A young woman commits a hit-and-run, then finds her fate tied to her victim.A young woman commits a hit-and-run, then finds her fate tied to her victim.A young woman commits a hit-and-run, then finds her fate tied to her victim.
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Stuart Gordon made a masterpiece in Re-animator, and carved a career in the eighties out of schlock horror with a heavy foot in satire. In the nineties he managed to lose his way a little but the naughties has seen him experimenting with genres, providing his most interesting work to date. Edmond was a lurch to the left with Mamet's difficult play, but this film returns him to a genre he's more familiar with, yet the tone is firmly planted in reality.
Some reviewers have suggested that Stuck is simply a thriller but I disagree. Certainly there is a grotesque sort of suspense, yet Gordon has managed to provide humanity to his victim, and show us the type of system that puts so many to the street.
It also shows us how a relatively normal reaction of fear and shock can mislead even the most well meaning person into a situation which climbs out of control with devastating consequences. It will also reinforce the fact that we never know how people will react until placed into a difficult situation, ourselves included.
The film never feels forced. You can believe that this actually happened, (based loosely on a true story) though this takes events to the extreme.
Stephen Rea gives a constrained performance, (pun intended) as the proverbial bug. You'll feel his pain and scream for justice.
I hope Stuart Gordon continues taking risks. His best work may be ahead of him.
Some reviewers have suggested that Stuck is simply a thriller but I disagree. Certainly there is a grotesque sort of suspense, yet Gordon has managed to provide humanity to his victim, and show us the type of system that puts so many to the street.
It also shows us how a relatively normal reaction of fear and shock can mislead even the most well meaning person into a situation which climbs out of control with devastating consequences. It will also reinforce the fact that we never know how people will react until placed into a difficult situation, ourselves included.
The film never feels forced. You can believe that this actually happened, (based loosely on a true story) though this takes events to the extreme.
Stephen Rea gives a constrained performance, (pun intended) as the proverbial bug. You'll feel his pain and scream for justice.
I hope Stuart Gordon continues taking risks. His best work may be ahead of him.
I thought I would give it ten minutes, no expectations whatsoever, but I found myself completely captivated after five minutes and I had an absolutely pure, simple movie experience, like movies are supposed to be. Simple plot, excellent acting, interesting yet plausible characters. Like a "Fargo" light.
I read in a chat room that Mena Suvari's character was not believable, but I strongly disagree. One of the strengths of the movie was, that despite the lead character's horrid actions, she felt very real; a young, unintelligent woman, who completely lacked any understanding of true values, but who still was convincingly portrayed as a person with a warm heart and an appreciated colleague. I do not know how she pulls it off... just brilliant. Also Stephen Rea was great in every scene, but did not have a very challenging part to play. Not a single scene was too long or too short or unnecessary. Just an exquisite little piece! Truly enjoyable and disturbing!
I read in a chat room that Mena Suvari's character was not believable, but I strongly disagree. One of the strengths of the movie was, that despite the lead character's horrid actions, she felt very real; a young, unintelligent woman, who completely lacked any understanding of true values, but who still was convincingly portrayed as a person with a warm heart and an appreciated colleague. I do not know how she pulls it off... just brilliant. Also Stephen Rea was great in every scene, but did not have a very challenging part to play. Not a single scene was too long or too short or unnecessary. Just an exquisite little piece! Truly enjoyable and disturbing!
Watching "Stuck" is not a comfortable experience. Beyond the obvious gut-wrenching events of the film, it will make you wonder, "What would I do in a similar situation?" Stuart Gordon's direction is excellent, as is John Strysik's screenplay. Together they set the stage perfectly for what could easily be an unbelievable series of events. Such is their skill in their respective arenas that you never once feel that the story is contrived.
Mena Suvari and Stephen Rea both deserve kudos as well. It would be easy to lose interest or feel trapped (in a bad way) given the unavoidably claustrophobic nature of the story. Both Rea and Suvari's performances, however, are so fantastic that my interest never waned.
Russell Hornsby, Rukiya Bernard, and Carorlyn Purdy-Gordon add the details to this world that bring it all together. Russell and Rukiya, as Suvari's boyfriend and friend respectively, are fantastic. Purdy-Gordon's turn as Mena Suvari's boss gives us just the right amount of evil-employer without delving into satire.
All in all, a fantastic movie.
Mena Suvari and Stephen Rea both deserve kudos as well. It would be easy to lose interest or feel trapped (in a bad way) given the unavoidably claustrophobic nature of the story. Both Rea and Suvari's performances, however, are so fantastic that my interest never waned.
Russell Hornsby, Rukiya Bernard, and Carorlyn Purdy-Gordon add the details to this world that bring it all together. Russell and Rukiya, as Suvari's boyfriend and friend respectively, are fantastic. Purdy-Gordon's turn as Mena Suvari's boss gives us just the right amount of evil-employer without delving into satire.
All in all, a fantastic movie.
Mena "American Pie" Suvari and Stephen Rea star in this remarkable little thriller that manages to deliver despite it's glaring and obvious flaws.
It tells the story of a woman drunk at the wheel looking at her phone who runs into a homeless man with her car. With him embedded into her windshield she proceeds to drive home, locks the car in the garage and mulls over what to do next.
I like the concept, it's handled well and Stephen Rea is fantastic as our protagonist who you really find yourself caring about to levels you rarely see. In fact I haven't cared as much about a character since The Pursuit of Happyness (2006).
Essentially a thriller it has moments of black comedy, mostly due to Russell Hornsby who was really good here.
The films main flaw is that it's essentially following the antagonist, the lead is the bad guy (Or girl in this case) and that comes across odd especially as it's as if you're watching her plight when she's blatantly the antagonist. Watching Rea struggle against the odds is very enjoyable and builds to a decent finale that really underlines the movies quality.
Despite it's flaws this is a great film helped by a solid premise and decent cast.
The Good:
Stephen Rea
Some great ideas
The Bad:
Having the antagonist as the lead is just odd
I still don't like Suvari, no idea why
It tells the story of a woman drunk at the wheel looking at her phone who runs into a homeless man with her car. With him embedded into her windshield she proceeds to drive home, locks the car in the garage and mulls over what to do next.
I like the concept, it's handled well and Stephen Rea is fantastic as our protagonist who you really find yourself caring about to levels you rarely see. In fact I haven't cared as much about a character since The Pursuit of Happyness (2006).
Essentially a thriller it has moments of black comedy, mostly due to Russell Hornsby who was really good here.
The films main flaw is that it's essentially following the antagonist, the lead is the bad guy (Or girl in this case) and that comes across odd especially as it's as if you're watching her plight when she's blatantly the antagonist. Watching Rea struggle against the odds is very enjoyable and builds to a decent finale that really underlines the movies quality.
Despite it's flaws this is a great film helped by a solid premise and decent cast.
The Good:
Stephen Rea
Some great ideas
The Bad:
Having the antagonist as the lead is just odd
I still don't like Suvari, no idea why
Going around these user comments and outside reviews, I see that some people have labelled "Stuck" as something of a black comedy. Actually, I didn't see it that way. While the movie does have a share of darkly humorous moments, I felt most of the movie was treated straight, as a thriller. And as a thriller, I really enjoyed this movie. The performances are top notch, especially Russell Hornsby playing the boyfriend who talks tough but turns out to be otherwise. There is a lot of suspense as we wonder throughout if the unlucky protagonist will get out of his painful and unfortunate situation or not. Although the movie does seem a little stretched out at times, and the ending is somewhat abrupt, the movie is never boring and will keep you watching until the end.
Did you know
- TriviaWhen the Receptionist calls Thomas to his appointment, she mistakenly calls him "Mr. Brado." This suggests that the reason he is not "in the computer" is a clerical error on the part of the job agency.
- GoofsWhen Bardo does hit the windshield, it breaks rather large, jagged pieces. Automotive windshields are made from a laminated safety glass. They do not break in sheets, but instead "spider-web" when they are struck.
- Quotes
Rashid: It's got his blood everywhere, look what happened to O.J.
Brandi Boski: Yeah, but didn't O.J. go free?
Rashid: That's not the point!
- Crazy creditsIn the opening credits, the title breaks apart, like glass shattered, mirroring the driving event of the plot). The remainder of the credits look like they have been broken and put back together again, again mirroring a major plot point.
- Alternate versionsThere are two versions. The widely available theatrical release clocks in at "1h 25m (85 min)" while the original film festival was "1h 34m (94 min) (Toronto International) (Canada)".
- ConnectionsFeatured in WatchMojo: Top 10 Worst Whitewashed Movie Roles (2016)
- How long is Stuck?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $67,505
- Opening weekend US & Canada
- $8,844
- Jun 1, 2008
- Gross worldwide
- $151,449
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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