spike Lee's 2004 film 'She Hate Me.'
- GoofsThe film is supposed to take place in 1975, but the blue Chevy Caprice police car is a 1986-1990 model.
- ConnectionsReferenced in IMDb's 20th Anniversary Star of the Day: Anthony Mackie (2010)
- How long is Night Catches Us?Powered by Alexa
Details
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- Also known as
- Stringbean and Marcus
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Box office
- Gross US & Canada
- $76,185
- Opening weekend US & Canada
- $13,562
- Dec 5, 2010
- Gross worldwide
- $76,185
- Runtime1 hour 30 minutes
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