Weirdsville

As for a stoner black comedy, the Canadian made "Weirdsville" is as customary as you can get in how it goes about trying to weird you out. Of course what happens is random, wacky and just bizarre (encounters with Satanists and dwarfs), but not too surprising when compared to films of the same ilk. Even so, I found it hard not to enjoy. Mainly for the combination between Scott Speedman and Wes Bentley, who work off each well enough of as the two junkies involved in a crazy night of unimaginable incidents. Speedman plays it mainly straight, where Bentley is rowdy. But the two have some amusing banter and interchanges thanks to a ridiculous, but restlessly smart script. Taryn Manning as the third wheel adds the bite.

Stoner Dexter and Royce accidentally assume their friend Matilda has died from an overdose on the stash they are meant to sell to payback their drug dealers. In the panic of the situation they decide to bury the body. While in the process of burying her in the basement of a drive-in movie theatre, they disrupt a satanic ritual sacrifice and Matilda awakens making the Satanists believe it's the work of Satan. Now the boys are trying to get to her before the Satanists do, while also trying to pull off a heist to pay back their intimidating dealer.

As expected, everything goes wrong for these two slackers. Just like the scene where Speedman's character heads to a grungy toilet to vomit to see a mouse swimming helplessly around bowl and Bentley's character enter to only flush it. The two are stuck in a predicament, which has no easy way out but to simply go all-out and what occurs is haphazard. Director Allan Moyle's style is reminiscent of his previous efforts in "Pump up the Volume" and "Empire Records", but on a cheaper feel. At times it feels like a home video. Still Moyle shows great pacing and flashy touches, as the visuals show some creativity, especially the drug- fuelled hallucinations and this suit's the fragmented style of the unusual narrative with numerous droll characters (Matt Frewer is very amusing in his small part). Still it could have been much weirder than what it was.

"Hey man. You have an icicle sticking out of your head."

Slacker buddies Dexter Ryan (Scott Speedman) and Royce Gordon (Wes Bentley) are forced to sell drugs for Omar to pay off a drug debt. Royce's girlfriend Matilda (Taryn Manning) dies from an OD and the boys dispose of the body in the basement of a closed drive-in theater. A Satanic cult kills a guy upstairs and decides to kill the boys to use all four bodies. Instead, Matilda is revived and the trio escapes the cult. With Omar looking for his money, the boys decide to steal a safe from Jason Taylor (Matt Frewer).

Giving drugs to drug addicts for the purpose of selling to repay their debt to you seems to be a horrible idea. I'm just saying. Anyways, this Canadian indie is trying to be low grade Trainspotting with a dash of Tarantino and Guy Ritchie. It is low grade and the product has been stepped on a lot. It can be seen in the fight between the blonde and the midget. It should be the most ridiculous visual fun. Instead, the directing lacks the energy to drive up the intensity. This has all the intentions and it has some good actors. It's just not as good as it wants to be.

The most positive thing I can personally say regarding Weirdsville is that I did at least keep watching until the end. That said, I just as soon wished I had used the time for something more rewarding. I felt the movie though stylish and reasonably well produced just fell flat in both story and humor.

Classic stoner flicks suck us in in spite of the fact most of us do not actually identify with stoners. I mean a good movie of the stoner genre is wickedly funny and built around likable stoner buddies, i.e., Cheech & Chong, Harrold & Kumar, Bill & Ted...et.al. In Weirdsville I never felt a like for Dex & Royce particularly. They were in a predicament that had them racing against time to come up with money (reminded me of The Blues Brothers). They were being chased by several different "nut jobs" (like the Blues Brothers). The ensuing situations just were not especially funny (NOT like the Blues Brothers which was uber-hilarious).

Granted I'm not the primary audience this flick is aimed at, I mean I'm 48. However, I know a good stoner flick when I see it and this misses the mark. Simply put, not awful by any means...Just not good enough to recommend.

No pun intended - also not really giving away anything, because you have to find out the answer for yourself ... if you watch the movie that is of course. And this quite strange movie is really interesting. It is all over the place, but in that it does kind of copy or inherit the strangeness and the weirdness of its main characters ... off to Weirdsville then.

Really good actors in this too - I had no idea Wes and Scott had done a movie together! This is an odd one anyway. Add to that Taryn and you have quite the trio (of disaster?) ... they are in over their head for sure - but nothing that is not entertaining to watch. You have to keep close watch on what they try to do and where the story is taking us ... because there are some strange turns ... and now I think I have used all the words to describe something out of the ordinary ... quite fitting.

What a fabulous movie full of oddball characters and realistic dialog that is very funny. Two junkies come up with a scheme to pull a job in order to pay off a debt they can't pay at the moment. They get chased by Satan worshipers, dwarfs(or are they gnomes?), and of course the cops now and then. Every twist in this movie is a turn into something bizarre and unexpected and delicious.

I love the character of the female Satan worshiper Treena she's able to kick some ass and nothing looks sexier on a woman than some spirit like that. Maggie Castle soaks up and RULES this minor role and is absolutely delicious in every frame. Maggie Castle - MEOW!!

One of the great things that keeps this movie together is the dialog between old party buddies, it felt very real with the games they play on each other all the time and the continual verbal sparring adds a nice jump to the flick's pace.

This movie reminded me of Pulp Fiction or Killing Zoe or Love is a .45, or Way of the Gun in the way it's an indie style road movie with weird characters all over the place.