Uschi Obermeier, a German cover model from the 1960s who embodied the dreams of the hippie generation - joins a commune, begins a modelling career, meets rock stars, and travels the world in... Read allUschi Obermeier, a German cover model from the 1960s who embodied the dreams of the hippie generation - joins a commune, begins a modelling career, meets rock stars, and travels the world in a bus, enjoying love, drugs and freedom.Uschi Obermeier, a German cover model from the 1960s who embodied the dreams of the hippie generation - joins a commune, begins a modelling career, meets rock stars, and travels the world in a bus, enjoying love, drugs and freedom.
- Awards
- 2 wins & 5 nominations total
- Mick
- (as Victor Norén)
- Lude
- (as Uwagboe 'Bo' Rydl)
Featured reviews
Uschi, if you ever read this, blessings and happiness to you.
This movie is not about all that. The way I see it, Das Wilde Leben is about a journey, it's about a girl who is free and is not afraid to break boundaries, it's about a girl who uses her beauty to have the adventure of her life. She falls in love with powerful men, she lives wildly, she sees the world. And, above all, this movie is about a powerful woman.
Is the movie true to the historical facts? Is it true to Uschi's life? That's not what's important. It's a movie, not a documentary. Beyond the cheap sets and the historical inaccuracies (if there are any) lays a beautiful and inspiring story.
Uschi Obermaier was (is?) apparently a real person who joined in with what we would call the hippie free-love movement in 1960s Germany. But she was also a model and a very successful one. Much of her modeling was nude or semi-nude, graphically depicted in the film, and the actress certainly has a Playboy-worthy beauty.
German actress Natalia Avelon plays Uschi Obermaier . While she is the central character her life and travels take her many places and with many famous people. The beginning and the end of the film are the same, she is standing nude on the beach, watching a raft burn, symbolic of her relationships that had died and the men with them. In between is her story.
The critic Ebert has a very good and accurate review. Interesting film, but I lived through the 1960s and 1970s, I remember those days, and watching this one didn't do much for me.
Love it or hate it, all it is, is basically a true account (shown in stages) of a supposedly attractive female German model who got by as a result of her looks which anyone can find from every person you can possibly meet. The only difference with this one is that she made-out with 2 members of "The Rolling Stones" during the late 60's and 70's and she made a once wealthy tycoon to waste a lot of money on her by using most of it on an expensive bus for the purpose of traveling. I've only turned it off once upon watching through this, sometimes wondering aimlessly when she's going to disrobe again and make out with someone else since she's often nude throughout along with a few tiny dicks.
Did you know
- TriviaAll entries contain spoilers
- GoofsDuring the street riot scene following the arrest of the Kommune 1 members, an extra glances directly into the camera, notices it and vanishes quickly.
- Quotes
[first lines]
Uschi Obermaier: In Paris that summer, the students wrote "Power to the imagination" on the walls. In San Francisco they danced in the streets, and fought for what had become their way of life. And I was at home in Sendling, a suburb of Munich. I felt I died a slow and never-ending death that day. The only thing that kept me alive was the music. Without that, I would have died. Or worse, I would have turned into my parents. But music alone wouldn't get me out of Senling. That much was clear to me. What I needed was a man. The wilder, the better.
- SoundtracksTränen lügen nicht
Performed by Michael Holm
(Original title "Soleado")
Music: Ciro Dammicco / Bembo Baldan
Text: Maurizio Seymandi / Francesco Specchia / Alberto Salerno
German Text: Michael Holm
© 1974 by Belriver Edizioni Musicali, Milano
Rights for Germany, Austria, Switzerland and Eastern Europe (outside the Baltic)
Edition Accord Musikverlag GmbH & Co. KG, Hamburg
with kind permission of Sony BMG Music Entertainment (Germany) GmbH
Details
Box office
- Gross US & Canada
- $2,616
- Opening weekend US & Canada
- $1,496
- Jul 13, 2008
- Gross worldwide
- $957,744
- Runtime
- 1h 54m(114 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1