L'illusionniste

Simplicity is a very interesting word that is defined in many ways. "The Illusionist" is a film that is synonymous with this word and is a visual representation of the art of simplicity. Nominated for every major best Animated Feature Film award including a 2011 Oscar Nomination birth, "The Illusionist" is more than just one of the best-animated films of the year. Will it win the Oscar for Best Animated Feature Film? Probably not just because "Toy Story 3" went on a record breaking spree within the animation genre, however, "The Illusionist" is just as good as "Toy Story 3" if not a little better. The film is based off of a script written in the late 1950s by a French, mime, actor, and director named Jacques Tati, but was forgotten about until Director Syvain Chomet picked up the script and ran with it producing an 80 minute animated masterpiece. The film follows the travels of a French Illusionist from town to town looking for work while performing his artistic magician craft in small shows. However, his profession is lost within the changing entertainment era causing him to lose hope, until one day while traveling in Scotland he met a young girl named Alice. Alice changes his life with her belief that he is actually a real magician seeing through the illusion of magic and personifying it into being. The Illusionist becomes a father or grandfather figure to her as they grow together down very separate paths.

The simplicity of the film goes hand in hand with the authenticity and depth of the very easy to watch story. The animation is 2D brilliance with every image on the screen having deeper meaning of some sort. The film uses its filmatic space avoiding lulls and capturing the viewer's attention with its very short run time. This is achieved by the craft of Director Chomet who has created a picture that is so well done it does not even feel like its animated. This can be attributed to cinematography used with the animation. A camera seems as if it is filming the film almost as an alternative reality in a medium that would not of been as effective if it had not been animated. Authenticity is evident even with the minimal dialogue acting a throwback to a simpler era; silent film. It does not rely on its dialogue at all spreading it few and far between, however, when there is dialogue it is true to the setting and the nature of the film. It is in French and guess what? There aren't any annoying subtitles.

For some viewers the fact that the film is in French and that there aren't subtitles (I bet the DVD/Blu-Ray will have the option) it may be very frustrating. Also, this is not necessarily a kids movie. Kids will enjoy the magic behind "The Illusionist", but will not appreciate it as much as adults because of the immense amount of symbolism in the film.

Contemporary film seems to be all about glamor, special effects, and money leading to the creation of hit or miss films. However, film as an art is much simpler than that, which is a metaphor that resonates within the must see film "The Illusionist". Remember simplicity, simplicity, simplicity.

This is a French-British animated cartoon adapted from a script by Jacques Tati with a vaudeville magician main character who looks and moves very much like Tati. Like Tati's films, it is basically a silent, with a few miscellaneous lines and mumblings here and there. It's a very pleasant if wistfully melancholy look at the dying era of live music hall entertainment, set in 1959. The action starts in Paris, and as our protagonist goes on tour it moves to London and then Scotland, where it remains for the rest of the picture. There he meets a young hotel maid who latches onto him like a father figure and the pair try to survive on what he can earn.

It's a nice little film that should have gotten more recognition (it was nominated for the Best Animated Feature Oscar) but the fact that it's a cartoon but essentially a drama (despite frequent droll Tati-style humor) was likely too confusing for mainstream cineplex audiences to wrap their heads around. Tati fans will appreciate the bit where the guy walks into a movie theatre playing MON ONCLE.

Sylvain Choment's latest film adapts a script by Jacques Tati. The film's unique style is only being shown in forty cinemas across the UK, its box office status falling behind the animated Pixar hit Toy Story 3.

Those who are followers of Tati's work or loved Belleville Rendez-vous will inevitably be drawn to such as personal piece. As will those seeking out a different experience from Disney, Pixar and even Studio Ghibli animation. This film, however, may confuse or bore those who are looking for the usual Hollywood narrative. It is a shame the detail of this touching story will be overlooked by so many. KH

All my scepticism was futile, thank God! This animated charmer really oozes Tati's peculiar brand of character comedy from every single pore.

Yes, the story is more sentimental and streamlined than the master's original efforts, but Tati's central issues (such as old-fashioned life-styles and values confronted by modern technology), his eye for detail, his pleasantly reserved humanity and his wonderful sense for comedic timing and subtle gags are all left intact by the careful makers of this gem. And the rendering of the Hulot character with all his distinctive mannerisms is a joy to behold.

Plus, it's good to see beautiful hand-drawn animation for a change (with sparse use of CGI techniques.)

8 out of 10 querulous white rabbits

In 1959 Paris, Tatischeff's old magic tricks with his vicious chubby white rabbit are not exciting the crowds anymore. He is slowly losing jobs and working in worst venues. Performing in London, he accepts an invitation to a remote Scottish island. He befriends Alice. He moves on to Edinburgh and is followed by Alice who thinks he possesses real magic.

There is a melancholy feel throughout this movie punctuated by moments of charming light comedy. The magician's world is slowly fading away. It does take something out of you. The animation is old fashion. It is very touching and full of lost. This is a sad poignant movie.