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4.2/10
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Ludovico is a precious stone merchant who trades between Europe and the Middle East. He is also an Islam convert, with Jihad as his highest religious duty, plotting a terrorist attack on an ... Read allLudovico is a precious stone merchant who trades between Europe and the Middle East. He is also an Islam convert, with Jihad as his highest religious duty, plotting a terrorist attack on an epic scale that will bring the West to its knees.Ludovico is a precious stone merchant who trades between Europe and the Middle East. He is also an Islam convert, with Jihad as his highest religious duty, plotting a terrorist attack on an epic scale that will bring the West to its knees.
- Awards
- 1 nomination total
Jordi Mollà
- Alceo
- (as Jordi Molla)
Dhafer L'Abidine
- 1st Egyptian
- (as Dhaffer Labidine)
Eddy Lemar
- 2nd Egyptian
- (as Eddy Lemare)
Fatah Ghedi
- 2nd Somali
- (as Abdifatah Ghedi)
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For the reviewer here who wrote "the wars between Muslims and Christians started with the crusades " please get some basic knowledge in history before spouting such nonsense. The vast majorities of North Africa, Spain, the near East to include all areas of the Byzantine Empire, to include Anatolia, Palestine, Judea, Egypt, Syria, Lebanon and Iraq were large majority Christian until wars by Islam forcibly converted or killed the Christians in those places. In fact the Crusades were set off by tenth and eleventh century Califs destroying churches by the hundreds
A handful of people seem upset that the complex issue of Islamic terrorism (by far the largest source of terrorism today) is laid where it is to blame, within the Islamacist movement. Sorry but this is a fact.
A handful of people seem upset that the complex issue of Islamic terrorism (by far the largest source of terrorism today) is laid where it is to blame, within the Islamacist movement. Sorry but this is a fact.
If this film had been made by a fundamentalist Christian group lead by the crackpot Koran burning Florida Pastor, I would have believed it. Except for the well known actors, the whole film seemed like one of those church funded efforts usually made with 'C' list players.
Let me list some of the flaws:
The color was awful ranging from almost normal to a washed out blue/green tint to almost no color at all.
Havey Keitel was miscast, and rather than a wealthy cosmopolitan gem dealer able to attract a beautiful young woman, he looked like a seedy old panhandler of the kind you cross the street to avoid. The bedroom scenes were just nauseating.
Did anyone ever shave? Some might find a few days beard growth attractive, I just find it scruffy.
The dubbing was poor. Jordi Molla went from a soft European accent to a sharp American accent in mid sentence several times.
The plot was ridiculous. Not only for the desk pounding propaganda, but the little things, such as why did F. Murry Abraham's character need to be on the ferry to activate the cell phone. He could have done it from the shore in Dover. In an early scene, two terrorists leave their bags under seats in the airport before the shootout with security. What happened to the bags. Were they disarmed before blowing up. Even a five year old could blow holes in this plot.
The lack of subtitles or captions made the dialogue hard to follow for the hearing impaired such as myself. Likewise, the lack of a 'making of' featurette.
Not really a flaw, as you can switch off at the end, but the very lengthy credits which mentioned everyone who had supplied anything and everything for the film in the way of props: e.g. coffee maker, dispenser, hotel furniture, curtains, table ware, and on and on. I am used to hairdressers, make up artists and musicians being credited, and also locations, but this list was ludicrous.
When the best thing you can say about a film is that the singer heard in the opening scene was good, and the scenes of Cappadocia were beautiful, it does not say much for the film overall.
Let me list some of the flaws:
The color was awful ranging from almost normal to a washed out blue/green tint to almost no color at all.
Havey Keitel was miscast, and rather than a wealthy cosmopolitan gem dealer able to attract a beautiful young woman, he looked like a seedy old panhandler of the kind you cross the street to avoid. The bedroom scenes were just nauseating.
Did anyone ever shave? Some might find a few days beard growth attractive, I just find it scruffy.
The dubbing was poor. Jordi Molla went from a soft European accent to a sharp American accent in mid sentence several times.
The plot was ridiculous. Not only for the desk pounding propaganda, but the little things, such as why did F. Murry Abraham's character need to be on the ferry to activate the cell phone. He could have done it from the shore in Dover. In an early scene, two terrorists leave their bags under seats in the airport before the shootout with security. What happened to the bags. Were they disarmed before blowing up. Even a five year old could blow holes in this plot.
The lack of subtitles or captions made the dialogue hard to follow for the hearing impaired such as myself. Likewise, the lack of a 'making of' featurette.
Not really a flaw, as you can switch off at the end, but the very lengthy credits which mentioned everyone who had supplied anything and everything for the film in the way of props: e.g. coffee maker, dispenser, hotel furniture, curtains, table ware, and on and on. I am used to hairdressers, make up artists and musicians being credited, and also locations, but this list was ludicrous.
When the best thing you can say about a film is that the singer heard in the opening scene was good, and the scenes of Cappadocia were beautiful, it does not say much for the film overall.
This one lost me early on at the airport. The editing misplaced the sequence. The security forces had the drop on the bad guys when all of a sudden these two not only get their guns out but manage to shoot several good guys. Impossible to believe. Then again a shoddy sequence (does this group of hapless film makers not expect their audiences to notice what's on the screen?) The last bad guy is shot through the head. A bit of blood is seen on the shoulder of Lydia, that is until the next scene when she sports blood all over her head and blouse. Where'd it come from? Duh! I left the room as the director tried to make me think Lydia would give the stone merchant the time of day. Maybe opposites attract, but I couldn't buy into that idea in this movie.
A total waste of time unless a film student needs watch one about how not to do it.
A total waste of time unless a film student needs watch one about how not to do it.
I'm a fairly passive critic of movies usually, but I would have guilt-ridden nights if I didn't do my part in exposing the crassness of this particular film.
The opening scene, though not particularly original, looks somewhat promising -but it all comes crashing down from there. The B (or C) rate acting is exposed from the first word uttered and the cinematography is rushed and confused. But that's a "relatively" minor fault. The plot is so savagely simplistic, churning out such skewed analyses as 'But not all Muslims are terrorists -Yes, but most terrorists are Muslims' to deliver it's never-trust-a-Muslim message, you wonder how it made it through even the most bigoted film censors. I am ashamed to say that I watched until the end, with the faint hope that maybe this was actually going to turn into one big joke aimed at exposing a narrow-minded western understanding of Islam. But alas, the film stays its course until its dismal, racist end.
Its one redeeming factor is that it is so plain bad, that it serves as an own-goal to those half-wit neo-cons.
Harvey! What were you thinking when you read the script?! What a hopeless waste of money.
The opening scene, though not particularly original, looks somewhat promising -but it all comes crashing down from there. The B (or C) rate acting is exposed from the first word uttered and the cinematography is rushed and confused. But that's a "relatively" minor fault. The plot is so savagely simplistic, churning out such skewed analyses as 'But not all Muslims are terrorists -Yes, but most terrorists are Muslims' to deliver it's never-trust-a-Muslim message, you wonder how it made it through even the most bigoted film censors. I am ashamed to say that I watched until the end, with the faint hope that maybe this was actually going to turn into one big joke aimed at exposing a narrow-minded western understanding of Islam. But alas, the film stays its course until its dismal, racist end.
Its one redeeming factor is that it is so plain bad, that it serves as an own-goal to those half-wit neo-cons.
Harvey! What were you thinking when you read the script?! What a hopeless waste of money.
The photography at times were overwhelming, and at other times seemed to be trying to be too arty. The scene when they show the couple flying and being seen outside as the camera withdraws, is like a scene I have never seen before in any movie. It was an actual airplane, not a prop,and i couldn't see that another plane was flying alongside it just to make that scene. See for yourself what I am talking about. Now for the story itself. Terrorism as performed by some of the so-called Islamic group, was not pleasant to watch, but effective. The actors are very good, especially by Jordi who surprised me with the way he acted as a paraplegic. I actually believed that he was a paraplegic. I spent attention to the scene where his wife was rubbing his bare legs as he was in pain and had to take his medication. I did not see any quick 'stand in' during that scene. I do not know how they did it. I thought Keitel was miscast, regardless weather he was good or not in the role. As for Murray Abraham, he was a bit over the top, in a brief role, thank goodness. I could not feel any sympathy for the actress, although her acting was very good. What she saw in kietel is mystifying..although i suspect any man at any time meeting and flirted with her, had a good chance for some action. True, she was married to a 'half man' as Jordi said in a couple of scenes. The story line had its flaws, not a great film, but worth watching, especially the ending with the paraplegic trying to escape from the 2 terrorist that came to kill him. Interesting scene with all those pipes below the ceiling. Better than the usual car chasing scenes for a change.
Did you know
- TriviaHarvey Keitel and F. Murray Abraham were both born in 1939. Both are also of Semitic origin (Keitel is Jewish and Abraham is of Syrian Christian descent).
Details
Box office
- Budget
- €10,000,000 (estimated)
- Gross worldwide
- $1,029,807
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