Day Zero

I saw "Day Zero" twice during its run at the Tribeca Film Festival and would have welcomed a third viewing. From seeing the trailer at the film's website (http://www.dayzerothemovie.com/) I knew the story dealt with future reinstatement of the military draft in the United States and how three friends spent the thirty days between receiving draft notices and reporting for duty. I was immediately drawn into the film and the lives of these men; I cared about them and what they were going through. The film is character driven and director Bryan Gunnar Cole succeeds brilliantly in getting inspired performances from the talented, but mostly not well-known (to me, at least) cast.

Chris Klein very convincingly plays George, an upwardly mobile New Yorker, who at a young age, has recently made partner in a prestigious law firm. He does not want to jeopardize his career, does not support the war still playing out in the Mideast and diligently searches for ways to dodge the draft. He considers everything from seeking the help of his influential father to self-mutilation – an edge-of your-seat scene. Nor does he want to leave his wife (Ginnifer Goodwin) who has just been declared cancer-free after a five-year battle.

Jon Bernthal is excellent as Dixon, a street-smart cab driver who willingly defends his friends with his fists, but is the solid, caring anchor in the life of a young girl in his building who prefers spending time with him to dealing with her drug addled mother. Sofia Vassilieva is marvelous as the young Mara and I fully expect to see more great work from her in the future. Dixon is eager to serve, which causes friction with his friends' opposing beliefs, but falling in love (Elizabeth Moss) suddenly complicates his life.

The very talented Elijah Wood (and best-known cast member) once again displays the amazing versatility we've seen in all his post-"Lord of the Rings" films. His character, Aaron, is the most interesting and complex. He's a young writer with a successful book who is working against a deadline on his second book. He's clueless, out of shape, bewildered, estranged from his family and in his seventh year of sessions with an apathetic, inept psychiatrist (well done by Ally Sheedy.) He's also certain his draft notice is a death sentence. As Aaron attempts to toughen up and complete his 10-item "to do" list before going off to war, Wood provides some wonderful moments of comedy, which appear in all the right places.

"Day Zero" is ensemble acting at its best and cinematographer Matthew Clark's extensive use of a hand-held camera is perfect for creating a you-are-there empathy with the characters. This is a terrific film that pulls you in and makes you wonder, "What would I do?" It is not a political film; it's a perfectly cast people film and you will love these people. I hope it gets a distributor and the wide release it deserves.

There seems to be a continuing trend(?) to produce (promising) movies these days with (B) Unfinished scripts...where they makeup the last half as they go along to get a 'finished movie'. (B) Lame scripts (that somebody's brother-in-law wrote) and then get embellished to get a 'finished movie'. (C) Indy scripts that get edited (down to the quick) to save time and money and get passed off as a 'finished movie'...

Day Zero...Is a small movie that could have been much more...I left unsatisfied when the movie 'just ended'...I don't expect or need a 'Rings Trilogy' to be satisfied, but would have enjoyed the effort 'a great deal more' with only 'a bit more story'....Otherwise, I'd say 'Zero' is well-written, cast, art directed, shot, etc, etc. But - considering the magnitude of the questions it raises, a bit more storyline would have made this a much better movie effort. The large selection of Vietnam movies from the eighties run the gamut of poor efforts to great movies, but the main difference is that storyline(s) are generally 'more complete'...This movie would have been much better had the storyline (A) been more in-depth concerning the 30 days and the 3 friends...or (B) been more in-depth concerning where and what takes place - after the 30 days...It would also have been much more satisfying from a storyline point of view...Either way, the result we are left with has an incomplete feel and leaves one wanting to see the rest of the story...Possibly there might be a trilogy in the works (or at least a chapter-2)...Sir Vertual

The Draft as a means for supplying the armed forces with manpower ended with the Vietnam War. DAY ZERO is a thought provoking film that raises the question of how today's youth would respond were the Draft reinstated as a result of the ever-growing Iraq War. Writer Robert Malkani and director Bryan Gunnar Cole respond to the question by creating three characters, long time friends, but each with a different response to the forced servitude in a wartime situation. As with any film dealing with controversial subject matter there are ideas presented that will disturb just about everyone no matter their stance on compulsive servitude, and it is that aspect that makes this film work so well in jolting our thinking.

The time is New York, now, and the media has just announced the reinstatement of the Draft to cope with the drained national volunteer army. Three friends receive their draft notices simultaneously: successful lawyer George Rifkin (Chris Klein) whose marriage to a cancer survivor wife Molly (Ginnifer Goodwin) is part of the solid state of life he resists changing; fantasy writer Aaron Feller (Elijah Wood) who is in progress on a novel he must finish while his life is otherwise rather on shaky ground, controlled by his loopy therapist (Ally Sheedy); cab driver James Dixon (Jon Bernthal) who has a past history of being a loner and attempting to control violent behavior. The gamut runs from refusal to even consider the draft (Rifkin) to being nonplussed by the disruption to his psyche (Feller) to gung-ho ready to fight Dixon. The three young men have thirty days to Day Zero and in those thirty days each undergoes profound changes and introspection and self-discovery that very keenly illustrates the effect that such a governmental edict can have on today's youth.

This is ensemble acting that rivals that of any fine film: there are no stars here, only actors portraying emotional changes that are universal in nature. And for a first film by director Cole it succeeds on most levels. In addition to the work of the four main actors there are fine cameos by young Sofia Vassilieva and by Elisabeth Moss. The film is meant to raise questions, challenge our current complacency and our views of the concept or war and military obligation. That it is disturbing is part of the power of the work. Grady Harp

First of all, I was made aware of this movie by friends. And while I was quite an Elijah Wood fan some years ago, I must admit my expectations weren't really that high.

But then I started reading something about the plot and thought, "Hmmm, this *could* be a film worth watching." So, I got myself tickets for the Monday screening at the Tribeca Film Festival. And I don't regret it a bit! So many questions that I have asked myself many, many times were picked up by this movie. Is the war the world is fighting just? Will it help us? Will it make things worse? Why do we feel we must (not) fight? How to justify that? And by having very controversial characters as the main players, you have no problem at all seeing things from both (or rather multiple) sides. Plus, no answers are forced down your throat.

Naturally, there still is a message, but, at least to me, it wasn't, "That's not worth fighting for." but, and that's a message hardly heard, "Suffering doesn't only come from being hurt, but also from (possibly) having to hurt." All in all, I can but recommend this film. A wonderful starting point for having a discussion with your friends (and, even more so, with those you consider do *not* share your opinion on this matter!) So, 10 out of 10 is really what this movie deserves.

I was left speechless after watching Day Zero, and may have to watch it again to fully grasp the full range of lunacy it presents. The film took me through every emotion I believe I am capable of feeling, from fear and laughter to that sneaking sort of anti-nationalism felt by most Americans today: I love my country, but I hate when its government pulls such ridiculous stunts.

Day Zero poses a very valid question: Is it right for a democratic nation to draft its citizens to fight a war for quote-unquote freedom? The film leaves the question open-ended, but definitely casts its vote in favor of yes. Day Zero reminds us that freedom has never been free, and the time may come again that men and women will have to fight for, in the words of Dixon, "Choice... our way of life." I will now admit my bias toward Elijah Wood. I rented this movie solely to see what my beloved Frodo has been up to. I was horrified that Wood was not only regularly sized, but also indulging in mad fantasies of prostitutes and shaven heads. My disturbedness aside, I must say that his performance was really very excellent. However, I must add that the conclusion of his character's story was less than satisfying, despite the fact that it was logical.

Day Zero is an interesting study of three somewhat bland and normal people caught up in modern political mayhem. It would have been more appropriate in, say, 2003 or 4, while the Bush era was at its height, as were fears of the draft returning. History has now rendered the film largely obsolete. However, mediocre script writing rendered the film obsolete almost immediately. It is worth a watch, definitely, but I firmly believe this film will not have real value until we use it to teach the next generation about this time in our nation.

Day Zero is worth watching precisely because it so accurately captures the spirit of fear and independence present in our nation today. It is not the best movie ever made, but it will do.