Two straight, single Brooklyn firefighters pretend to be a gay couple in order to receive domestic partner benefits.Two straight, single Brooklyn firefighters pretend to be a gay couple in order to receive domestic partner benefits.Two straight, single Brooklyn firefighters pretend to be a gay couple in order to receive domestic partner benefits.
- Awards
- 14 nominations total
Featured reviews
LOL Rob Schneider playing a stereotypical asian, everyone using the f-word for gay -- this is one offensive movie -- but damn, if it isn't refreshing seeing something as obscene as this these days.
Everything is so stuck up and cringey and bad but taking itself seriously these days... that a movie like this, that's nothing too special but an average early 2000s comedy felt fresh AF.
It's pretty funny, has some good friendship moments, wholesome moments, offensive moments... I don't know, I kinda liked it. Like I said, it's a breath of fresh air now, eventhough in its day it was probably nothing too shocking.
I sympathize with gay dudes, because I can imagine how difficult it must be to admit you are one in a world where men are expected to adhere to standards that society pretends aren't there anymore but they are. So this movie also raises some good questions for the viewers. It's actually anything but dumb and offensive, it's pretty thought provoking.
Everything is so stuck up and cringey and bad but taking itself seriously these days... that a movie like this, that's nothing too special but an average early 2000s comedy felt fresh AF.
It's pretty funny, has some good friendship moments, wholesome moments, offensive moments... I don't know, I kinda liked it. Like I said, it's a breath of fresh air now, eventhough in its day it was probably nothing too shocking.
I sympathize with gay dudes, because I can imagine how difficult it must be to admit you are one in a world where men are expected to adhere to standards that society pretends aren't there anymore but they are. So this movie also raises some good questions for the viewers. It's actually anything but dumb and offensive, it's pretty thought provoking.
Dugan's 'I Now Pronounce You Chuck & Larry' starts off like a typical Adam Sandler comedy with the usual lame jokes, but things take off when Kevin James steps in. Parts of the film do remind one of 'Three To Tango' but it has its own jokes and is quite an enjoyable comedic flick. It rests on a thin plot that is lifted by the chemistry between the actors. James and Sandler are supported by a hilarious cast, which includes Ving Rhames (like you've never seen before), Steve Buscemi, Dan Akroyd and Rob Scheider, that provides some excellent comic relief. Jessica Biel has never looked better (what a body!). Child actor Cole Morgen is remarkably talented. And of course Kevin James and Adam Sandler are great. While the film is full of fun and laugh-out-loud moments, fortunately it's not offensive in any way, considering the theme. It's quite pro-gay. Overall, this is a fun film. If one is in search of something light and some laughter, 'I Now Pronounce You Chuck & Larry' is a recommendation.
OK it is full of stereotypes, yes the movie does old jokes, it is fairly predictable and we have seen it before. The crucial question is this is it funny? The simple answer is yes. My wife wasn't enthused about this one, but she laughed heartily. For a comedy to be any good you need to laugh out loud at least 6 times. I think I laughed about 10-12 times. Some of the scenes were set up really well and the comedy acting was superb.
OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe then this one isn't for you. Its as simple as that!
OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe then this one isn't for you. Its as simple as that!
6tavm
I have a gay friend who doesn't fit the stereotype in that he loves the WWE and usually watches crude comedies like this latest Adam Sandler comedy. Many critics have called this movie offensive because of many homophobic jokes that abound as well as the Asian stereotype that Sandler's friend Rob Schneider plays as a Canadian wedding preacher. Well, since I'm Asian-American and I know Schneider is half so, I admit I wasn't very amused by his portrayal but I also decided maybe Rob thought so and decided, "What the hell!" and went for it. But many of the homophobic jokes do work and is partly redeemed by some gay humor that seemed more silly than offensive and some were even hilarious. Besides Schneider, other former SNLers to appear include David Spade, Rachel Dratch, and original cast member Dan Aykroyd. All have some moments. Also appearing are Steve Buscemi, Ving Rhames in a performance you won't believe (or maybe you will depending what you think he's capable of), and a couple of celebrities that recently came out, Lance Bass and Richard Chamberlain. And Keven James isn't bad either! Overall, based on bad reviews, I dreaded this movie but I laughed enough and enjoyed enough to at least recommend this to anyone who can laugh at almost anything. P.S. My gay friend absolutely loved this!
WARNING: I don't know how this film eventually received the PG-13 rating, as there is quite a bit of sexual humor, adult language and male nudity. While for an adult audience this is okay, don't mistakenly think this is a kids movie.
I NOW PRONOUNCE YOU CHUCK & LARRY is a decent time-passer but not a whole lot more. I think most of the problem is that the film makers could have either played the film straight (so to speak) and tried to make it profound or they could have simply played it for laughs. BUT, trying to do both at the same time (like this movie did) tended to lessen the social commentary as well as take away from what could have been a much funnier film. In other words, playing this middle ground, in hindsight, probably wasn't the best idea. As a result, when the film tried to be serious and make gay-positive assertions, it came off as forced and half-hearted.
Considering that the film came out two years ago by the time I wrote this review and by now there are a bazillion reviews already, I won't summarize the film's plot. Instead, let's focus on what I liked. Sandler and James were both very good in the leads--I have no complaints there other than they tried way too hard to make Sandler some sort of stud. If he were NOT a movie star, there is no way he'd be able to get the girls he got in the film (especially pretty and very young Jessica Biel). Some of the supporting actors were very good. I liked Ving Rhames, Dan Aykroyd, the amazing dancing kid and that crazy dancing hobo. However, a few of the supporting actors sucked. Steve Buscemi's character was a caricature with no depth whatsoever as were all the non-gay positive characters--they were one-dimensional and were more like stereotypes than people. Also, how in the heck did Rob Schneider get away with such an awful and offensive performance?! Having him play a Japanese man (badly) hearkens to the days of Sidney Toler and Warner Oland (both Westerners) playing 'Charlie Chan'. I thought those days of having non-Asians play Asians (very broadly) were over--one of the positive aspects of political correctness. Now it is a little-known fact that Schneider's mother is a Filipino, but he still doesn't look the least bit Japanese and his character was MORE over the top than Peter Lorre's 'Mr. Moto'--and was a lot like Brando's impersonation of a Japanese man in TEAHOUSE OF THE AUGUST MOON or Mickey Rooney's in BREAKFAST AT TIFFANY'S (ugghh!!). With Schneider's Moe Howard-like wig, thick classes and buck teeth, he simply is a walking stereotype.
Overall, it's a decent time-passer you can watch if you have Showtime. Otherwise, it's very easy to just skip this one.
I NOW PRONOUNCE YOU CHUCK & LARRY is a decent time-passer but not a whole lot more. I think most of the problem is that the film makers could have either played the film straight (so to speak) and tried to make it profound or they could have simply played it for laughs. BUT, trying to do both at the same time (like this movie did) tended to lessen the social commentary as well as take away from what could have been a much funnier film. In other words, playing this middle ground, in hindsight, probably wasn't the best idea. As a result, when the film tried to be serious and make gay-positive assertions, it came off as forced and half-hearted.
Considering that the film came out two years ago by the time I wrote this review and by now there are a bazillion reviews already, I won't summarize the film's plot. Instead, let's focus on what I liked. Sandler and James were both very good in the leads--I have no complaints there other than they tried way too hard to make Sandler some sort of stud. If he were NOT a movie star, there is no way he'd be able to get the girls he got in the film (especially pretty and very young Jessica Biel). Some of the supporting actors were very good. I liked Ving Rhames, Dan Aykroyd, the amazing dancing kid and that crazy dancing hobo. However, a few of the supporting actors sucked. Steve Buscemi's character was a caricature with no depth whatsoever as were all the non-gay positive characters--they were one-dimensional and were more like stereotypes than people. Also, how in the heck did Rob Schneider get away with such an awful and offensive performance?! Having him play a Japanese man (badly) hearkens to the days of Sidney Toler and Warner Oland (both Westerners) playing 'Charlie Chan'. I thought those days of having non-Asians play Asians (very broadly) were over--one of the positive aspects of political correctness. Now it is a little-known fact that Schneider's mother is a Filipino, but he still doesn't look the least bit Japanese and his character was MORE over the top than Peter Lorre's 'Mr. Moto'--and was a lot like Brando's impersonation of a Japanese man in TEAHOUSE OF THE AUGUST MOON or Mickey Rooney's in BREAKFAST AT TIFFANY'S (ugghh!!). With Schneider's Moe Howard-like wig, thick classes and buck teeth, he simply is a walking stereotype.
Overall, it's a decent time-passer you can watch if you have Showtime. Otherwise, it's very easy to just skip this one.
Did you know
- TriviaWhen Chuck confuses David Spade for Jessica Biel in the playboy bunny outfit, in the shot from behind, it's actually Biel herself in the outfit.
- GoofsIn the firefighter scenes, the firefighters are seen riding on the back of the ladder truck. Firefighters have been banned from riding on the outside of the trucks for decades.
- Quotes
Captain Phineas J. Tucker: Gentlemen, I have a very simple policy. What you shove up your ass is your own business.
- Alternate versionsA kiss between the two main characters (both male) were cut from The United States version of the film to obtain a PG-13 rating.
- ConnectionsFeatured in 2007 MTV Movie Awards (2007)
- SoundtracksSeven One Eight
Written by Matt Goias, Keith Grady
Performed by Fannypack
Courtesy of Tommy Boy Entertainment
By arrangement with Shelly Bay Music
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Yo los declaro marido y... Larry
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $85,000,000 (estimated)
- Gross US & Canada
- $120,059,556
- Opening weekend US & Canada
- $34,233,750
- Jul 22, 2007
- Gross worldwide
- $187,134,117
- Runtime
- 1h 55m(115 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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