Océans

There is a sequence in Oceans that blows my mind. A stone crab emerges from the seabed and crawls along. Another follows. And then a few more follow. The camera then trails these creatures as they make their way to somewhere in the middle of nowhere. The stone crabs are joined by more of their own. Suddenly, in an establishing shot that continues to baffle me, the camera reveals what seems like hundreds of thousands of stone crabs in "a great big orgy". The sandy seabed that stretches for miles and miles could not have been more alive.

That is only one of a number of spectacular scenes on show. Another highly memorable sequence shows deft skill in quick cutting as hundreds of predatory birds dive headfirst into the water at startling speeds as the camera captures their assault on small fishes through above water and underwater shots. The latter is quite incredible, and eerily reminiscent of bullets ripping through the water in the Normandy beach scene of Spielberg's Saving Private Ryan (1998).

Jacques Perrin, whose previous film credits famously include acting as the adult Toto in Tornatore's Cinema Paradiso (1988), director of the excellent Oscar-nominated documentary Winged Migration (2001), and producer of Z (1969) and The Chorus (2004), now has Oceans in his resume, a documentary that explores in amazing detail what happens under the sea, bright day or still night, stormy or fine weather. The result is like nature washing over you as you drown in its unrivalled beauty. There is no gasping for air but the taking in of the vitality of life.

Oceans surprisingly works well as "a thriller". In certain sequences, Perrin opts for suspense, such as the one involving baby turtles as they evade hungry birds, making their way into the sea from the shore in their own version of Normandy. Many of them are eaten while the lucky ones try to survive in the big blue ocean. Even though collectively the turtles represent a faceless mass, we fear for each one of them because Perrin focuses on one or two of them at any one time, heightening the sense of vulnerability.

It is not surprising, however, to see Oceans preaching the ecological message. "Save the planet! Save the animals!" become the general plea for viewers to do their part in protecting their only home in this vast universe. But the plea is not as strong and specifically targeted as what is felt in The Cove (2009), the Oscar-winning documentary that secretly chronicles the slaying of hundreds of dolphins by Japanese fishermen in a hidden lagoon, and has now been controversially and unfairly labeled as "anti-Japanese".

Oceans is lightly-narrated. This is a good move as the stunning underwater cinematography is left to do all the talking, or in this context, to speak in silence to the viewer. Perrin films in cinema verite style; his camera is unbiased, objective, and unobtrusive. His use of original music by Bruno Coulais (The Chorus) is also spot on. Very often, the marrying of melody and motion (that of sea creatures) is a joy to experience, alternating between the subtle and the grandeur.

It's weird to say this but Oceans may leave your forearms bruised. Now, you may wonder why. Well, every once in a while, you might just pinch yourself to see if those beautiful imageries are really real or created with a green screen. Of course, no CG effect could ever replicate nature's beauty. Oceans shows why and that's quite something to think about.

SCORE: 8/10 (www.filmnomenon.blogspot.com) All rights reserved!

Another great achievement from Walt Disney Studios. I had loved Earth, their outstanding documentary from last year and thus eagerly anticipated this film. If you are going to see one movie this year make it Oceans. This is why we go to the movies. An absolutely fascinating, breath taking, thrilling experience for the whole family. Seven tenths of our earth is ocean and even in this age of advanced technology there is still so much we don't know about the silent world beneath the waves. This movie bravely tackles that mystery. It makes us realize how in many ways us humans are so small and insignificant in the scheme of things, we only share three tenths of the earth. I love the part where they show the sea lions and animals feasting on each other (a dog eat dog world ha ha). The two parts of the movie that stood out for me are the ones involving our foolishness in polluting the ocean and killing its creatures (they even show it from space) and the shot at the end of the diver and the great white shark swimming together. Narrator Pierce Brosnan makes an eloquent speech about the importance of man and animals co existing together. I consider Oceans to be the best film I have seen this year and hopefully they will remember it at Oscar time!

First, if you want to watch a movie featuring incredible cinematography, this is the movie to watch. This is the movie that will cause you to ask: "How DID they get that shot?" The ocean is a big place and there's lots to photograph. The denizens of the deep are portrayed in a respectful and almost reverential manner. One scene in which one of the divers is swimming WITH a great white shark was both spectacular and emotional. This is the first movie this reviewer can recall where a great white shark is portrayed as something other than a wanton killer. The majesty of the sea creatures is awe inspiring. They deserve our protection; they must be preserved and they warrant our undivided admiration and respect. Objects for our amusement in captivity and considered a source of food, this movie shows the audience a different side of these sea creatures, a side that we rarely if ever notice or care about, but nevertheless is there. This movie is a definite must-see for children of all ages.

Making its world premiere at last year's Tokyo International Film Festival, Oceans is the latest enviro-documentary to hit the big screens, highlighting that while outer space is touted as the final frontier to be conquered by man, the waters around our land mass hold just as much fascination with the countless of species available in the depths of the ocean. Oceans, by directors Jacques Perrin and Jacques Cluzaud, provide us that glimpse 20,000 leagues under the sea.

For those, like me, who are absolutely clueless about the sea creatures other than what can be put on the dining table, you'll be left quite flabbergasted as you observe the various species being featured on screen, without any prompt or subtitle to label just exactly what creature they are. Of course for those who are schooled by Finding Nemo, you're likely to be able to name some of what's featured, just as the noisy young boy sitting beside me was able to, being somewhat of a help.

Aside from the usual gorgeous cinematography featuring schools of dolphins in motion, and plenty of synchronized swimming, with creatures big and small ranging from the giant whales to the newly hatched turtles struggling to make it to the waters before being picked up mercilessly by their predators, this is one documentary that allows you to go up close to these creatures since cameras were planted into the depths of all the oceans of the world.

It doesn't come across as preachy, because it doesn't wear its ecological badge in such an obvious manner at all in its sparse narrative. Instead, it does so very subtly, reminding us that there are others with whom we share this Earth with, and if we continue to plunder and pollute the land and treat the sea as sewage (so is that gaping hole capped by BP already?), then these are the creatures that we will lose in the near future, causing a major upset in the balance of Nature, and who can predict how Nature's wrath will be incurred back on us.

Nature documentaries are no longer made for the small screen, but have some mighty budget to be able to bring quality to the making of such films, serving to entertain and to capture beauty so rarely seen.

Jacques Perrin and Jacques Cluzaud direct this documentary about marine life with beautiful images of underwater life. You may see something like this on the National Geographic channel, which downgrades the originality of the picture but Brosnan provides excellent narration and these kind of images never die in our minds and it is always lovely to see them again. The nature curious will certainly find something to love and others should to. It's a relaxing meditation and is perfect for kids or adults. The best part is that the film remains a humble length and resists growing ploys for self-indulgence. Only the unnecessary prologue narrative is a bit annoying. Other than that, a bulls eye.