Love & Monsters

Doctor Who episodes always follow from the Doctor or Roses' point of view. This made a different change, but i seem to find that children didn't like it so much. They want to see more Doctor not a different person.

Adults will find this episode a different and nice change to the usual episode. But still nothing like a normal Doctor Who episode. Russal Davis had a good crack at writing this one, he took a chance a writing something slightly different for the series as a kind of test, somehow i don't think there will be any more of these kind of episodes.

6/10

Series two of the new Doctor Who could well be one of the very best television series ever to appear on British television. I really mean that; I'm not just some raving fan. Love And Monsters was to DW what Revolution #9 is to the Beatles and will draw polarised reactions. Me, I applaud its originality, its zest, its supreme cleverness, and the fact that it was fresh, funny, satirical and wise. Peter Kay, truly proving that 'all planets have a north' was fantastic, as were the rest of the cast. But we've come to expect that from this series now, standards have been set so high. I suggest anyone who disliked this episode should expand the boundaries of their mind - there is really is an incredible world out there, just as the script said.

Clearly, based on the comments left here, "Love & Monsters" is a love it or hate it affair. And probably all you need to know going into it is that after 45 minutes you'll likely fall into one camp or the other. I can certainly see why it would rub someone the wrong way, and yet I feel for the DW fan who doesn't embrace this episode for the wonderful stretching of the show's format that it is.

The episode, written by show runner Russell T Davies, is a great example of why he's in charge of the new series: He's an idea man, and unafraid to try new things, rather than simply fall back on the tried and true. Maybe some of his more radical ideas don't work for everyone? Even with the most mainstream episodes, Davies & Co. don't please everyone, all the time. After watching "Love & Monsters", my 13-year old son was so into it he immediately said, "I didn't even notice the Doctor and Rose were hardly in it."

In Season One Davies took some baby steps (the highly underrated "Boom Town" springs to mind); in Season Two he's confident and willing to go even further. "Love & Monsters" is a bright, shiny example of DW for the new millennium. While many have concentrated on its humorous aspects, few mention the episode's melancholy, which for me, was the core sell.

And on top of everything else, it's got ELO tunes. This fan was in heaven.

In a season that has bee populated by shoddiness - often good ideas are either poorly executed or laden with useless plot gratuities that have become so ho hum lately or the character of Rose is just annoying - this one is more like a little science fiction romantic comedy that just happens to feature the Doctor and Rose and could easily be viewed and enjoyed without ever seeing any other episode of the series ever again.

The plot concerns a guy who becomes very interested in this mysterious figure the Doctor and hooks up with a club devoted to the same pursuit that he meets online. The club is filled with the same kind of awkward but friendly types and their discussions of the Doctor eventually morph into pot luck dinners and a cute, silly little rock band that does ELO covers - until a mysterious fellow shows up and commandeers the group in order to find more out about the Doctor.

Marc Warren is sweet and goofy as Elton and Peter Kay is nicely over the top as the mysterious guy who takes over. It's very light entertainment, but nonetheless touching and funny . . . and out of left field, really. It's nice to see that in this season of retreads and by-the-numbers half thought out junk that writer Russell T. Davies could take a moment to try something a little different for a change.

I lived in england at the cool age of 13 and watched jonathon pertwee cavort with characters who looked like they were glitterock backup singers with mild disbelief...

...But as a young adult in the early 80s I fell in love with the weird insouciance of the Tom Baker era, followed by a mild rooting interest in Peter Davison, further declining until Ecclestone and Tennant revived the franchise for the new millennium...

Back in the 80s the local PBS station KTEH helped fill me in on the doings of the good doctors that preceded Baker and I grew to appreciate Pertwee, and his nemesis The Master... good times...There were also some very well constructed plots/story arcs (the planet pirates, for example) which would take many episodes to resolve But enough of my fanboy credentials

This is an art film episode of Dr Who as told from the the view of the red shirted star trek crewman who will probably perish on the plant's surface.

It is a unique take on the normally unseen collateral damage these great events and adventures have upon the incidental characters. This teleplay looks at the effect on those who are merely aware and interested in the Doctor. It's probably the very first PoMo dr treatment apart from Comic Relief, etc.

This is Rosencrantz and Guildenstern with a handycam and it has that same unsettling realism that the more recent Dr Who episodes have had, and such as were found in some of the 'Historical' Pertwee and Baker episodes that were set in Medieval and Cavalier times in which some technologically advanced being attempted to subvert the flow of history for their advantage.

If this is from the guy with his hands on the franchise then I cheer for the revival of one of the most thoughtful TV scifi series of all time.