Irina Palm

This artful and poignant film is a perfect balance between the sadness of how impotent adults are when a child is ill and the laughter that leavens the sadness. Music of Ghuzu guitar group propels the actions forward. Sensitive camera work doesn't allow us to be more than very limited voyeurs into the workings of a SoHo sex club where our protagonist grandmother, played to perfection by Marianne Faithful, in a role that shows us how multi talented this former rock chick of 1970's fame as the muse for Mick Jagger is as a mature woman. She does what she is able to do for not only her sick grandson, but for her son who is unable to "fix" what a "good father" should be able to. Her moral dilemma is resolved in how she limits and defines just what a "good mother" should do for her children to protect them from life's foibles and cruelties. The Desert Film Society of Palm Springs, CA screened this film on Sat. Dec. 15, 2007 for our 300+ members who thought it one of the best films we have shown this year, along with The Man in the Chair.

Irina Palm is one of those quirky off-beat Brit flicks that you come across every now and again. Based around the life of a middle aged Maggie, widowed, one son and a grandchild dying of a rare illness. Maggie needs a lot of money to pay for the treatment the boy needs, which can only be found in Australia. However, as widow whose main employment seems to have been as a lady who lunches, her work skills are rather non-existent. Also having sold of the family silver and home some time previously there is very little in the kitty to pay for the treatment he needs. However, she eventually finds salvation in the sex trade as an unlikely sex worker however a rather talented one at that. Finding her niche in hand jobs (to be polite) she sets about becoming the best in London and the target of headhunters (or hand-hunters in this case) What I really enjoyed is the sheer brilliant humanity that Ms Faithful brought to the screen as she realizes that there are real people who work the industry, real that is with families, and homes of their own Special mention must go to Miki Manojlovic and Jenny Agutter for two of the best scenes in the film. All in all a well worth the trip out but as its now playing at Art house cinemas might be a little bit tricky to find.

I watched this movie in the preview in my university. I must admit that when my friend told me what it was about I thought it would be one of those dull good-intentioned but poorly made movie. I was wrong.

This movie is powerful and transmits a lot. Doesn't pretend to feel pity, and even though the beginning might be even considered dramatic, it made me laugh out loud several times.

It's the first review I write, but I definitely thought I should drop a line to defend this beautiful story that talks about what can a person do for a loved one, about re-discovering yourself, about avoiding stupid dogmas... And at the end it leaves you with a broad smile and a sense of tenderness that not so commonly a movie inflicts you.

If you like beautiful stories, this is your movie.

When I saw the trailers it looked like a European film and settings, but luckily this movie was in English directed by a German born Belgium director Sam Garbarski.

The story is in a small village near London about a widowed grand-mother Maggie (Marianne Faithful), whose grand son has to undergo treatment in Australia. She has a son Tom (Kevin Bishop) and daughter in law Sarah (Siobhan Hewlett) who can not earn that much to afford the trip to Australia. Maggie loves the grandson a lot but does not have any skills to do work – she has never worked in her entire life. After being rejected at many places, in search of work she lands up in the Soho area (red light district of London) in Mikky's (Miki Manojlovic) sex club / restaurant. Very shy and hesitant – she agrees to the work of masturbating men for a decent sum of Pounds 900 per week. Within no time she becomes the famous Irina Palm (pseudo name) for her skills. Maggie finds a new confidence and self-independence through this new role – which she never thought would become her respected profession. She borrows money from Miki and gives to her son, who becomes suspicious and when he follows her and knows about her new profession and is deeply hurt. He wants her to take the money back and leave the dirty profession.

The movie is about the journey through the mind of Maggie. Her hesitations, her doubts, her fears, her joy, her confidence, her love, and her grandiose – everything is perfect.

Marianne Faithful – who started her career as a singer, and later got involved in film acting – looks beautiful (just google her name and see how beautiful she was in her young days) and has acted honorably in portraying the character of Maggie to its core. She speaks more in her silences, stares and glances than with words. She was the perfect casting by the Director Sam. A special mention of veteran actor Miki Manojlovic – who has played the dark character of Mikky with so much punch and humanness that it is remarkable and not easy to forget. Both Marianne and Miki sparkles the screen with their historic.

A very well directed film by Sam – this is just his fifth directional project. He has also co-written the script with Philip Blasband. Cinematography by Christophe Beacarne is wonderful in capturing the life of a small British village to the dark and dingy streets and hotels of Soho –especially the beginning shot of the village through bird's view and hand held shots of dark back alleys of Soho.

At one point in the movie when Maggie is forced by her son to leave the work, I was longing for Marianne to go back to her profession – because that had brought her self- dignity and self-esteem. But I will not say the ending and spoil of interest.

A very good – sensitive movie! (Stars 7.5 out of 10)

Every now and then a remarkable small film is made. The recent "Venus" starring Peter O'Toole is one. Irina Palm is also one.

This is a story of a middle-aged woman (Maggie, played by Marianne Faithful) worn down by sadness. She must get hold of a substantial amount of money. Forced by necessity and desperation Maggie does something that is at first utterly alien to her, but may yet become an awakening and salvation, a route to an identity she does not know she has and to new love.

Marianne Faithful's central performance is hugely affecting in its undecorated stillness and simplicity. This film is a cut above so many bigger releases. If you like a small story well-told it is for you.