Quand Chuck rencontre Larry

In "I Now Pronounce You Chuck and Larry," Adam Sandler and Kevin James play two New York City fire fighters who pretend to be gay so that Larry's two kids can be raised by Chuck in the event of Larry's untimely death (Larry's wife has been dead for two years and he has not been able to bring himself to date another woman in all that time). The hitch is that to bring this about, the two of them will have to officially register as "domestic partners." Originally, they intend on keeping their "relationship" a secret, but when the government starts sending inspectors around to verify the validity of their claim, Chuck and Larry are left with the choice of admitting to the scam and going to jail or convincing everyone around them that they are indeed an actual couple.

As a "high concept" comedy, "I Now Pronounce You Chuck and Larry" is pretty much a contrived manufacture from the get-go, mixing equal parts humor and sentiment in an attempt to play to the broadest possible audience - which is probably the only way the filmmakers could reasonably have gone with material this dicey. Yet, while the movie traffics in any number of lame stereotypes (gay as well as ethnic), it also has some important things to say about equality and acceptance in an ever changing world. The script achieves about a 50/50 ration in its humor - about half the jokes are zingers while the other half are clunkers - but the movie's heart is definitely in the right place, so much so that you will forgive the filmmakers when the story turns all heavy-handed and preachy towards the end, in what is surely one of the least plausible courtroom scenes in motion picture history. As compensation, the movie actually places its characters in some pretty sticky moral dilemmas at times, the prime one being that, much as we may like and admire Chuck and Larry for all the social barriers they are tearing down, we still hear that little nagging voice in the back of our heads telling us that they are defrauding the public and breaking the law while doing so. Such moral ambiguity is actually a pretty rare commodity for a mainstream American comedy these days.

Sandler and James imbue their roles with a great deal of charm and gusto, and they receive strong support from Dan Aykroyd, Jessica Biel, Ving Rhames and Steve Buscemi.

"I Now Pronounce You Chuck and Larry" certainly isn't up to the level of "Knocked Up" or "Superbad," its summer 2007 comedy contemporaries, but neither is it the cinematic disaster most of the critics have accused it of being. It's an uneven but largely likable romp that makes you feel good about the world when it's over.

OK it is full of stereotypes, yes the movie does old jokes, it is fairly predictable and we have seen it before. The crucial question is this – is it funny? The simple answer is yes. My wife wasn't enthused about this one, but she laughed heartily. For a comedy to be any good you need to laugh out loud at least 6 times. I think I laughed about 10-12 times. Some of the scenes were set up really well and the comedy acting was superb.

OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe – then this one isn't for you. Its as simple as that!

WARNING: I don't know how this film eventually received the PG-13 rating, as there is quite a bit of sexual humor, adult language and male nudity. While for an adult audience this is okay, don't mistakenly think this is a kids movie.

I NOW PRONOUNCE YOU CHUCK & LARRY is a decent time-passer but not a whole lot more. I think most of the problem is that the film makers could have either played the film straight (so to speak) and tried to make it profound or they could have simply played it for laughs. BUT, trying to do both at the same time (like this movie did) tended to lessen the social commentary as well as take away from what could have been a much funnier film. In other words, playing this middle ground, in hindsight, probably wasn't the best idea. As a result, when the film tried to be serious and make gay-positive assertions, it came off as forced and half-hearted.

Considering that the film came out two years ago by the time I wrote this review and by now there are a bazillion reviews already, I won't summarize the film's plot. Instead, let's focus on what I liked. Sandler and James were both very good in the leads--I have no complaints there other than they tried way too hard to make Sandler some sort of stud. If he were NOT a movie star, there is no way he'd be able to get the girls he got in the film (especially pretty and very young Jessica Biel). Some of the supporting actors were very good. I liked Ving Rhames, Dan Aykroyd, the amazing dancing kid and that crazy dancing hobo. However, a few of the supporting actors sucked. Steve Buscemi's character was a caricature with no depth whatsoever as were all the non-gay positive characters--they were one-dimensional and were more like stereotypes than people. Also, how in the heck did Rob Schneider get away with such an awful and offensive performance?! Having him play a Japanese man (badly) hearkens to the days of Sidney Toler and Warner Oland (both Westerners) playing 'Charlie Chan'. I thought those days of having non-Asians play Asians (very broadly) were over--one of the positive aspects of political correctness. Now it is a little-known fact that Schneider's mother is a Filipino, but he still doesn't look the least bit Japanese and his character was MORE over the top than Peter Lorre's 'Mr. Moto'--and was a lot like Brando's impersonation of a Japanese man in TEAHOUSE OF THE AUGUST MOON or Mickey Rooney's in BREAKFAST AT TIFFANY'S (ugghh!!). With Schneider's Moe Howard-like wig, thick classes and buck teeth, he simply is a walking stereotype.

Overall, it's a decent time-passer you can watch if you have Showtime. Otherwise, it's very easy to just skip this one.

... this movie is firmly lodge.

I laughed out loud on more than one occasion. There are a few amusing cameos (my favorite being Dave Matthews as a flamboyant personal shopper). But I think the overall joke hit to miss ratio is probably something like 1 in 10. Sandler and James are just fine in their roles, but they didn't have much to work with. The story doesn't really work- way too many holes, even for a comedy. I think the movie just loses it's touch by going back and forth between overly general, unflattering depictions of homosexuals and sloppy attempts to make Chuck and Larry folk heroes to the gay community. All if it is done in such a way that none of it is believable. The movie is never quite as funny as it should be, and nowhere near as touching as it's desperately trying to be.

This is a film where Adam Sandler literally tries too hard to act manly and cool. This is a very stereotypical movie with a lot of gay jokes thrown in, and has some sexist images of women. Charles "Chuck" Levine (Sandler) and Lawrence "Larry" Valentine (James) are veteran FDNY fire fighters. And during there routine Chuck almost gets killed and Larry saves his life. Soon Larry realizes he has difficulties naming his children as primary beneficiaries in his life insurance due to the death of his wife. So in order to get his benefit he needs to get married. Larry asks Chuck to enter a pretend marriage with him after Larry read a article about domestic partnerships. Chuck declines at first, but is reminded of his debt to Larry so he agrees. The main highlight of this film is when Alex McDonough(Jessica Biel) is thrown into the mix, who play Chuck and Larry's lawyer. I however disliked Adam Sandler in this movie, he just tries way too hard to prove he isn't gay in this film to point it gets a bit annoying and he is like banging every girl that crosses his path in this one, yeah firemen get girls but c'mon. At times it had it's moments and had some funny jokes but it really drags and don't know how to quit. I think it would have been awesome if Chuck and Larry eventually found out they are gay for each other cause Chuck is a sleazy gay character, but I doubt Adam Sandler would do it since he has such a high image of himself which I realized after I finished watching this movie. Basically the film is about Adam Sandler trying really hard to look manly, while there is a bunch of stereotypical gay jokes thrown in. Jessica Biel was really hot and attractive in this and is the main highlight of this film and finds herself in many situations in her underwear. Which is the main point, but her assets is a nice touch, so I can't complain.

5.5/10